Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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Cobbett, William, Rural Rides, (London, 1830) Combe, William, The English Dance of Death, “By the Author of Doctor Syntax”, (London, 1816) Cust, Robert Needham, Some Account of the Church of Cockayne Hatley, Bedfordshire, (np 1851) D’Arlincourt, Monsieur le Vicomte, trs. by ‘J.B’, A Romance of Real Life from the French of Monsieur le Vicomte d’Arlincourt, (np 1842) Dibdin, Thomas Frognall, Bibliophobia by Mercurius Rusticus, (London, 1832) Dickens, Charles, The Letters of Charles Dickens, ed. Graham Storey and K. J. Fielding, vol 5, (Oxford: Clarendon Press, 1981) Dodsworth, William, A Guide to the Cathedral Church of Salisbury, with a particular account of the improvements there, (Salisbury, 1792) Douce, Francis, Illustrations of Shakspeare and of Ancient Manners: with dissertations on the clowns and fools of Shakspeare; on the collection of popular tales entitled gesta romanorm: and on the English morris dance, 2 vols, (London, 1807) Ducarel, Andrew, Anglo-Norman Antiquities considered in a tour through part of Normandy, (London, 1767) Earle, John, Micro-cosmographie Or, a Piece of the World Characteriz’d, (London 1650) Foote, Samuel, The Nabob, in Plays by Samuel Foote and Arthur Murphy, ed. George Taylor, (Cambridge: Cambridge University Press, 1984), 81-111 Freeman, E. A., A History of Architecture, (London, 1849) Gage, John, (John Gage Rokewode), trs. and ed., Chronica Jocelini de Braklonda, (London, 1840) _____ The History and Antiquities of Hengrave, (London, 1822) Grant, Elizabeth, Memoirs of a Highland Lady, the autobiography of Elizabeth Grant of Rothiemurchus…1797-1830, ed. by Lady Strachey, (London, 1898) 278
Gunn, William, BD, An Inquiry into the Origin and Influence of Gothic Architecture, (London 1819) Gurney, Hudson, ‘Observations on the Bayeux Tapestry’, Archaeologia, 18, (1817), 359-370 Hazlitt, William, The Spirit of the Age, (1825), (4 th ed, London, 1886) Herder, Johann Gottfried, Shakespeare, (1773), trs. and ed. by Gregory Moore, (Princeton: Princeton University Press, 2008) Hugo, Victor, Notre-Dame de Paris (1831), ed. by Benedikte Andersson, preface by Adrien Goetz, (Paris: Gallimard, 2009) Jeffrey, Francis, ‘Douce’s Illustrations of Shakespeare’, Edinburgh Review, 12, (1808), 449-468 Jephson, the Rev J.M., Shakespere: his birthplace, home, and grave. A Pilgrimage to Stratford-on-Avon in the autumn of 1863, (London, 1864) Knight, Richard Payne, An Analytical Enquiry into the Principles of Taste, (London,1805) _____ The Symbolical Language of Ancient Art and Mythology. An Inquiry, (1818), (new edn ed. by Alexander Wilder M D, New York, 1876) Langlois, E-H., Les Enervés de Jumièges, (Rouen, 1838) _____ Essai Historique et descriptif sur l’Abbaye de Saint-Wandrille, (Rouen, 1832) _____ Essai Historique et descriptif sur la peinture sur verre ancienne et moderne, (Rouen, 1832) _____ Essai Historique, Philosophique et Pittoresque sur les Danses des Morts, 2 vols, (Rouen, 1852) _____ Hymne à la Cloche, (Rouen, 1832) _____ Stalles de la Cathédrale de Rouen, (Rouen, 1838) Lenoir, Alexandre, Musée Impérial des Monumens Français. Histoire des arts en France et description chronologique, (Paris, 1810) Lingard, John, Antiquities of the Anglo-Saxon Church, (2 nd edn, Newcastle, 1810) _____ th History of England, (1819-30) (5 edn, 14 vols, London, 1849) _____ nd A Vindication of Certain Passages in the fourth and fifth volumes of the History of England, (2 edn, London, 1826) 279
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
Page 25 and 26:
But wad ye see him in his glee, For
Page 27 and 28:
interesting to him and his readers
Page 29 and 30:
actor Charles Kemble on historic co
Page 31 and 32:
considered view of Noviomagus, that
Page 33 and 34:
eplaying the episode in The Antiqua
Page 35 and 36:
Chapter Two ‘To stones a moral li
Page 37 and 38:
Within architectural history there
Page 39 and 40:
workings of this little commonweal
Page 41 and 42:
Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
Page 45 and 46:
philosophy of the Picturesque which
Page 47 and 48:
about his protests at Salisbury, a
Page 49 and 50:
within Milner’s position’. 51 H
Page 51 and 52:
about Gothic architecture and its m
Page 53 and 54:
Figure 10 St Peter's Chapel, Winche
Page 55 and 56:
In addition to his Dissertation and
Page 57 and 58:
Bright and cheerful mornings are no
Page 59 and 60:
unning battle between the proprieto
Page 61 and 62:
It constitutes at once a beautiful
Page 63 and 64:
face amidst solemn azure and fleecy
Page 65 and 66:
Britton could not resist pointing o
Page 67 and 68:
Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
Page 87 and 88:
Her criticism of Michelangelo’s L
Page 89 and 90:
The iconography of the east end of
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a church was a symbolic building, a
Page 93 and 94:
Willis became the first academic an
Page 95 and 96:
its annual congress that he began t
Page 97 and 98:
admired, however. His lack of inter
Page 99 and 100:
Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
Page 105 and 106:
Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
Page 109 and 110:
des Monumens Français. They were n
Page 111 and 112:
esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
Page 117 and 118:
strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
Page 123 and 124:
made, not at the time depicted. Sin
Page 125 and 126:
The British in Normandy: architectu
Page 127 and 128:
Dawson Turner could set out the sam
Page 129 and 130:
You remember how admirably the Lay
Page 131 and 132:
historic buildings were either put
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and equal administration of the law
