Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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Primary Sources (Archival) Bibliography 1 Douce, Francis, Bodleian Library, Oxford: Douce Papers, 39185-389; Letters from the Abbé de la Rue, 39185 MS Douce c.7 [Douce/de la Rue letters] Gage, John, Cambridge University Library: Hengrave Papers Lingard, John, Ushaw College, Durham: uncatalogued letters; Typescript of ‘Letters of John Lingard to Rev Robert Tate’ Losh, Sara, Carlisle Library: St Mary, Wreay, building accounts; Jackson Collection Sobieski, John and Charles Edward Stuart, National Library of Scotland: Letters to Robert Chambers, Dep.341 86; Letters to Blackwoods MSS 4052, 4103, 4204; Papers of Ian Campbell of Islay, Adv.MS.50.3.10 Society of Noviomagus, The Wellcome Library, London: MS 5305 Turner, Dawson, Private Collection: ‘Journal of a three weeks tour, with Thos. Phillips Esqur RA from London, through Rouen, Vernon & Mantes, to Paris, in the Autumn of 1815’ _____ Norwich, Castle Museum: ‘Journal of a Tour to France, 1814’ Willson, Edward, Society of Antiquaries, London: Willson Collection Primary Sources (Printed) Adamson, Henry, The Muses’ Threnodie or Mirthful Mournings on the Death of Mr Gall…compiled from authentic records by James Cant, (Perth, 1774) 1 Names of publishers are given only for works published after 1950. ‘np’ indicates that no place of publication is given. 276
Britton, John, An Address from John Britton, FSA, to the nobility, gentry, and clergy of the county…particularly to those assembled at the congress of the Archaeological Institute at Salisbury, in July 1849, (Devizes, 1849) _____ An address read before the Society of Architects and Antiquaries of London at the first meeting of their third session by John Britton FSA Hon Sec etc, (London, 1821) _____ Auto-biography, (London, 1825) _____ The Autobiography of John Britton, FSA, honorary member of numerous English and foreign societies, (vide back of title), in three parts…copiously Illustrated, London, printed for the author as presents to subscribers to “The Britton Testimonial”, (London, 1850) _____ with Edward Brayley and various authors, The Beauties of England and Wales, 25 vols, (London, 1801-16) _____ The Beauties of Wiltshire, 3 vols, (London, 1801 and 1825) _____ The Cathedral Antiquities of England, (1814-35), 5 vols, (new edn, London, 1836) _____ Chronological History and Graphic Illustrations of Christian Architecture in England, 1826, (new edn, London, 1835) _____ ‘Edward James Willson, architect, FSA’, The Builder, (January 6, 1855), 4-5 _____ Graphic Illustrations with Historical and Descriptive Accounts of Toddington, Gloucestershire, the Seat of Lord Sudeley, (London, 1840) _____ Remarks on the Life and Writings of William Shakespeare, (London, 1818) Burns, Robert, The Complete Poems and Songs, (New Lanark : Geddes & Grosset, 2000) _____ nd The Letters of Robert Burns, 2 edn, ed. by G Ross Roy, 2 vols, (Oxford: Clarendon Press, 1985) Carlyle, Thomas, Past and Present, (1843), The Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, Introduction and Notes by Chris R Vanden Bossche, (Berkeley: University of California Press, 2005) Carter, John, FAS, architect, The Ancient Architecture of England, (London, 1795) Catalogue du Musée d’Antiquités de Rouen, (Rouen, 1868) ‘Catalogue of a sale of stained glass in 1804’, reprinted in Journal of the British Society of Master Glass- Painters, 12, (1955), 22-9 A Catalogue of the Extensive and Valuable Collection…of the late Edward James Willson, (Lincoln, 1854) Cervantes Saavedra, Miguel de, Don Quixote, (1605-1615), (Ware: Wordsworth Classics, 1993) 277
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
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about his protests at Salisbury, a
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within Milner’s position’. 51 H
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about Gothic architecture and its m
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Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
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Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
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Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
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Her criticism of Michelangelo’s L
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The iconography of the east end of
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a church was a symbolic building, a
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Willis became the first academic an
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its annual congress that he began t
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admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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des Monumens Français. They were n
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esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
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strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
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made, not at the time depicted. Sin
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The British in Normandy: architectu
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Dawson Turner could set out the sam
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You remember how admirably the Lay
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historic buildings were either put
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and equal administration of the law
