03.07.2013 Views

Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Royal Charter <strong>in</strong> 1837 and two years later <strong>the</strong> Cambridge Camden Society (CCS) and <strong>the</strong><br />

Oxford Architectural Society (OAS) came <strong>in</strong>to be<strong>in</strong>g. These Britton hailed with<br />

‘exultation’ as well as welcom<strong>in</strong>g <strong>the</strong> various o<strong>the</strong>r, more modest, prov<strong>in</strong>cial societies<br />

that were spr<strong>in</strong>g<strong>in</strong>g up across <strong>the</strong> country. 161<br />

The year after Todd<strong>in</strong>gton appeared, 1841, was later hailed by Pevsner as <strong>the</strong><br />

‘annus mirabilis <strong>of</strong> <strong>the</strong> story <strong>of</strong> <strong>the</strong> Gothic Revival <strong>in</strong> England’. 162 For him this was<br />

signalled by <strong>the</strong> publication <strong>of</strong> A W N Pug<strong>in</strong>’s True Pr<strong>in</strong>ciples <strong>of</strong> Po<strong>in</strong>ted or Christian<br />

Architecture, <strong>the</strong> first volume <strong>of</strong> <strong>the</strong> CCS journal The Ecclesiologist and by <strong>the</strong> moment<br />

when Robert Willis ‘turned to <strong>the</strong> English ca<strong>the</strong>drals’ where, Pevsner noted, ‘he was to<br />

achieve his greatest glory’. 163 From <strong>the</strong> po<strong>in</strong>t <strong>of</strong> view <strong>of</strong> architectural antiquarianism per<br />

se, <strong>the</strong> early 1840s marked <strong>the</strong> po<strong>in</strong>t at which those traditions <strong>of</strong> study and practice,<br />

passive and active <strong>in</strong>volvement with <strong>the</strong> build<strong>in</strong>gs <strong>of</strong> <strong>the</strong> Middle <strong>Age</strong>s, that had been<br />

converg<strong>in</strong>g s<strong>in</strong>ce <strong>1789</strong>, met and fused <strong>in</strong>to <strong>the</strong> broader movement that was <strong>the</strong> Victorian<br />

Gothic Revival. The result<strong>in</strong>g compound had its own particular constitution. It was more<br />

organised, as Britton noted, better established <strong>in</strong> <strong>the</strong> universities, where <strong>the</strong> CCS and to a<br />

lesser extent <strong>the</strong> OAS wielded <strong>in</strong>fluence far beyond <strong>the</strong>ir numerical weight, <strong>in</strong> <strong>the</strong> public<br />

m<strong>in</strong>d with <strong>the</strong> New Palace <strong>of</strong> Westm<strong>in</strong>ster and <strong>in</strong>stitutionally <strong>in</strong> <strong>the</strong> Institute <strong>of</strong> British<br />

Architects <strong>of</strong> which Britton was a fellow.<br />

A great enthusiast for <strong>in</strong>stitutions, a member <strong>of</strong> many, <strong>the</strong> founder <strong>of</strong> <strong>the</strong> Wiltshire<br />

Topographical Society which was ano<strong>the</strong>r product <strong>of</strong> 1841, and an advocate for greater<br />

<strong>of</strong>ficial recognition for <strong>the</strong> ‘Literary Pr<strong>of</strong>ession’, Britton’s hope was that <strong>the</strong>se and o<strong>the</strong>r<br />

pr<strong>of</strong>essional bodies would provide <strong>the</strong> sort <strong>of</strong> structure and respectability for lack <strong>of</strong><br />

which he had struggled <strong>in</strong> <strong>the</strong> early years <strong>of</strong> his own career. 164 He was to be <strong>in</strong> some<br />

degree disappo<strong>in</strong>ted, however, by <strong>the</strong> developments he hailed so enthusiastically. The<br />

architectural antiquarianism <strong>of</strong> <strong>the</strong> mid-century, which marked <strong>the</strong> start <strong>of</strong> a movement<br />

161<br />

Britton, Graphic Illustrations with Historical and Descriptive Accounts <strong>of</strong> Todd<strong>in</strong>gton, p. xiv.<br />

162<br />

Pevsner, Some Architectural Writers <strong>of</strong> <strong>the</strong> N<strong>in</strong>eteenth Century, p.54.<br />

163<br />

Pevsner, Some Architectural Writers <strong>of</strong> <strong>the</strong> N<strong>in</strong>eteenth Century, p.56.<br />

164<br />

Britton, Graphic Illustrations with Historical and Descriptive Accounts <strong>of</strong> Todd<strong>in</strong>gton , p. ix.<br />

80

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!