Language of the Blues - Edmonton Blues Society

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` 315 Louisiana Folklore Miscellany, May 1958, pp. 21-~43. 316 Dillard, p. 38, from liner notes by Bruce Jackson for Wake Up Dead Man. 317 Lomax, p. 155. 318 319 320 Dr. John. 321 322 323 324 English Dialect Dictionary, ed. Joseph Wright (London: H. Frowde, 1905; reprinted by Hacker Art Books 1962). 325 326 327 Charters, p. 69. 328 All quotes from Herman Ernest, III in this entry are from the auth 329 330 331 Major, p. 407. 332 333 nterview with Mr. Campbell. 334 335 336 From the Afro-American Almanac of Historical Documents, Toptags.com/AAMA. 337 Major, p. 410. 338 339 Oliver, p. 93. 340 Ibid., p. 57. 341 Lomax, p. 70 342 Jones, p. 168 343 Holloway and Vass, p. 147. 344 Major, p. 415. 345 The author thanks former Blues Revue editor-in-chief Andrew M. Robble for this anecdote. 346 347 From telegram sent to Sam Lay by Bob Dylan when Lay was honored by the Recording Academy with 348 349 The Signifying Monkey: A Theory of African-American Literary Criticism, by Henry Louis Gates, Jr., pg. 69 (Oxford University Press, 1989). 350 Mules and Men by Zora Neale Huston, Introduction, p. 1, (New York: Harper Collins reissue 1990). 351 Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia, by Roger D. Abrahams, p. 113, (Hatboro, PA: Folklore, 1964.) 352 Lomax, p. 364. 353 All quotes fro 354 The Card Catalog entry for this song, located in the American Folklife Center's Reading Room Card 355 Prostitutes, Progressives, and Police: The Viability of Vice in San Diego 1900- McKanna, Jr., The Journal of San Diego History, Winter 1989, Volume 35, Number 1. 356 Yronwode. 357 Ferris, p. 35. 358 359 360 Thompson, p. 109. 361 - Spirits.com. 192 Catholic World magazine, June 1886, Southern
` 362 363 ith Robert Jr. Lockwood. 364 365 366 Holloway, pg. 148. 367 Shadow Dancing In The USA, (New York: St. Martins Press, 1985). 368 New Orleans Voodoo Crossroads, by Severine Singh, (Cincinnati: Black Moon Publishing, 1994), New Orleans Voodoo Crossroads.com. 369 370 Ventura. 371 Singh. 372 373 Singh. 374 Ventura. 375 Charters, p. 74. 376 Mules and Men by Zora Neale Hurston, Chapter 4 (New York: Harper Collins reissue 1990). 377 Major, p. 76. 378 Cools Halama, in Essays in Medieval Studies, Vol 13, 1996. 379 Ward Parks quoted by Halama 380 , Laughing Sage.com. 381 Ibid. 382 Ibid. 383 384 New York Times, July 1, 1932, p. 10, according to The Food Timeline.org. 385 All Music Guide online. 193
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` Ebook published February 1, 2012
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` Winner of the 2007 ASC AP Deems T
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` Foreword John Lee Hooker, and
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` To Son Seals, for inspiration vii
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` Savannah Syncopators African Rhy
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` English by Joseph Holloway and Wi
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` nicked words and phrases from the
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` List of Entries Please note that
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` A L C O RUB A The drink of last r
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` Tommy Johnson in his only known p
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` Bad Axe (Alligator Records) befo
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` some people do think that, but if
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` Blues musicians also used bailing
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` Songs: - Bessie Smith/H.Webman
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` Songs: - Lovie Austin, performed
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` Grab hold of a black cat, she tol
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` Armstrong did for the trumpet. Wi
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` exier the drunker the dancers b
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` The singing and drumming of the n
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` griots, who keep tribal historie
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` Songs: - Big Bill Broonzy (Willi
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` Williams explained. 77 deer hun
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` The modern guitar is a direct des
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` No matter what odd device the pla
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` Bessie Smith beaming in a publici
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` dates back even further, to the C
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` The wardens at country prison far
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` C H I C K The Wolof word jigen de
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` The word chitterling comes from O
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` cock. It 104 Muddy Waters, a.k.
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` Bob M argolin and M uddy Waters,
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` Songs: - Bukka White (Booker
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` C O NJUR E To conjure is to cast
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` 119 the force that character Ult
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` always had this sly smile going
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` C R OSS N O T E Tuning the guitar
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` Johnson was believed by some to h
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` 144 Robert Lockwood became know
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` Songs: - Will Day - Robert John
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` Charlie Patton began recording fo
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` good came out of leaving the pla
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` In blues songs, a person who has
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` Memphis M innie flashes her gold
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` touch the dust and the dust begin
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` which he declared: Songs: Big
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` toenail clippings, or skin from
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` around- brothers were called Wid
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` she went out one morning and foun
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` men feared losing their women to
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` When the Europeans came, when the
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` Songs: Gris- - Dr. John (Mac Rebe
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` H E L L H O UND (see also B L A C
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` H O B O C O C K T A I L When you
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` New Orleans boogie- Songs: -
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` for Jewish. He noted that there a
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` Songs: - Leadbelly (Huddie Ledbe
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` Songs: I drink so much of Jake,
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` Bluebird Records in 1941], I star
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` he flame of a black candle, or p
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` African American charms made with
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` In From Juba to Jive: A Dictionar
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` He said he had friends still in A
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` les my den Although harmless to
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` acres of rich farmland that would
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` , Elmore performances in Chicag
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` Ace set the template that Elvis
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` Three factors determine what a mo
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` produced today in Appalachia, mos
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` The connection between prostitute
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` own. The first state lottery was
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Page 150 and 151: ` Songs: - Bukka White (Booker T.
Page 152 and 153: ` to play on metal or a box with t
Page 154 and 155: ` Shankings, or stabbings, were fai
Page 156 and 157: ` Some plantation owners were fair,
Page 158 and 159: ` SH I M M Y The shimmy is a dance
Page 160 and 161: ` SH U F F L E The famous blues shu
Page 162 and 163: ` 350 The African American tales
Page 164 and 165: ` to many songs that Dixon wrote ex
Page 166 and 167: ` Songs: Mmm, where my Third Street
Page 168 and 169: ` the far more popular blues artist
Page 170 and 171: ` Songs: - Peetie Wheatstraw - Ha
Page 172 and 173: ` Blues players sometimes also call
Page 174 and 175: ` Songs in Vestapol: Many fine exam
Page 176 and 177: ` True vibrato requires significant
Page 178 and 179: ` On August 22, 1791, Haitian slave
Page 180 and 181: ` W H O OPI E, W H O OPIN G phemis
Page 182 and 183: ` Songs: - Blind Boy Fuller (Fulto
Page 184 and 185: ` Zombie horror imagery figured pro
Page 186 and 187: ` 39 The Life and Selected Writings
Page 188 and 189: ` 131 132 Chernoff, p. 143. 133 A
Page 190 and 191: ` 225 -jungle.html. 226 The Dictio
Page 194: ` Selected Bibliography Charters, S
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Language of the Blues - Edmonton Blues Society

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