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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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After which he went on to give a detailed and unexceptionable account <strong>of</strong> <strong>the</strong> build<strong>in</strong>g, its<br />

statuary and <strong>the</strong> various documentary sources for its history. This first volume was well received<br />

and <strong>the</strong> project eventually ran to five, <strong>the</strong> last <strong>of</strong> which appeared <strong>in</strong> 1799. By that time, however,<br />

Mill<strong>in</strong> had spent a year <strong>in</strong> prison. What had begun as an academic exercise primarily to<br />

document <strong>the</strong> monuments <strong>of</strong> France, not so different from <strong>the</strong> passive or iconographic<br />

antiquarianism <strong>of</strong> earlier years, turned with <strong>the</strong> events <strong>of</strong> <strong>the</strong> Terror <strong>in</strong>to an active and hazardous<br />

attempt to preserve <strong>the</strong>m from destruction. It was not <strong>the</strong> 14 July <strong>1789</strong>, but 20 June 1791, <strong>the</strong> day<br />

on which <strong>the</strong> flight <strong>of</strong> <strong>the</strong> French royal family was <strong>in</strong>tercepted at Varennes, launch<strong>in</strong>g a wave <strong>of</strong><br />

violent destruction, that pitched French antiquaries <strong>in</strong>to an active, not to say dangerous<br />

relationship with <strong>the</strong>ir subject matter. This was <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> <strong>the</strong> ideological iconoclasm for<br />

which <strong>the</strong> Abbé Gregoire co<strong>in</strong>ed <strong>the</strong> word ‘vandalisme’ when, at St Denis, <strong>the</strong> Benedict<strong>in</strong>e Dom<br />

Germa<strong>in</strong> Poirier watched while ‘en trois jours on a détruit l’ouvrage de douze siècles’ [<strong>in</strong> three<br />

days <strong>the</strong>y destroyed <strong>the</strong> work <strong>of</strong> twelve centuries]. 10 It was to be <strong>in</strong> what E-H Langlois later<br />

called ‘l’impitoyable creuset révolutionnaire’ [<strong>the</strong> merciless crucible <strong>of</strong> <strong>the</strong> revolution] that<br />

modern French antiquarianism was forged. 11<br />

At this po<strong>in</strong>t most British antiquaries could do no more than read <strong>the</strong>ir newspapers with<br />

grow<strong>in</strong>g curiosity and alarm, but on a collector as rich, well-placed and <strong>in</strong>trepid as William<br />

Beckford (1760-1844), <strong>the</strong> opportunities <strong>of</strong> such upheaval need not be lost. Beckford was <strong>in</strong><br />

Paris, with only occasional breaks, from October 1790 until May 1793, shopp<strong>in</strong>g. ‘Happy, aye<br />

thrice happy are those who <strong>in</strong> this good Capital and at this period have plenty <strong>of</strong> money’ he<br />

wrote, ‘<strong>the</strong>ir k<strong>in</strong>gdom is come, <strong>the</strong>ir will is done on earth, if not <strong>in</strong> heaven.’ 12 Only after <strong>the</strong><br />

outbreak <strong>of</strong> war between England and France was his progress impeded when he was arraigned<br />

before <strong>the</strong> Committee <strong>of</strong> Public Safety and was lucky to escape with his life. <strong>Age</strong>nts and dealers,<br />

however, cont<strong>in</strong>ued to buy for him for <strong>the</strong> rest <strong>of</strong> <strong>the</strong> decade. Exceptional as Beckford was <strong>in</strong><br />

most ways, his activities demonstrate <strong>the</strong> fact that <strong>the</strong> antiquarian enterprise never entirely<br />

stopped. The collection and dispersal <strong>of</strong> objets d’art and antiquities cont<strong>in</strong>ued to some extent<br />

throughout <strong>the</strong> Terror and <strong>the</strong> revolutionary wars. For <strong>the</strong> French <strong>the</strong>mselves activity was<br />

10 Réau, Histoire du Vandalisme, p.288.<br />

11 Langlois, St Wandrille, p.295.<br />

12 Quoted <strong>in</strong> Wa<strong>in</strong>wright, ‘Lucifer’s Metropolis’, p.83.<br />

102

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