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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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An observable difference still, this dist<strong>in</strong>ction would determ<strong>in</strong>e <strong>the</strong> differ<strong>in</strong>g fortunes <strong>of</strong> French<br />

and English antiquaries as <strong>the</strong> n<strong>in</strong>eteenth century wore on.<br />

Before leav<strong>in</strong>g Paris Turner bought some missals ‘<strong>of</strong> great beauty & at a low price’ but<br />

was o<strong>the</strong>rwise disappo<strong>in</strong>ted that <strong>the</strong>re were not more antiquarian barga<strong>in</strong>s to be had. 48 With <strong>the</strong><br />

collector’s callousness he remarked that he had been expect<strong>in</strong>g ‘consider<strong>in</strong>g how much France<br />

has <strong>of</strong> late years been convulsed, how many opulent families reduced to poverty & how many<br />

monasteries plundered that articles <strong>of</strong> this description would be abundantly on sale’. 49 In time a<br />

whole tide <strong>of</strong> antiquities would be loosed but not for <strong>the</strong> moment. Dealers and o<strong>the</strong>rs were<br />

perhaps hold<strong>in</strong>g onto <strong>the</strong>ir stock, aware that times were still uncerta<strong>in</strong>. The Abbé de la Rue was<br />

certa<strong>in</strong>ly <strong>of</strong> that m<strong>in</strong>d. In April 1814 he warned Douce that <strong>the</strong> English had made a mistake <strong>in</strong><br />

send<strong>in</strong>g Napoleon no fur<strong>the</strong>r than Elba. ‘Il se retournera en tout sens pour troubler l’europe … il<br />

faudroit Milton pour pe<strong>in</strong>dre le genie <strong>in</strong>fernal’ [He will return from every direction to trouble<br />

Europe… it would take Milton to depict his demonic genius]. 50<br />

De la Rue <strong>of</strong> course was right and from March until July 1815 England was once aga<strong>in</strong> at<br />

war. After <strong>the</strong> f<strong>in</strong>al victory <strong>of</strong> Waterloo <strong>the</strong>re was a rush across <strong>the</strong> Channel on an even greater<br />

scale than <strong>the</strong> year before. Dawson Turner held back until September. Walter Scott, however,<br />

who, despite <strong>the</strong> fact that his wife was French had never before been abroad, set sail <strong>in</strong> August<br />

for Belgium and was among <strong>the</strong> first British civilians to see <strong>the</strong> battlefield. His account <strong>of</strong> it<br />

dwells heavily, one might say shock<strong>in</strong>gly, on <strong>the</strong> quest for material souvenirs. It has been<br />

suggested, by Stuart Semmel, that <strong>the</strong> <strong>of</strong>ten-remarked and <strong>in</strong> some ways puzzl<strong>in</strong>g failure <strong>of</strong> <strong>the</strong><br />

British to erect a monument <strong>in</strong> London, or anywhere else, to one <strong>of</strong> <strong>the</strong> greatest military victories<br />

<strong>in</strong> <strong>the</strong>ir history, despite numerous schemes and competitions, was due to <strong>the</strong> fact that a trade <strong>in</strong><br />

‘found objects –relics’ satisfied <strong>the</strong> need for a material focus for <strong>the</strong> event. 51 One might go<br />

fur<strong>the</strong>r and say that <strong>the</strong> more personal, reciprocal and subjective relationship to <strong>the</strong> past and its<br />

artefacts, represented at <strong>the</strong> Musée des Monumens Français and <strong>in</strong> <strong>the</strong> reactions to it, was not<br />

merely content with personal souvenirs, but positively preferred <strong>the</strong>m. The field <strong>of</strong> Waterloo,<br />

48 Turner, ‘Journal <strong>of</strong> a Tour to France, 1814’, f 237.<br />

49 Turner, ‘Journal <strong>of</strong> a Tour to France, 1814’, f237.<br />

50 Douce/de la Rue letters, f46, 25 Avril, 1814.<br />

51 Semmel, ‘Read<strong>in</strong>g <strong>the</strong> Tangible Past’, p.24.<br />

116

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