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‘veritable épopée de notre âge
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Scott’s complicit audience that t
Page 139 and 140:
details seriously. Delacroix was am
Page 141 and 142:
Costume balls were wildly popular b
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1830s, however, the exploration of
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chapter that Hugo omitted from the
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to the past, the abstract argument
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occasions he wove fiction and narra
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[The dead, wrapped in their shrouds
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Figure 34 Frontispiece to Langlois
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gouffre qu’on appelle Angleterre,
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The demolition of Les Andelys was r
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It has been suggested that the effe
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shaking the long branches of the wi
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C’est ainsi que peu à peu, se d
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imagination will reveal the hidden
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layer of dark stain to make it look
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novels and poetry; the sporran of R
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emarkable Stonehenge Cabinet that B
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close to accidental satire. The jux
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With the Sobieski Stuart brothers,
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inaccurate. 34 What they themselves
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novels a real manuscript is describ
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Figure 40 Charles Edward Stuart, ca
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the gold, the armour and blazonry,
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and its contents. He began work on
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equire his text in order to be able
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chassis couvert de papier en lambea
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A most extraordinary place, looking
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fragments and objects not only into
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the Blessed Virgin and the four Lat
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domestic culture, more people than
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Chapter Five ‘Nothing but a Popis
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The first part of this chapter will
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surrender my crozier into the hands
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Milner’s relationship with histor
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which Edward designed, was Gothic.
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From sacred emblem of the division
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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view of the Reformation, had caused
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e-discovery and presentation of his
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oyal regalia. It was only in the lo
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Figure 42 The Honours of Scotland,
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Prebble points out, was just about
Page 227 and 228: First saw them from the window; two
Page 229 and 230: An article he sent to Mac Millans M
Page 231 and 232: and the exhibition at the British M
Page 233 and 234: order to satisfy the taste of a lat
Page 235 and 236: Illustrations of Shakspeare and its
Page 237 and 238: could be earlier and that the title
Page 239 and 240: his own particular ‘fairy system
Page 241 and 242: Figure 47 Douce's illustrations of
Page 243 and 244: Although Field demanded that his or
Page 245 and 246: manners and habits’ to fill the l
Page 247 and 248: It discovered King John dressed as
Page 249 and 250: Not surprisingly perhaps this ambit
Page 251 and 252: novelist, the painter, and the acto
Page 253 and 254: from meretricious commercial produc
Page 255 and 256: Kenilworth, the novel in which Shak
Page 257 and 258: Sir Walter has found out... that th
Page 259 and 260: had created monuments for Garrick
Page 261 and 262: The more I look at it the more I fe
Page 263 and 264: Their infinite variety. 130 It conj
Page 265 and 266: Figure 50 Shakespeare's monument at
Page 267 and 268: attempt at an antiquarian excavatio
Page 269 and 270: I was not prepared to see it look s
Page 271 and 272: It was in 1849, when Brunel’s Sha
Page 273 and 274: While Alexandrina Buchanan is certa
Page 275 and 276: to have no acknowledged part. 11 Th
Page 277: Britton, John, An Address from John
Page 281 and 282: Pugin, A.W.N., Collected Letters, e
Page 283 and 284: Auberbach, Jeffrey A., The Great Ex
Page 285 and 286: Couve de Murville, M. N. L., John M
Page 287 and 288: _____ ‘Stitched Up: Eliza Stothar
Page 289 and 290: _____ Richard Parkes Bonington, The
Page 291 and 292: Strong, Roy, And when did you last
Page 293 and 294: Appendix John Britton (1771-1857) T
Page 295 and 296: were published posthumously. His ma
Page 297 and 298: foundation of the British Archaeolo
Page 299: distinction in the universities, Wi
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