Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
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Prebble po<strong>in</strong>ts out, was just about to start work on Quent<strong>in</strong> Durward, <strong>the</strong> story <strong>of</strong> a<br />
Scottish archer <strong>in</strong> <strong>the</strong> French royal bodyguard and <strong>the</strong>re was doubtless a connection<br />
between his plan for <strong>the</strong> novel and his decision to transform <strong>the</strong> exist<strong>in</strong>g Company <strong>of</strong><br />
Archers, a gentleman’s sport<strong>in</strong>g and d<strong>in</strong><strong>in</strong>g club dat<strong>in</strong>g back to <strong>the</strong> later seventeenth<br />
century, <strong>in</strong>to a band <strong>of</strong> medieval bowmen <strong>in</strong> L<strong>in</strong>coln green, complete with quivers and<br />
arrows. There was at this po<strong>in</strong>t a complete symmetry <strong>in</strong> <strong>the</strong> exchange between fact and<br />
fiction.<br />
The climax <strong>of</strong> <strong>the</strong> visit was <strong>the</strong> ga<strong>the</strong>r<strong>in</strong>g <strong>of</strong> <strong>the</strong> clans, a ‘Highland Ball’ at <strong>the</strong><br />
Assembly rooms. This was <strong>the</strong> s<strong>in</strong>gle most <strong>in</strong>fluential event <strong>of</strong> <strong>the</strong> tour and its legacy was<br />
<strong>the</strong> most endur<strong>in</strong>g. It was <strong>the</strong> Ball that forged a l<strong>in</strong>k between Scottish dress and tartan and<br />
promoted <strong>the</strong> idea, quite unknown <strong>in</strong> 1745, <strong>of</strong> <strong>in</strong>dividual clan tartans associated with<br />
particular families. As Prebble and Hugh Cheape have made clear this was <strong>the</strong> moment<br />
that established ‘<strong>the</strong> kilt as <strong>the</strong> national dress <strong>of</strong> all Scotsmen, should <strong>the</strong>y so desire’ and<br />
established <strong>the</strong> fashion for <strong>in</strong>dividual named tartans. 71 ‘Highland dress’ was a condition<br />
<strong>of</strong> entry. Yet <strong>the</strong> plaid was seldom if ever seen <strong>in</strong> Ed<strong>in</strong>burgh at <strong>the</strong> time. Most lowlanders<br />
would never have thought <strong>of</strong> wear<strong>in</strong>g it and it would have been regarded as outlandish by<br />
<strong>the</strong> citizens <strong>of</strong> <strong>the</strong> capital. As Lockhart wrote:<br />
With all respect and admiration for <strong>the</strong> noble and generous qualities which our countrymen <strong>of</strong> <strong>the</strong> Highland<br />
clans have so <strong>of</strong>ten exhibited, it was difficult to forget that <strong>the</strong>y had always constituted a small, and almost<br />
always an unimportant part <strong>of</strong> <strong>the</strong> Scottish population. 72<br />
They were, however, <strong>the</strong> romantic, or as Lockhart put it <strong>the</strong> ‘picturesque’ part. 73 A<br />
Highland revival was already beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> antiquarian circles and despite some <strong>in</strong>itial<br />
demur Scott’s effective creation <strong>of</strong> a Scottish national costume with <strong>the</strong> capacity for<br />
personal variants was soon wildly successful with both polite society and with<br />
manufacturers, for it gave new life to <strong>the</strong> founder<strong>in</strong>g cloth <strong>in</strong>dustry <strong>in</strong> Scotland. 74 Well<br />
71 Prebble, The K<strong>in</strong>g’s Jaunt, p.103.<br />
72 Lockhart, Life <strong>of</strong> Sir Walter Scott, p. 481.<br />
73 Lockhart, Life <strong>of</strong> Sir Walter Scott, p. 481.<br />
74 See Cheape, Tartan: <strong>the</strong> highland habit, pp. 63-69.<br />
225