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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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<strong>in</strong>formation. By 1825 De la Rue, who was still <strong>in</strong> Caen, work<strong>in</strong>g on his counter-arguments about<br />

<strong>the</strong> Bayeux Tapestry as well as his history <strong>of</strong> m<strong>in</strong>strels, was report<strong>in</strong>g to Douce that ‘un jeune<br />

homme secretaire de notre societe des antiquaries de normandie’ [a young man who is secretary<br />

<strong>of</strong> our society <strong>of</strong> antiquaries <strong>of</strong> Normandy] was work<strong>in</strong>g with a colleague on a study <strong>of</strong> historic<br />

monuments. 103<br />

Figure 29 E H Langlois, self-portrait engraved by <strong>Mary</strong> Turner<br />

The young man was Arcisse de Caumont (1801-1873). He had been largely <strong>in</strong>strumental<br />

<strong>in</strong> found<strong>in</strong>g <strong>the</strong> Society <strong>of</strong> <strong>Antiquaries</strong> <strong>of</strong> Normandy <strong>the</strong> previous year. Modelled on <strong>the</strong> London<br />

Society it soon recruited many British members <strong>in</strong>clud<strong>in</strong>g A C Pug<strong>in</strong>, Britton and Douce. De<br />

Caumont translated Gally Knight’s Tour <strong>in</strong> Normandy and noted <strong>in</strong> 1832 that he had enterta<strong>in</strong>ed<br />

‘M Wewhel and M Riekmann’. 104 His Cours D’Antiquités Montumentales began appear<strong>in</strong>g <strong>in</strong><br />

1830. A syn<strong>the</strong>siser ra<strong>the</strong>r than an orig<strong>in</strong>al m<strong>in</strong>d de Caumont was highly effective <strong>in</strong> organis<strong>in</strong>g<br />

men and materials. 105 He was also able, as Turner noted, to take advantage <strong>of</strong> <strong>the</strong> mechanisms <strong>of</strong><br />

<strong>the</strong> post-war, Napoleonic state. Born more than a decade after <strong>the</strong> storm<strong>in</strong>g <strong>of</strong> <strong>the</strong> Bastille de<br />

Caumont was part <strong>of</strong> what Turner identified as ‘a new generation…to whom <strong>the</strong> horrors <strong>of</strong> <strong>the</strong><br />

revolution live only <strong>in</strong> <strong>the</strong> page <strong>of</strong> history. But its advantages are daily felt <strong>in</strong> <strong>the</strong> equal nature<br />

103<br />

Douce/de la Rue letters, f168, 22 September, 1825.<br />

104<br />

Lewis, ‘Les rapports avec les antiquaires anglais’, p. 273.<br />

105<br />

See Frankl, The Gothic, pp.519-22.<br />

132

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