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Language of the Blues - Edmonton Blues Society

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`<br />

39<br />

The Life and Selected Writings <strong>of</strong> Thomas Jefferson, Kock and Peder, editors, p. 258 (New York: Modern<br />

Library, 1944).<br />

40<br />

The African Heritage <strong>of</strong> American English by Joseph E. Holloway and Winifred K. Vass, p. xiii<br />

(Indianapolis: Indiana University Press, 1993).<br />

41<br />

<br />

42<br />

From email exchange between <strong>the</strong> author and ethnomusicologist Steven Taylor.<br />

43<br />

Ibid.<br />

44<br />

<br />

Shadow Dancing in <strong>the</strong> USA by Michael Ventura (New York:<br />

St. Martins Press, 1985).<br />

45<br />

Webster's Revised Unabridged Dictionary (MICRA, Inc, 1998).<br />

46<br />

<br />

Creative Loafing: Atlanta, April 10, 2002.<br />

47<br />

Major, p. 36.<br />

48<br />

<br />

49<br />

<br />

50<br />

Lexicon Of Black English by J.L. Dillard, p. 36, (New York: The Seabury Press, 1977).<br />

51<br />

<strong>Blues</strong> People by LeRoi Jones, p. 25 (New York: William Morrow and Company, 1963). ).<br />

52<br />

Major, p. 48.<br />

53<br />

<br />

54<br />

Looking Up at Down: <strong>the</strong> Emergence <strong>of</strong> <strong>Blues</strong> Culture by William Barlow,Ibid, pg. 18, (Philadelphia:<br />

Temple University Press, 1989).<br />

55<br />

Urban <strong>Blues</strong>, by Charles Keil, p. 27 (Chicago: The University <strong>of</strong> Chicago Press, 1966).<br />

56<br />

African Rhythm and African Sensibility, by John Miller Chern<strong>of</strong>f, p. 75 (Chicago: The University <strong>of</strong><br />

Chicago Press, 1979).<br />

57<br />

From General Oglethope to <strong>the</strong> Acountant, Mr. Harman Verselet, Cot 9 1737 in Chandler Company<br />

Colonial Records, XXIII,XXII, p. 235.<br />

58<br />

Oliver, p. 81.<br />

59<br />

Chern<strong>of</strong>f, p. 55.<br />

60<br />

Barlow, p. 18.<br />

61<br />

Flash <strong>of</strong> <strong>the</strong> Spirit: African &and Afro-American Art &and Philosophy, by Robert Farris Thompson, p.<br />

37 (New York: Random House, 1983).<br />

62<br />

The Roots <strong>of</strong> <strong>the</strong> <strong>Blues</strong>: An African Search, by Samuel Charters, p. 123 (New Hampshire: Da Capo Press,<br />

1981).<br />

63<br />

Ibid., p. 119.<br />

64<br />

Lomax, p. 354.<br />

65<br />

Ibid.<br />

66<br />

Ibid.<br />

67<br />

Studies In African Music, by A.M. Jones (London: Oxford University Press, 1971), quoted in Chern<strong>of</strong>f,<br />

p. 118.<br />

68<br />

Chern<strong>of</strong>f, p. 114.<br />

69<br />

Chern<strong>of</strong>f, p.118.<br />

70<br />

<br />

71<br />

<br />

72<br />

All from Holloway and Vass, p. 138.<br />

73<br />

<br />

74<br />

Holloway and Vass, p. 94.<br />

75<br />

<br />

book for 1998 Oregon Festival <strong>of</strong> American Music.<br />

76<br />

Jones, p. 116.<br />

77<br />

All quotes fro<br />

78 Jones, p. 128.<br />

79 From John Hammond: On <strong>the</strong> Record<br />

<br />

1998 Oregon Festival <strong>of</strong> American Music.<br />

80 Biographical information on Cow-Cow Davenport from Red Hot Jazz.com.<br />

81<br />

Fa<strong>the</strong>r <strong>of</strong> <strong>the</strong> <strong>Blues</strong>, by W. C. Handy, pg. 10 (New York: Da Capo Press, 1985; originally published in<br />

1941).<br />

186

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