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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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Norman troubadour manuscripts <strong>of</strong> <strong>the</strong> twelfth century, <strong>the</strong> authors <strong>of</strong> which had English names<br />

was a po<strong>in</strong>t, he noted to Douce, aga<strong>in</strong>st Thomas Percy(1729-1811), compiler <strong>of</strong> <strong>the</strong> popular but<br />

academically flawed Reliques <strong>of</strong> Ancient English Poetry <strong>of</strong> 1765. De la Rue noted it as a po<strong>in</strong>t<br />

for ‘votre ami son antagoniste’ [your friend his enemy] who was probably Joseph Ritson. 20<br />

Between <strong>the</strong>m Douce and de la Rue managed to get <strong>the</strong> Abbé’s paper ‘On Anglo-Norman<br />

Poets’ read (by Douce) to <strong>the</strong> Society <strong>of</strong> <strong>Antiquaries</strong> on 29 March 1798 and it was eventually<br />

published <strong>in</strong> <strong>the</strong> Society’s journal, Archaeologia, although not before de la Rue had compla<strong>in</strong>ed<br />

several times <strong>of</strong> <strong>the</strong> delay add<strong>in</strong>g:<br />

A quoi bon tirer des tenebres des hommes qui honorerent l’angleterre, pour que la societe des antiquaries les y<br />

replonge en ne faisant pas imprimer mes dissertations. [What is <strong>the</strong> po<strong>in</strong>t <strong>of</strong> draw<strong>in</strong>g from obscurity <strong>the</strong>se men who<br />

did honour to England, only for <strong>the</strong> Society <strong>of</strong> <strong>Antiquaries</strong> to submerge <strong>the</strong>m aga<strong>in</strong> by fail<strong>in</strong>g to publish my<br />

work.] 21<br />

Douce, who managed with great difficulty to get a copy <strong>of</strong> <strong>the</strong> published article through to de la<br />

Rue <strong>in</strong> Paris, may have been irritated when <strong>the</strong> Abbé expressed disappo<strong>in</strong>tment at receiv<strong>in</strong>g only<br />

one.<br />

As <strong>the</strong>se <strong>in</strong>stances <strong>of</strong> his correspondence suggest de la Rue was as pugnacious as <strong>the</strong> next<br />

antiquary but not <strong>in</strong> any narrow sense a nationalist, nei<strong>the</strong>r French nor, despite his gratitude to<br />

<strong>the</strong> country that had given him refuge, English. He made up his m<strong>in</strong>d on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> evidence<br />

and confided <strong>in</strong> friends as he found <strong>the</strong>m. Thus he was will<strong>in</strong>g to share with Douce his latest<br />

researches while play<strong>in</strong>g his cards ra<strong>the</strong>r closer to his chest with M Le Grand, librarian at <strong>the</strong><br />

Bibliothèque Nationale who was always try<strong>in</strong>g to draw him out about his <strong>the</strong>ories. ‘Je reste<br />

boutonné’ he told Douce [I keep <strong>the</strong> stopper <strong>in</strong>]. 22 Writ<strong>in</strong>g <strong>in</strong> 1813, from Caen about <strong>the</strong> new<br />

catalogue <strong>of</strong> manuscripts <strong>in</strong> <strong>the</strong> British Museum by Henry Ellis (1777-1869), ano<strong>the</strong>r friend <strong>of</strong><br />

Douce, de la Rue was highly critical, (as were many o<strong>the</strong>rs) accus<strong>in</strong>g Ellis <strong>of</strong> misdat<strong>in</strong>g texts and<br />

<strong>of</strong> ignor<strong>in</strong>g thirteenth-century Anglo-Norman writers <strong>in</strong> order to give a longer history to English<br />

20<br />

Douce/de la Rueletters, f4, 12 May, 1798. Ritson ma<strong>in</strong>ta<strong>in</strong>ed a long campaign aga<strong>in</strong>st Percy, accus<strong>in</strong>g him <strong>of</strong><br />

manipulat<strong>in</strong>g his sources.<br />

21<br />

Douce/de la Rue letters, f12v, 15 fructidor, an 8 (2 September 1800).<br />

22<br />

Douce/de la Rue letters, f4, 12 May, 1798.<br />

105

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