Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
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<strong>in</strong>fluential on a far greater scale. His method was immediately seen as <strong>in</strong>novative and as J<br />
H Parker (1806-84) <strong>the</strong> Oxford publisher recalled it was Willis who ‘first brought <strong>the</strong><br />
system <strong>in</strong>to such thorough order, that it became quite undeniable to any educated person<br />
who takes <strong>the</strong> trouble to follow his steps and exam<strong>in</strong>e <strong>the</strong> evidence’. 202 Rickman was not<br />
an educated person. He had, as Parker admitted, po<strong>in</strong>ted <strong>the</strong> way but he was ‘not a<br />
learned man, not well acqua<strong>in</strong>ted with history, or <strong>the</strong> use <strong>of</strong> records. Willis… made<br />
architectural history complete, thorough and undeniable’. 203<br />
As this suggests Willis’s dom<strong>in</strong>ance was not unconnected with a sense <strong>of</strong> his<br />
social as much as his <strong>in</strong>tellectual superiority to most <strong>of</strong> his predecessors and<br />
contemporaries <strong>in</strong> <strong>the</strong> field, but it would be unjust to suggest that it was not mostly<br />
attributable to his brilliance, <strong>the</strong> concentrated focus <strong>of</strong> a tra<strong>in</strong>ed m<strong>in</strong>d and <strong>the</strong> ability to<br />
organise and communicate his f<strong>in</strong>d<strong>in</strong>gs that he brought to <strong>the</strong> subject. Willis himself was<br />
respectful <strong>in</strong> his writ<strong>in</strong>gs <strong>of</strong> Britton and Milner, even when he disagreed with <strong>the</strong>m and<br />
used Pug<strong>in</strong> and Willson’s Specimens for his own studies. Never<strong>the</strong>less he represented a<br />
new generation <strong>in</strong> antiquarianism and a new approach that would <strong>in</strong> time eclipse <strong>the</strong> old.<br />
From 1835, when he published Remarks on <strong>the</strong> Architecture <strong>of</strong> <strong>the</strong> Middle <strong>Age</strong>s,<br />
Especially <strong>of</strong> Italy, which drew attention to <strong>the</strong> important but neglected Italian gothic,<br />
Willis had been a respected author on <strong>the</strong> subject. After 1837, when a legacy gave him<br />
f<strong>in</strong>ancial <strong>in</strong>dependence, his <strong>in</strong>terest <strong>in</strong> Gothic architecture developed, manifested <strong>in</strong> one<br />
or two built projects, <strong>in</strong>clud<strong>in</strong>g <strong>the</strong> cemetery chapel at Wisbech and <strong>in</strong> his paper On <strong>the</strong><br />
Construction <strong>of</strong> <strong>the</strong> Vaults <strong>of</strong> <strong>the</strong> Middle <strong>Age</strong>s, read to <strong>the</strong> Institute <strong>of</strong> British Architects,<br />
<strong>of</strong> which he was a fellow, <strong>in</strong> 1841 and published <strong>the</strong> follow<strong>in</strong>g year. Significantly Willis<br />
was never a fellow <strong>of</strong> <strong>the</strong> Society <strong>of</strong> <strong>Antiquaries</strong> and probably never considered<br />
becom<strong>in</strong>g one.<br />
It was <strong>in</strong> 1844, with <strong>the</strong> foundation <strong>of</strong> <strong>the</strong> British Archaeological Association and<br />
<strong>the</strong> delivery <strong>of</strong> <strong>the</strong> first <strong>of</strong> <strong>the</strong> series <strong>of</strong> lectures on <strong>the</strong> history <strong>of</strong> <strong>in</strong>dividual ca<strong>the</strong>drals to<br />
202<br />
Quoted <strong>in</strong> Buchanan, ‘Robert Willis and <strong>the</strong> Rise <strong>of</strong> Architectural History’, with no source, p.160.<br />
203<br />
Quoted <strong>in</strong> Buchanan, ‘Robert Willis and <strong>the</strong> Rise <strong>of</strong> Architectural History’, p.161.<br />
94