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THE CALATRAVA CONNECTION<br />

From Lisbon to Zurich, Santiago Calatrava has redefined the<br />

railway station in Europe. Last year he brought Liège back to<br />

life with his magnificent glass and steel creation, and now<br />

he has turned his attention to Mons. Adrian Mourby profiles<br />

the Spaniard who is transforming Belgium’s railways<br />

If ever a train station needed<br />

bulldozing, it was Liège Guillemins,<br />

an unfortunate functional structure<br />

thrown up during the rebuilding<br />

after World War II. The surrounding<br />

area suffered particularly from<br />

cheap and unimaginative building,<br />

and much of the Baroque and<br />

19th-century splendour of Liège was<br />

obscured. But in the last 12 months,<br />

all that has changed, with the<br />

opening of Santiago Calatrava’s<br />

glorious temple to transportation,<br />

an extraordinary soaring white<br />

structure that has shocked those<br />

not familiar with his work.<br />

The facade of Calatrava’s huge<br />

glass and steel station is open to the<br />

elements, describing the shape of an<br />

eyelid. Passengers disembarking<br />

here now share that view, gazing<br />

towards the city of Liège through<br />

this great aperture. All the city has<br />

to do now is make sure it offers<br />

something really worth looking at.<br />

Occupying a strategic position<br />

between Germany, France and<br />

the Netherlands, Liège was ideally<br />

placed to become a new TGV hub,<br />

but to do so it needed not just the<br />

tracks for high-speed trains, but<br />

a new fi ve-platform station too.<br />

In 1997 Calatrava’s design was<br />

selected, having seen off impressive<br />

74 METROPOLITAN

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