Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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Stothard, Charles, ‘Some Observations on the Bayeux Tapestry…in a Letter addressed to Samuel Lysons Esq. V.P. F.R.S.’, Archaeologia 19, (1821), 184-191 Todd, Henry John, A Vindication of the Most Reverend Thomas Cranmer…against some of the allegations which have recently been made by the Reverend Dr Lingard, the Rev. Dr Milner and Charles Butler Esq., (London, 1826) Turner, Dawson, A Tour in Normandy, 2 vols, (London, 1820 ) Walpole, Horace, Anecdotes of Painting in England (1760-1795), ed. by Frederick W. Hilles and Philip B. Daghlain, (New Haven and London, 1937) Walsh, M le Vicomte, Relation du voyage de Henri de France en Ecosse et en Angleterre, (Paris, 1844) Whewell, William, Architectural Notes on German Churches, a new edition to which is now added notes written during an architectural tour in Picardy and Normandy, (Cambridge, 1835) Whittington, the late Rev G. D., An Historical Survey of the Ecclesiastical Antiquities of France; with a view to illustrate the rise and progress of Gothic architecture in Europe, (London, 1809) Willis, the Rev R., MA, FRS, Jacksonian Professor of the University of Cambridge, The Architectural History of Winchester Cathedral, (1846), (Winchester, 1984) Willson E. J. ‘Remarks on Gothic Architecture and on Modern Imitations’ in A Pugin, Specimens of Gothic Architecture selected from various edifices in England, 2 vols (London, 1821 and 1823) continued in A Pugin, Examples of Gothic Architecture, consisting of Plans, Sections Elevations and Details, 2 vols, (London, 1830 and 1836) Wordsworth, William, Lyrical Ballads with Pastoral and other Poems, 2 vols, (London, 1802) Yonge, Charlotte M., John Keble’s Parishes: A History of Hursley and Otterbourne, (London, 1898) Secondary Sources Altick, Richard D, The Shows of London, (Cambridge Mass and London: Belknap Press,1978) 282
Auberbach, Jeffrey A., The Great Exhibition of 1851: a nation on display, (New Haven and London: Yale University Press, 1999) Ballantyne, Andrew, ‘Genealogy of the Picturesque’, British Journal of Aesthetics, 32:4 (1992), 320-329 Bann, Stephen, The Clothing of Clio: a study of the representation of history in nineteenth-century Britain and France, (Cambridge: Cambridge University Press, 1984) _____ The Inventions of History: essays on the representation of the past, (Manchester: Manchester University Press, 1990) _____ Painting History: Delaroche and Lady Jane Grey, (London: National Gallery Company, 2010) Bate, Jonathan, ed., The Romantics on Shakespeare, (1992) (London: Penguin Classics reprint, 1997) Bogan, Peter, Beloved Chapel, (Winchester, nd) Boime, Albert, A Social History of Modern Art, vol 1, Art in the Age of Revolution: 1750-1800, (Chicago and London: University of Chicago Press, 1987) Boucher-Rivalain, Odile, ‘Attitudes to Gothic in French architectural writings of the 1840s’, Architectural History, 41 (1998), 145-152 Bradley, Simon, ‘The Englishness of Gothic: Theories and Interpretations from William Gilpin to J H Parker’, Architectural History 45 (2002), 325-346 Briggs, Asa, The Age of Improvement, 1783-1867, (London: Longmans, Green, 3 rd impression, 1959) Brooks, Chris, The Gothic Revival, (London: Phaidon, 1999) Brown, Iain Gordon, The Hobby-Horsical Antiquary: a Scottish Character 1640-1830, (Edinburgh: National Library of Scotland, 1980) Buchanan, Alexandrina, ‘Interpretations of Medieval Architecture’, in Gothic Architecture and its Meanings, 1550-1850, Michael Hall, (ed.), (Reading: Georgian Group, 2002), 27-50 _____ ‘Robert Willis and the Rise of Architectural History’, (unpublished doctoral thesis, University of London, University College,1994) 283
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
Page 47 and 48:
about his protests at Salisbury, a
Page 49 and 50:
within Milner’s position’. 51 H
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about Gothic architecture and its m
Page 53 and 54:
Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
Page 57 and 58:
Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
Page 67 and 68:
Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
Page 87 and 88:
Her criticism of Michelangelo’s L
Page 89 and 90:
The iconography of the east end of
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a church was a symbolic building, a
Page 93 and 94:
Willis became the first academic an
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its annual congress that he began t
Page 97 and 98:
admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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des Monumens Français. They were n
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esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
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strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
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made, not at the time depicted. Sin
Page 125 and 126:
The British in Normandy: architectu
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Dawson Turner could set out the sam
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You remember how admirably the Lay
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historic buildings were either put
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and equal administration of the law
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‘veritable épopée de notre âge
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Scott’s complicit audience that t
Page 139 and 140:
