Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
`<br />
<br />
Songs:<br />
I drink so much <strong>of</strong> Jake, till it done give me <strong>the</strong> limber leg<br />
<br />
- Tommy Johnson<br />
<br />
- <br />
JA M<br />
To jam is to improvise music with o<strong>the</strong>r musicians. Linguist David Dalby traced jam to<br />
<strong>the</strong> Wol<strong>of</strong> word jaam for slave. As early as <strong>the</strong> 1700s, when slaves ga<strong>the</strong>red toge<strong>the</strong>r for<br />
<strong>the</strong>ir own entertainment, <strong>the</strong>y called <strong>the</strong> get-toge<strong>the</strong>r a jama. 244<br />
Fierce jam sessions and cutting contests inspire blues, rock, and jazz musicians to stretch<br />
beyond <strong>the</strong>ir limitations. As composer/multi-instrumentalist Elliott Sharp put it,<br />
<br />
245<br />
<br />
The musician with <strong>the</strong> most jamming stamina ever may have been jazz saxophonist John<br />
Coltrane, who would jam all night and keep going while he signed autographs, while he<br />
<br />
.<br />
The first blues musician to tap into Coltrane's concept <strong>of</strong> super-extended improvisational<br />
soloing was Michael Bloomfield, <strong>the</strong> Chicago guitarist who played with <strong>the</strong> original Paul<br />
<br />
246<br />
<br />
<br />
<br />
-<br />
twelve minutes and was <strong>the</strong> first lengthy improvisation recorded by a non-jazz ensemble.<br />
Live, <strong>the</strong> group would sometimes extend <strong>the</strong> piece up to forty-five minutes.<br />
<br />
-Indian Ragafeel-acid experience awakening and <strong>the</strong> blues<strong>the</strong><br />
real thing, no <br />
effect on <strong>the</strong> San Francisco psychedelic scene and <strong>the</strong> British electric blues scene that<br />
spawned such talented white blues guitarists as John Mayall and Eric Clapton.<br />
<br />
<br />
acceptable improvisatory practice, but every performance on a given mode or form is a<br />
according to ethnomusicologist Steven Taylor. 247 <br />
Koranic recitation require improvisation. Only <strong>the</strong> Holy Word <strong>of</strong> <strong>the</strong> One God delivered<br />
<strong>of</strong> <strong>the</strong> Blessed Prophet is unchanging, <strong>the</strong>refore <strong>the</strong> music behind <strong>the</strong> words must always<br />
114