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The Boot and Shoe Trades in London and Paris in the Long Eighteenth Century

The Boot and Shoe Trades in London and Paris in the Long Eighteenth Century

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<strong>The</strong> real or apparent difference between left <strong>and</strong> right provided an important<br />

competitive advantage for French shoes especially <strong>in</strong> <strong>the</strong> upper market. A<br />

second important <strong>in</strong>novation <strong>in</strong>troduced <strong>in</strong> <strong>the</strong> British market from France was<br />

<strong>the</strong> 'br<strong>and</strong><strong>in</strong>g' of shoes. Before 1815 a only few British producers were able to<br />

achieve notoriety for <strong>the</strong>ir high quality products. A very early example of label<br />

can be found <strong>in</strong> a shoe preserved at <strong>the</strong> Royal Ontario Museum (Toronto). It<br />

was produced <strong>in</strong> <strong>the</strong> mid-eighteenth century by William Cooper, a shoemaker<br />

<strong>in</strong> Chancery Lane (illustration 6.4). Most producers, however, were more or<br />

less anonymous.<br />

In contrast, French shoes were not an undifferentiated category. Most of<br />

<strong>the</strong>m were products of a particular 'atelier' <strong>The</strong> use of labels on <strong>the</strong> <strong>in</strong>step of<br />

<strong>the</strong> left shoe highlighted a particular producer <strong>and</strong> his <strong>in</strong>dividuality. A famous<br />

example is Melnotte: a pair of shoes produced by him presents an <strong>in</strong>side label<br />

marked 'Melnotte, rue de Capuc<strong>in</strong>nes, <strong>Paris</strong>, 1827'. <strong>The</strong> shoes are accompanied<br />

by a shoe-bag, <strong>the</strong> eldest preserved <strong>in</strong> Engl<strong>and</strong> (illustration 6.5). This tradition<br />

<strong>in</strong> dist<strong>in</strong>guish<strong>in</strong>g one producer from an<strong>the</strong>r can be considered <strong>the</strong> positive effect<br />

of an o<strong>the</strong>rwise negative guild <strong>in</strong>fluence. Regulations <strong>in</strong> <strong>the</strong> Compagnie de<br />

Cordonniers <strong>in</strong> <strong>the</strong> eighteenth century imposed that every producer had to mark<br />

his own products with a dist<strong>in</strong>ctive label. This rule - conceived to avoid <strong>the</strong><br />

commercialisation of products by unregulated producers - had a positive effect<br />

<strong>in</strong> creat<strong>in</strong>g a modern notion of br<strong>and</strong><strong>in</strong>g. Ano<strong>the</strong>r important factor affect<strong>in</strong>g<br />

British <strong>and</strong> French shoemak<strong>in</strong>g was <strong>the</strong> difference <strong>in</strong> <strong>the</strong>ir retail<strong>in</strong>g systems.78<br />

<strong>London</strong> shoemakers compla<strong>in</strong>ed that a very high percentage of <strong>the</strong> production<br />

costs was due to <strong>the</strong> credit given to customers. It was a tradition preserved <strong>in</strong><br />

<strong>the</strong> sector from <strong>the</strong> times of bespoke <strong>in</strong>to <strong>the</strong> 'mass production' of ready-to-<br />

wear shoes <strong>and</strong> boots.<br />

J. Mor<strong>in</strong>, Manuel du bottier et du cordonnier, cit., p. 15.<br />

78 Barry Ratcliffe believes that <strong>the</strong> <strong>Paris</strong>ian shoemak<strong>in</strong>g market was smaller than <strong>the</strong> <strong>London</strong><br />

one, but export led. See B.M. Ratcliffe, 'Manufactur<strong>in</strong>g <strong>in</strong> <strong>the</strong> metropolis: <strong>the</strong> dynamism <strong>and</strong><br />

dynamics of <strong>Paris</strong>ian <strong>in</strong>dustry at <strong>the</strong> mid-n<strong>in</strong>eteenth century', Journal of European Economic<br />

History, XXIII -2 (1992), pp. 292-8.<br />

281

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