Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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sun. Arching over the Church were two rainbows, vividly relieved by the dark cloud and sunshine, and losing their lower limbs amidst the saturated woods. 149 In my copy of the Autobiography a contemporary hand has pencilled in the margin ‘twaddle’, so perhaps Britton did not speak for all, but he spoke for many. He may certainly stand for the romantic antiquary as a figure in the Shakespearean landscape. ‘Smug and New’, Shakespeare and the Antiquarian Interior Had any of the schemes for the purchase of the house in Henley Street with which Britton was associated succeeded, he might not have been so emphatic on the point that ‘there is no proof that the Bard was born in this particular building’. 150 As it was, although Britton was on the London branch of the Shakespeare Birthplace Committee, established in 1847 to secure the premises for a permanent and public monument, he took no leading part. He therefore felt quite at liberty to detail the tenuous connections with the poet, the fact that the ‘birthplace’ tradition was of ‘comparatively modern origin’ and the very mixed history of the building which, he wrote, had been partially rebuilt by a previous owner Thomas Court who had bought miscellaneous ‘curiosities’ to furnish it. 151 Britton, accordingly, ‘attached no very high value’ to the ‘alleged Birthplace, or...any of the relics it contained’. 152 More surprisingly Planché, who was more socially confident than Britton and was prominent on the Birthplace Committee, in his equally self-congratulatory memoirs, also passes swiftly over the Henley Street house, with merely a couple of sentences about its acquisition. Perhaps, by 1872, as Somerset Herald, he too was uneasy about it. Writing in 1864 as part of the tercentenary celebrations of Shakespeare’s birth, the Reverend J M Jephson, FSA, noted of the Birthplace: 149 Britton, Autobiography, (1850), Appendix, p. 39. 150 Britton, Autobiography, (1850), Appendix, p. 33. 151 Britton, Autobiography, (1850), Appendix, p. 33. 152 Britton, Autobiography, (1850), Appendix, p. 34. 268
I was not prepared to see it look so smug and new. Many of the old timbers remain and the house is, indeed substantially the same house as it was; but new timbers have been inserted where the old were decayed, everything has been scraped and polished up, and the place looks as if it had been “restored”, a word to strike terror to the heart of an antiquary, not to speak of a man of taste. 153 Figure 61 The house in Henley Street before restoration Figure 72 The restored Birthplace in the 1860s 153 Jephson, Shakespere: his birthplace, home, and grave, p.36 269
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
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about his protests at Salisbury, a
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within Milner’s position’. 51 H
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about Gothic architecture and its m
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Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
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Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
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Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
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Her criticism of Michelangelo’s L
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The iconography of the east end of
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a church was a symbolic building, a
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Willis became the first academic an
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its annual congress that he began t
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admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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des Monumens Français. They were n
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esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
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strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
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made, not at the time depicted. Sin
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The British in Normandy: architectu
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Dawson Turner could set out the sam
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You remember how admirably the Lay
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historic buildings were either put
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and equal administration of the law
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‘veritable épopée de notre âge
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Scott’s complicit audience that t
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details seriously. Delacroix was am
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Costume balls were wildly popular b
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1830s, however, the exploration of
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chapter that Hugo omitted from the
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to the past, the abstract argument
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occasions he wove fiction and narra
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[The dead, wrapped in their shrouds
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Figure 34 Frontispiece to Langlois
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gouffre qu’on appelle Angleterre,
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The demolition of Les Andelys was r
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It has been suggested that the effe
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shaking the long branches of the wi
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C’est ainsi que peu à peu, se d
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imagination will reveal the hidden
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layer of dark stain to make it look
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novels and poetry; the sporran of R
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emarkable Stonehenge Cabinet that B
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close to accidental satire. The jux
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With the Sobieski Stuart brothers,
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inaccurate. 34 What they themselves
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novels a real manuscript is describ
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Figure 40 Charles Edward Stuart, ca
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the gold, the armour and blazonry,
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and its contents. He began work on
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equire his text in order to be able
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chassis couvert de papier en lambea
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A most extraordinary place, looking
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fragments and objects not only into
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the Blessed Virgin and the four Lat
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domestic culture, more people than
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Chapter Five ‘Nothing but a Popis
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The first part of this chapter will
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surrender my crozier into the hands
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Milner’s relationship with histor
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which Edward designed, was Gothic.
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From sacred emblem of the division
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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Page 219 and 220: e-discovery and presentation of his
Page 221 and 222: oyal regalia. It was only in the lo
Page 223 and 224: Figure 42 The Honours of Scotland,
Page 225 and 226: Prebble points out, was just about
Page 227 and 228: First saw them from the window; two
Page 229 and 230: An article he sent to Mac Millans M
Page 231 and 232: and the exhibition at the British M
Page 233 and 234: order to satisfy the taste of a lat
Page 235 and 236: Illustrations of Shakspeare and its
Page 237 and 238: could be earlier and that the title
Page 239 and 240: his own particular ‘fairy system
Page 241 and 242: Figure 47 Douce's illustrations of
Page 243 and 244: Although Field demanded that his or
Page 245 and 246: manners and habits’ to fill the l
Page 247 and 248: It discovered King John dressed as
Page 249 and 250: Not surprisingly perhaps this ambit
Page 251 and 252: novelist, the painter, and the acto
Page 253 and 254: from meretricious commercial produc
Page 255 and 256: Kenilworth, the novel in which Shak
Page 257 and 258: Sir Walter has found out... that th
Page 259 and 260: had created monuments for Garrick
Page 261 and 262: The more I look at it the more I fe
Page 263 and 264: Their infinite variety. 130 It conj
Page 265 and 266: Figure 50 Shakespeare's monument at
Page 267: attempt at an antiquarian excavatio
Page 271 and 272: It was in 1849, when Brunel’s Sha
Page 273 and 274: While Alexandrina Buchanan is certa
Page 275 and 276: to have no acknowledged part. 11 Th
Page 277 and 278: Britton, John, An Address from John
Page 279 and 280: Gunn, William, BD, An Inquiry into
Page 281 and 282: Pugin, A.W.N., Collected Letters, e
Page 283 and 284: Auberbach, Jeffrey A., The Great Ex
Page 285 and 286: Couve de Murville, M. N. L., John M
Page 287 and 288: _____ ‘Stitched Up: Eliza Stothar
Page 289 and 290: _____ Richard Parkes Bonington, The
Page 291 and 292: Strong, Roy, And when did you last
Page 293 and 294: Appendix John Britton (1771-1857) T
Page 295 and 296: were published posthumously. His ma
Page 297 and 298: foundation of the British Archaeolo
Page 299: distinction in the universities, Wi
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