Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
-<br />
<strong>the</strong> Bantu phrase mbuki-mvuki, which means to dance<br />
<br />
shuck <strong>of</strong>f all clothing that hinders my performance. 74<br />
Boogie-woogie can certainly inspire dancers to shed some clothing. Because <strong>of</strong> <strong>the</strong><br />
disreputable nature <strong>of</strong> <strong>the</strong> dancing inspired by <strong>the</strong> music, boogie-woogie also became<br />
slang in some parts <strong>of</strong> <strong>the</strong> South for a case <strong>of</strong> syphilis.<br />
Boogie-<br />
ragtime, was so popular in <strong>the</strong> saloons <strong>of</strong> Western mining and logging camps. Unlike<br />
ragtime, which was mostly composed, boogie-woogie was largely improvised. The<br />
boogie-woog<br />
-IV-V chord progression as a<br />
twelve-bar blues, while he or she plays chords and improvises melodies with <strong>the</strong><br />
right hand.<br />
One <strong>of</strong> <strong>the</strong> earliest recorded boogie-<br />
rec<br />
piano and organ in his fa<strong>the</strong>r's church from his mo<strong>the</strong>r, who was <strong>the</strong> church organist.<br />
Unfortunately for his budding career with <strong>the</strong> church, Davenport was expelled from <strong>the</strong><br />
Alabama Theological Seminary in 1911 for daring to play ragtime at a church function.<br />
Soon this church-raised young man was touring carnivals and playing with vaudeville<br />
acts. He headed north to Chicago, where he played clubs and parties and worked as a<br />
talent scout for Brunswick and Vocalion records in <strong>the</strong> late 1920s.<br />
Like Davenport, o<strong>the</strong>r boogie-woogie pianists migrated to Nor<strong>the</strong>rn cities such as<br />
Chicago, Detroit, and Kansas City, where so many African Americans found work after<br />
World War I in <strong>the</strong> slaughterhouses and factories. This first generation <strong>of</strong> boogie-woogie<br />
players also included Jimmy Bly<strong>the</strong>, Hersal Thomas, Little Bro<strong>the</strong>r Montgomery, Cripple<br />
Clarence L<strong>of</strong>ton, Jimmy Yancey, and Pinetop Smith. 75<br />
The boogie-woogie pianists were in great demand in bars and bro<strong>the</strong>ls, and at parties<br />
<br />
Jones (Amiri Baraka) reported in <strong>Blues</strong> People <br />
boasted for several months, until <strong>the</strong> law moved in, a rent party promoted by two blues<br />
<br />
76<br />
<br />
In return for tips and all <strong>the</strong>y could eat and drink, <strong>the</strong> piano players kept <strong>the</strong> people<br />
grinding all night long. In <br />
encouraged partygoers:<br />
I want you to pull up on your blouse, let down on your skirt<br />
<br />
<br />
<br />
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43