Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
Playing <strong>the</strong> dozens is about more <br />
dozens is an exhibition <strong>of</strong> emotional strength and verbal agility. Obscenities are used and<br />
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cool- <strong>the</strong> first person to get angry automatically forfeits. The audience chooses <strong>the</strong> winner<br />
and spreads <strong>the</strong> word about who won. The winner can expect to be challenged to ano<strong>the</strong>r<br />
battle before long, ei<strong>the</strong>r by <strong>the</strong> one who lost or an up-and-comer.<br />
According to LeRoi Jones (Ami<br />
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O<strong>the</strong>r cultures also engage in verbal<br />
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Some <strong>of</strong> you womens ought to be in <strong>the</strong> can<br />
Out on <strong>the</strong> corner stopping every man<br />
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He can't see but he sure can smell<br />
Fish man pass here <strong>the</strong> o<strong>the</strong>r day<br />
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and a career-<br />
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<strong>the</strong> Many blues lyrics reflect an African American tradition <strong>of</strong><br />
verbal jousting that includes everything from toasting, boasting, and capping to cracking,<br />
bagging, dissing, and snapping. 167<br />
Snaps are putdowns with a setup- - followed by <strong>the</strong> snap- <br />
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In <strong>the</strong> 1970s and 1980s, rappers honed <strong>the</strong>ir verbal skills for dozens-style battles in which<br />
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York City freestylers Supernatural, Craig-G, and Juice tested each o<strong>the</strong>r in battles that<br />
rappers still reminisce about today.<br />
Songs:<br />
- Robert Wilkins<br />
- Memphis Minnie (Lizzie Douglas)<br />
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