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‘veritable épopée de notre âge
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Scott’s complicit audience that t
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details seriously. Delacroix was am
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Costume balls were wildly popular b
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1830s, however, the exploration of
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chapter that Hugo omitted from the
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to the past, the abstract argument
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occasions he wove fiction and narra
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[The dead, wrapped in their shrouds
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Figure 34 Frontispiece to Langlois
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gouffre qu’on appelle Angleterre,
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The demolition of Les Andelys was r
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It has been suggested that the effe
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shaking the long branches of the wi
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C’est ainsi que peu à peu, se d
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imagination will reveal the hidden
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layer of dark stain to make it look
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novels and poetry; the sporran of R
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emarkable Stonehenge Cabinet that B
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close to accidental satire. The jux
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With the Sobieski Stuart brothers,
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inaccurate. 34 What they themselves
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novels a real manuscript is describ
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Figure 40 Charles Edward Stuart, ca
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the gold, the armour and blazonry,
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and its contents. He began work on
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equire his text in order to be able
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chassis couvert de papier en lambea
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A most extraordinary place, looking
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fragments and objects not only into
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the Blessed Virgin and the four Lat
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domestic culture, more people than
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Chapter Five ‘Nothing but a Popis
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The first part of this chapter will
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surrender my crozier into the hands
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Milner’s relationship with histor
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which Edward designed, was Gothic.
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From sacred emblem of the division
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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view of the Reformation, had caused
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e-discovery and presentation of his
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oyal regalia. It was only in the lo
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Figure 42 The Honours of Scotland,
Page 225 and 226: Prebble points out, was just about
Page 227 and 228: First saw them from the window; two
Page 229 and 230: An article he sent to Mac Millans M
Page 231 and 232: and the exhibition at the British M
Page 233 and 234: order to satisfy the taste of a lat
Page 235 and 236: Illustrations of Shakspeare and its
Page 237 and 238: could be earlier and that the title
Page 239 and 240: his own particular ‘fairy system
Page 241 and 242: Figure 47 Douce's illustrations of
Page 243 and 244: Although Field demanded that his or
Page 245 and 246: manners and habits’ to fill the l
Page 247 and 248: It discovered King John dressed as
Page 249 and 250: Not surprisingly perhaps this ambit
Page 251 and 252: novelist, the painter, and the acto
Page 253 and 254: from meretricious commercial produc
Page 255 and 256: Kenilworth, the novel in which Shak
Page 257 and 258: Sir Walter has found out... that th
Page 259 and 260: had created monuments for Garrick
Page 261 and 262: The more I look at it the more I fe
Page 263 and 264: Their infinite variety. 130 It conj
Page 265 and 266: Figure 50 Shakespeare's monument at
Page 267 and 268: attempt at an antiquarian excavatio
Page 269 and 270: I was not prepared to see it look s
Page 271 and 272: It was in 1849, when Brunel’s Sha
Page 273 and 274: While Alexandrina Buchanan is certa
Page 275: to have no acknowledged part. 11 Th
Page 279 and 280: Gunn, William, BD, An Inquiry into
Page 281 and 282: Pugin, A.W.N., Collected Letters, e
Page 283 and 284: Auberbach, Jeffrey A., The Great Ex
Page 285 and 286: Couve de Murville, M. N. L., John M
Page 287 and 288: _____ ‘Stitched Up: Eliza Stothar
Page 289 and 290: _____ Richard Parkes Bonington, The
Page 291 and 292: Strong, Roy, And when did you last
Page 293 and 294: Appendix John Britton (1771-1857) T
Page 295 and 296: were published posthumously. His ma
Page 297 and 298: foundation of the British Archaeolo
Page 299: distinction in the universities, Wi
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