Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
39<br />
The Life and Selected Writings <strong>of</strong> Thomas Jefferson, Kock and Peder, editors, p. 258 (New York: Modern<br />
Library, 1944).<br />
40<br />
The African Heritage <strong>of</strong> American English by Joseph E. Holloway and Winifred K. Vass, p. xiii<br />
(Indianapolis: Indiana University Press, 1993).<br />
41<br />
<br />
42<br />
From email exchange between <strong>the</strong> author and ethnomusicologist Steven Taylor.<br />
43<br />
Ibid.<br />
44<br />
<br />
Shadow Dancing in <strong>the</strong> USA by Michael Ventura (New York:<br />
St. Martins Press, 1985).<br />
45<br />
Webster's Revised Unabridged Dictionary (MICRA, Inc, 1998).<br />
46<br />
<br />
Creative Loafing: Atlanta, April 10, 2002.<br />
47<br />
Major, p. 36.<br />
48<br />
<br />
49<br />
<br />
50<br />
Lexicon Of Black English by J.L. Dillard, p. 36, (New York: The Seabury Press, 1977).<br />
51<br />
<strong>Blues</strong> People by LeRoi Jones, p. 25 (New York: William Morrow and Company, 1963). ).<br />
52<br />
Major, p. 48.<br />
53<br />
<br />
54<br />
Looking Up at Down: <strong>the</strong> Emergence <strong>of</strong> <strong>Blues</strong> Culture by William Barlow,Ibid, pg. 18, (Philadelphia:<br />
Temple University Press, 1989).<br />
55<br />
Urban <strong>Blues</strong>, by Charles Keil, p. 27 (Chicago: The University <strong>of</strong> Chicago Press, 1966).<br />
56<br />
African Rhythm and African Sensibility, by John Miller Chern<strong>of</strong>f, p. 75 (Chicago: The University <strong>of</strong><br />
Chicago Press, 1979).<br />
57<br />
From General Oglethope to <strong>the</strong> Acountant, Mr. Harman Verselet, Cot 9 1737 in Chandler Company<br />
Colonial Records, XXIII,XXII, p. 235.<br />
58<br />
Oliver, p. 81.<br />
59<br />
Chern<strong>of</strong>f, p. 55.<br />
60<br />
Barlow, p. 18.<br />
61<br />
Flash <strong>of</strong> <strong>the</strong> Spirit: African &and Afro-American Art &and Philosophy, by Robert Farris Thompson, p.<br />
37 (New York: Random House, 1983).<br />
62<br />
The Roots <strong>of</strong> <strong>the</strong> <strong>Blues</strong>: An African Search, by Samuel Charters, p. 123 (New Hampshire: Da Capo Press,<br />
1981).<br />
63<br />
Ibid., p. 119.<br />
64<br />
Lomax, p. 354.<br />
65<br />
Ibid.<br />
66<br />
Ibid.<br />
67<br />
Studies In African Music, by A.M. Jones (London: Oxford University Press, 1971), quoted in Chern<strong>of</strong>f,<br />
p. 118.<br />
68<br />
Chern<strong>of</strong>f, p. 114.<br />
69<br />
Chern<strong>of</strong>f, p.118.<br />
70<br />
<br />
71<br />
<br />
72<br />
All from Holloway and Vass, p. 138.<br />
73<br />
<br />
74<br />
Holloway and Vass, p. 94.<br />
75<br />
<br />
book for 1998 Oregon Festival <strong>of</strong> American Music.<br />
76<br />
Jones, p. 116.<br />
77<br />
All quotes fro<br />
78 Jones, p. 128.<br />
79 From John Hammond: On <strong>the</strong> Record<br />
<br />
1998 Oregon Festival <strong>of</strong> American Music.<br />
80 Biographical information on Cow-Cow Davenport from Red Hot Jazz.com.<br />
81<br />
Fa<strong>the</strong>r <strong>of</strong> <strong>the</strong> <strong>Blues</strong>, by W. C. Handy, pg. 10 (New York: Da Capo Press, 1985; originally published in<br />
1941).<br />
186