july-2010
july-2010
july-2010
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THE CALATRAVA CONNECTION<br />
From Lisbon to Zurich, Santiago Calatrava has redefined the<br />
railway station in Europe. Last year he brought Liège back to<br />
life with his magnificent glass and steel creation, and now<br />
he has turned his attention to Mons. Adrian Mourby profiles<br />
the Spaniard who is transforming Belgium’s railways<br />
If ever a train station needed<br />
bulldozing, it was Liège Guillemins,<br />
an unfortunate functional structure<br />
thrown up during the rebuilding<br />
after World War II. The surrounding<br />
area suffered particularly from<br />
cheap and unimaginative building,<br />
and much of the Baroque and<br />
19th-century splendour of Liège was<br />
obscured. But in the last 12 months,<br />
all that has changed, with the<br />
opening of Santiago Calatrava’s<br />
glorious temple to transportation,<br />
an extraordinary soaring white<br />
structure that has shocked those<br />
not familiar with his work.<br />
The facade of Calatrava’s huge<br />
glass and steel station is open to the<br />
elements, describing the shape of an<br />
eyelid. Passengers disembarking<br />
here now share that view, gazing<br />
towards the city of Liège through<br />
this great aperture. All the city has<br />
to do now is make sure it offers<br />
something really worth looking at.<br />
Occupying a strategic position<br />
between Germany, France and<br />
the Netherlands, Liège was ideally<br />
placed to become a new TGV hub,<br />
but to do so it needed not just the<br />
tracks for high-speed trains, but<br />
a new fi ve-platform station too.<br />
In 1997 Calatrava’s design was<br />
selected, having seen off impressive<br />
74 METROPOLITAN