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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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part <strong>of</strong> <strong>the</strong> understand<strong>in</strong>g <strong>of</strong> <strong>the</strong> past ga<strong>in</strong>ed currency at <strong>the</strong> same time as <strong>the</strong> figure <strong>of</strong> <strong>the</strong><br />

antiquary developed <strong>in</strong> fact and emerged <strong>in</strong> fiction.<br />

The Antiquary <strong>in</strong> <strong>the</strong> <strong>Age</strong> <strong>of</strong> <strong>Romanticism</strong>: image, illusion and<br />

au<strong>the</strong>nticity<br />

In discuss<strong>in</strong>g <strong>the</strong> lives and work <strong>of</strong> <strong>the</strong> fourteen <strong>in</strong>dividuals I have considered <strong>in</strong><br />

detail, as well as some o<strong>the</strong>rs whose activities contrast or overlap with <strong>the</strong>irs from time to<br />

time, my object is to demonstrate that <strong>the</strong> period from <strong>1789</strong> to <strong>1851</strong> saw <strong>the</strong> rise and<br />

decl<strong>in</strong>e <strong>of</strong> a particular phase <strong>of</strong> antiquarianism. Dur<strong>in</strong>g this time, as Hugh Trevor-Roper<br />

wrote <strong>in</strong> The Romantic Movement and <strong>the</strong> Study <strong>of</strong> History, ‘<strong>the</strong> philosophy <strong>of</strong> <strong>the</strong><br />

eighteenth-century historians -Hume, Robertson, and Gibbon’ was transformed <strong>in</strong>to ‘<strong>the</strong><br />

philosophies <strong>of</strong> <strong>the</strong>ir n<strong>in</strong>eteenth-century successors- Macaulay, Michelet, Ranke’. 31 In<br />

discuss<strong>in</strong>g how this came about Trevor-Roper gives full weight to <strong>the</strong> <strong>in</strong>fluence <strong>of</strong> Walter<br />

Scott, <strong>the</strong> importance <strong>of</strong> a develop<strong>in</strong>g empiricism and a grow<strong>in</strong>g <strong>in</strong>terest <strong>in</strong> local, social<br />

and medieval history. What he does not consider, <strong>in</strong> say<strong>in</strong>g that Scott was ‘not a scholar’<br />

but someone who, <strong>in</strong> Carlyle’s words ‘knew what history meant’ is that he was an<br />

antiquary, a self-described and enthusiastic antiquary at that and that his methods and<br />

preoccupations were typical <strong>of</strong> <strong>the</strong> antiquarianism <strong>of</strong> <strong>the</strong>se years. 32<br />

It was <strong>in</strong> fact antiquarianism that bridged <strong>the</strong> divide between Hume and Macaulay<br />

<strong>in</strong> a period which saw ano<strong>the</strong>r spurt <strong>in</strong> <strong>the</strong> fitful growth <strong>of</strong> <strong>the</strong> sense <strong>of</strong> <strong>the</strong> past. The<br />

Romantic period allowed and <strong>in</strong>deed fostered a relationship with history <strong>in</strong> which <strong>the</strong><br />

antiquary’s peculiar comb<strong>in</strong>ation <strong>of</strong> imag<strong>in</strong>ation and empiricism brought antiquarianism<br />

<strong>in</strong>to <strong>the</strong> cultural ma<strong>in</strong>stream as never before or s<strong>in</strong>ce. It flourished to such an extent that<br />

by <strong>the</strong> mid-n<strong>in</strong>eteenth century it was to some extent contribut<strong>in</strong>g to its own decl<strong>in</strong>e. A<br />

greatly <strong>in</strong>creased body <strong>of</strong> knowledge and general public <strong>in</strong>terest led to pr<strong>of</strong>essionalisation<br />

31<br />

Trevor-Roper, The Romantic Movement and <strong>the</strong> Study <strong>of</strong> History, p.1.<br />

32<br />

Trevor-Roper, The Romantic Movement and <strong>the</strong> Study <strong>of</strong> History, p.7.<br />

17

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