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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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In addition to his Dissertation and his chapel, Milner made o<strong>the</strong>r, more direct<br />

contributions to <strong>the</strong> cont<strong>in</strong>u<strong>in</strong>g debate about <strong>the</strong> nature and orig<strong>in</strong>s <strong>of</strong> Gothic and <strong>the</strong><br />

classification <strong>of</strong> styles. His History <strong>of</strong> W<strong>in</strong>chester, his essay ‘On <strong>the</strong> Rise and Progress <strong>of</strong><br />

<strong>the</strong> Po<strong>in</strong>ted Arch’ <strong>of</strong> 1802 and his Treatise on <strong>the</strong> Ecclesiastical Architecture <strong>of</strong> England<br />

<strong>of</strong> 1811 were all important works. They have been discussed by Frankl and o<strong>the</strong>rs and<br />

<strong>the</strong>re will be more to say <strong>in</strong> this context about Milner’s account <strong>of</strong> W<strong>in</strong>chester ca<strong>the</strong>dral<br />

<strong>in</strong> comparison with Willis’s. 75 Milner’s pr<strong>in</strong>cipal importance for this study, however, is<br />

for <strong>the</strong> turn<strong>in</strong>g po<strong>in</strong>t his work represents <strong>in</strong> architectural antiquarianism from <strong>the</strong> passive<br />

to <strong>the</strong> active and <strong>in</strong> <strong>the</strong> annex<strong>in</strong>g <strong>of</strong> subjective and aes<strong>the</strong>tic criteria to <strong>the</strong> antiquarian<br />

cause, unit<strong>in</strong>g taste with passion and both with scholarship.<br />

In 1803 Milner was appo<strong>in</strong>ted Vicar General <strong>of</strong> <strong>the</strong> Midland District and Titular<br />

Bishop <strong>of</strong> Castabala. He left W<strong>in</strong>chester and had less time for antiquarian pursuits. After<br />

1817 he seems to have given <strong>the</strong>m up altoge<strong>the</strong>r although <strong>the</strong> fact that he left money <strong>in</strong><br />

his will to build a Gothic chapel at Wolverhampton suggests he never changed his m<strong>in</strong>d.<br />

By <strong>the</strong> time <strong>of</strong> his death <strong>in</strong> 1826 <strong>the</strong> view <strong>of</strong> Gothic architecture that he had developed<br />

was widely shared.<br />

John Britton: Popularis<strong>in</strong>g Gothic<br />

It was <strong>in</strong> <strong>1789</strong>, that momentous year for antiquarianism, that John Britton met<br />

Edward Brayley (1773-1854) <strong>in</strong> <strong>the</strong> shop <strong>of</strong> <strong>the</strong>ir mutual friend Mr Essex who ‘obta<strong>in</strong>ed a<br />

very respectable livelihood by… pa<strong>in</strong>t<strong>in</strong>g <strong>the</strong> figures, &c. on watch faces’. 76 Essex, like<br />

Britton and Brayley relieved <strong>the</strong> rout<strong>in</strong>e <strong>of</strong> trade by literary pursuits and his shop seems<br />

to have been someth<strong>in</strong>g <strong>of</strong> an <strong>in</strong>formal salon. Britton and Brayley took an <strong>in</strong>stant lik<strong>in</strong>g to<br />

75<br />

Frankl, The Gothic, pp.445-447; Pevsner, Some Architectural Writers <strong>of</strong> <strong>the</strong> N<strong>in</strong>eteenth Century, p.16<br />

and Buchanan, ‘Robert Willis and <strong>the</strong> Rise <strong>of</strong> Architectural History’,Chapter 1.<br />

76<br />

Britton, Auto-biography, (1825) p.26.<br />

55

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