Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
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Royal Charter <strong>in</strong> 1837 and two years later <strong>the</strong> Cambridge Camden Society (CCS) and <strong>the</strong><br />
Oxford Architectural Society (OAS) came <strong>in</strong>to be<strong>in</strong>g. These Britton hailed with<br />
‘exultation’ as well as welcom<strong>in</strong>g <strong>the</strong> various o<strong>the</strong>r, more modest, prov<strong>in</strong>cial societies<br />
that were spr<strong>in</strong>g<strong>in</strong>g up across <strong>the</strong> country. 161<br />
The year after Todd<strong>in</strong>gton appeared, 1841, was later hailed by Pevsner as <strong>the</strong><br />
‘annus mirabilis <strong>of</strong> <strong>the</strong> story <strong>of</strong> <strong>the</strong> Gothic Revival <strong>in</strong> England’. 162 For him this was<br />
signalled by <strong>the</strong> publication <strong>of</strong> A W N Pug<strong>in</strong>’s True Pr<strong>in</strong>ciples <strong>of</strong> Po<strong>in</strong>ted or Christian<br />
Architecture, <strong>the</strong> first volume <strong>of</strong> <strong>the</strong> CCS journal The Ecclesiologist and by <strong>the</strong> moment<br />
when Robert Willis ‘turned to <strong>the</strong> English ca<strong>the</strong>drals’ where, Pevsner noted, ‘he was to<br />
achieve his greatest glory’. 163 From <strong>the</strong> po<strong>in</strong>t <strong>of</strong> view <strong>of</strong> architectural antiquarianism per<br />
se, <strong>the</strong> early 1840s marked <strong>the</strong> po<strong>in</strong>t at which those traditions <strong>of</strong> study and practice,<br />
passive and active <strong>in</strong>volvement with <strong>the</strong> build<strong>in</strong>gs <strong>of</strong> <strong>the</strong> Middle <strong>Age</strong>s, that had been<br />
converg<strong>in</strong>g s<strong>in</strong>ce <strong>1789</strong>, met and fused <strong>in</strong>to <strong>the</strong> broader movement that was <strong>the</strong> Victorian<br />
Gothic Revival. The result<strong>in</strong>g compound had its own particular constitution. It was more<br />
organised, as Britton noted, better established <strong>in</strong> <strong>the</strong> universities, where <strong>the</strong> CCS and to a<br />
lesser extent <strong>the</strong> OAS wielded <strong>in</strong>fluence far beyond <strong>the</strong>ir numerical weight, <strong>in</strong> <strong>the</strong> public<br />
m<strong>in</strong>d with <strong>the</strong> New Palace <strong>of</strong> Westm<strong>in</strong>ster and <strong>in</strong>stitutionally <strong>in</strong> <strong>the</strong> Institute <strong>of</strong> British<br />
Architects <strong>of</strong> which Britton was a fellow.<br />
A great enthusiast for <strong>in</strong>stitutions, a member <strong>of</strong> many, <strong>the</strong> founder <strong>of</strong> <strong>the</strong> Wiltshire<br />
Topographical Society which was ano<strong>the</strong>r product <strong>of</strong> 1841, and an advocate for greater<br />
<strong>of</strong>ficial recognition for <strong>the</strong> ‘Literary Pr<strong>of</strong>ession’, Britton’s hope was that <strong>the</strong>se and o<strong>the</strong>r<br />
pr<strong>of</strong>essional bodies would provide <strong>the</strong> sort <strong>of</strong> structure and respectability for lack <strong>of</strong><br />
which he had struggled <strong>in</strong> <strong>the</strong> early years <strong>of</strong> his own career. 164 He was to be <strong>in</strong> some<br />
degree disappo<strong>in</strong>ted, however, by <strong>the</strong> developments he hailed so enthusiastically. The<br />
architectural antiquarianism <strong>of</strong> <strong>the</strong> mid-century, which marked <strong>the</strong> start <strong>of</strong> a movement<br />
161<br />
Britton, Graphic Illustrations with Historical and Descriptive Accounts <strong>of</strong> Todd<strong>in</strong>gton, p. xiv.<br />
162<br />
Pevsner, Some Architectural Writers <strong>of</strong> <strong>the</strong> N<strong>in</strong>eteenth Century, p.54.<br />
163<br />
Pevsner, Some Architectural Writers <strong>of</strong> <strong>the</strong> N<strong>in</strong>eteenth Century, p.56.<br />
164<br />
Britton, Graphic Illustrations with Historical and Descriptive Accounts <strong>of</strong> Todd<strong>in</strong>gton , p. ix.<br />
80