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A HISTORY OF INNER ASIA

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136 A history of Inner Asia<br />

almost legendary proportions.His professional life falls into two halves:<br />

the years of apprenticeship and prime florescence in Herat (from the<br />

1480s to 1510), and those of later maturity and old age in Tabriz<br />

(1510–1537).Otherwise little is known of his personal life; even his<br />

ethnic identity is uncertain, for the customary assumption that Bihzad<br />

was an Iranian – perhaps fostered by what must have been a pseudonym,<br />

“The Well-born One” – is not necessarily correct, and he may have had<br />

Turkic ancestry.It is significant that to his contemporaries, whether<br />

Timurid, Safavid, Ottoman or other, this did not matter; matters of<br />

ethnic pride had a different ring then, and the special case of Navai’s<br />

and Babur’s predilection for Turki should not mislead us.Bihzad was a<br />

painter cherished by the elite and courted by rulers of any linguistic or<br />

even denominational persuasion, from the Timurids to their rivals the<br />

Shaybanids to the latter’s arch-enemies the Safavids.Like other Muslim<br />

painters of his time, Bihzad concentrated chiefly on book illustration,<br />

but separate scenes and even portraits on loose sheets and medallions<br />

have also survived: thanks to him we thus have pictures of such personalities<br />

as Sultan Husayn Bayqara and the Uzbek ruler Muhammad<br />

Shaybani, and what may have been a self-portrait.In general, however,<br />

most of his work consisted of illustrating such classics of Persian literature<br />

as Nizami’s Khamsa or Sadi’s Bustan.Bihzad is praised for a mastery<br />

both of attention to details such as facial expression and of superb composition<br />

depicting dramatic battle scenes and tender romances, besides<br />

a tasteful combination of color with a special role assigned to blue.The<br />

Timurid painter’s almost proverbial fame served as a symbol for the<br />

excellence of the book arts of his time, and for the legacy he left through<br />

his disciples and influence, especially in sixteenth- and seventeenthcentury<br />

Bukhara and Tabriz.<br />

Our discussion of the highlights of Timurid civilization could logically<br />

conclude with Zahir al-Din Babur (1483–1530) and his great autobiography,<br />

the Baburname.Let us first glance at the political and social<br />

evolution of Transoxania and the rest of Inner Asia in the course of the<br />

fifteenth century.<br />

We have already mentioned Abu Said, a nephew of Ulugh Beg and<br />

thus Timur’s great-great-grandson (1424–69), who by 1451 emerged as<br />

the victor in the contest for Ulugh Beg’s succession in Transoxania,<br />

partly thanks to the help he had received from the Uzbek khan<br />

Abulkhayr.Quite naturally Abu Said wished to inherit the totality of the<br />

Timurid realm, besides coveting Herat as the most prestigious city.He<br />

lost the prize to his cousin Abu l-Qasim Babur, but he resumed the strug-

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