details seriously. Delacroix was am
Page 141 and 142:
Costume balls were wildly popular b
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1830s, however, the exploration of
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chapter that Hugo omitted from the
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to the past, the abstract argument
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occasions he wove fiction and narra
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[The dead, wrapped in their shrouds
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Figure 34 Frontispiece to Langlois
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gouffre qu’on appelle Angleterre,
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The demolition of Les Andelys was r
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It has been suggested that the effe
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shaking the long branches of the wi
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C’est ainsi que peu à peu, se d
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imagination will reveal the hidden
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layer of dark stain to make it look
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novels and poetry; the sporran of R
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emarkable Stonehenge Cabinet that B
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close to accidental satire. The jux
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With the Sobieski Stuart brothers,
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inaccurate. 34 What they themselves
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novels a real manuscript is describ
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Figure 40 Charles Edward Stuart, ca
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the gold, the armour and blazonry,
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and its contents. He began work on
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equire his text in order to be able
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chassis couvert de papier en lambea
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A most extraordinary place, looking
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fragments and objects not only into
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the Blessed Virgin and the four Lat
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domestic culture, more people than
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Chapter Five ‘Nothing but a Popis
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The first part of this chapter will
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surrender my crozier into the hands
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Milner’s relationship with histor
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which Edward designed, was Gothic.
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From sacred emblem of the division
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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view of the Reformation, had caused
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e-discovery and presentation of his
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oyal regalia. It was only in the lo
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Figure 42 The Honours of Scotland,
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Prebble points out, was just about
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First saw them from the window; two
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An article he sent to Mac Millans M
Page 231 and 232: and the exhibition at the British M
Page 233 and 234: order to satisfy the taste of a lat
Page 235 and 236: Illustrations of Shakspeare and its
Page 237 and 238: could be earlier and that the title
Page 239 and 240: his own particular ‘fairy system
Page 241 and 242: Figure 47 Douce's illustrations of
Page 243 and 244: Although Field demanded that his or
Page 245 and 246: manners and habits’ to fill the l
Page 247 and 248: It discovered King John dressed as
Page 249 and 250: Not surprisingly perhaps this ambit
Page 251 and 252: novelist, the painter, and the acto
Page 253 and 254: from meretricious commercial produc
Page 255 and 256: Kenilworth, the novel in which Shak
Page 257 and 258: Sir Walter has found out... that th
Page 259 and 260: had created monuments for Garrick
Page 261 and 262: The more I look at it the more I fe
Page 263 and 264: Their infinite variety. 130 It conj
Page 265 and 266: Figure 50 Shakespeare's monument at
Page 267 and 268: attempt at an antiquarian excavatio
Page 269 and 270: I was not prepared to see it look s
Page 271 and 272: It was in 1849, when Brunel’s Sha
Page 273 and 274: While Alexandrina Buchanan is certa
Page 275 and 276: to have no acknowledged part. 11 Th
Page 277 and 278: Britton, John, An Address from John
Page 279 and 280: Gunn, William, BD, An Inquiry into
Page 281: Pugin, A.W.N., Collected Letters, e
Page 285 and 286: Couve de Murville, M. N. L., John M
Page 287 and 288: _____ ‘Stitched Up: Eliza Stothar
Page 289 and 290: _____ Richard Parkes Bonington, The
Page 291 and 292: Strong, Roy, And when did you last
Page 293 and 294: Appendix John Britton (1771-1857) T
Page 295 and 296: were published posthumously. His ma
Page 297 and 298: foundation of the British Archaeolo
Page 299: distinction in the universities, Wi
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