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The Boot and Shoe Trades in London and Paris in the Long Eighteenth Century

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<strong>in</strong>tegrat<strong>in</strong>g economic rationality, social attitudes <strong>and</strong> cultural values. Cultural<br />

history <strong>and</strong> cultural studies are important <strong>in</strong>fluences <strong>in</strong> this <strong>the</strong>sis . It has to<br />

be underl<strong>in</strong>ed <strong>the</strong> difficulty of jo<strong>in</strong><strong>in</strong>g toge<strong>the</strong>r very different discipl<strong>in</strong>es. <strong>The</strong>re<br />

has been a certa<strong>in</strong> anxiety to see how culture <strong>and</strong> economy can clash produc<strong>in</strong>g<br />

barriers <strong>and</strong> divisions between scholars.<br />

Last but not least, <strong>the</strong> importance ofv'history of costume, cloth<strong>in</strong>g <strong>and</strong><br />

fashion. Footwear is a very neglected field <strong>in</strong> history of cloth<strong>in</strong>g <strong>and</strong> fashion. I<br />

hope this <strong>the</strong>sis contributes to fill<strong>in</strong>g such a gap. I have tried to accomplish this<br />

through two different perspectives. Firstly <strong>the</strong> <strong>in</strong>tegration between 'economics'<br />

<strong>and</strong> 'fashion'. Reject<strong>in</strong>g a vision of fashion as a simple 'folly', this <strong>the</strong>sis has<br />

expla<strong>in</strong>ed economic factors <strong>in</strong> fashion changes <strong>and</strong> <strong>in</strong> attitudes to consumption.<br />

I have tried to show, for <strong>in</strong>stance, how consumer credit was a fundamental<br />

variable <strong>in</strong> expla<strong>in</strong><strong>in</strong>g <strong>the</strong> productive structure of <strong>the</strong> trade. In this case account<br />

books reveals much more than figures. <strong>The</strong> second area of experiment has been<br />

<strong>the</strong> <strong>in</strong>tegration of historical research <strong>and</strong> material culture. 2 <strong>The</strong> use of <strong>the</strong><br />

Northampton <strong>Boot</strong> <strong>and</strong> <strong>Shoe</strong> Museum Collection <strong>and</strong> <strong>the</strong> Royal Ontario<br />

Museum Costume <strong>and</strong> Textile Collection <strong>in</strong> Toronto have allowed me to look<br />

at history through <strong>the</strong> different lens of material culture. <strong>The</strong> objects or artefacts<br />

(what historians call products or goods) have been used as a source <strong>in</strong> my<br />

historical research. This has been particularly evident <strong>in</strong> chapter 6 that analyses<br />

<strong>the</strong> competition between <strong>London</strong> <strong>and</strong> <strong>Paris</strong> <strong>in</strong> <strong>the</strong> first half of <strong>the</strong> n<strong>in</strong>eteenth<br />

century. Historical elements such as parliamentary papers, petitions <strong>and</strong> private<br />

accounts expla<strong>in</strong>ed only part of a very complex economic situation. <strong>The</strong> use of<br />

artefacts has allowed me to compare 'on <strong>the</strong> ground' shoemak<strong>in</strong>g <strong>in</strong> <strong>the</strong> two<br />

cities, discover<strong>in</strong>g a series of qualitative elements that classic historical sources<br />

would have overlooked.<br />

3 (2001), pp. 425-60.<br />

2 For an explanation of <strong>the</strong> approach used see: C. Bates, 'Wear<strong>in</strong>g two hats: an<br />

<strong>in</strong>terdiscipl<strong>in</strong>ary approach to <strong>the</strong> mill<strong>in</strong>ery trade <strong>in</strong> Ontario, 1850-1930', Material History<br />

Review, LI (Spr<strong>in</strong>g 2000), pp. 16-25.<br />

315

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