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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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But wad ye see him <strong>in</strong> his glee,<br />

For meikle glee and fun has he<br />

Then set him down, and twa or three<br />

Gude fellos wi’him:<br />

And port, O port! Sh<strong>in</strong>e thou a wee,<br />

And THEN ye’ll see him! 52<br />

Burns and Grose enjoyed a real friendship, enshr<strong>in</strong>ed <strong>in</strong> <strong>the</strong> second volume <strong>of</strong> Grose’s<br />

Antiquities, for which Burns wrote one <strong>of</strong> greatest poems, Tam ’o Shanter as well as<br />

contribut<strong>in</strong>g notes to <strong>the</strong> entries on Ayrshire. The poet and <strong>the</strong> poetry are <strong>in</strong>tegrated with<br />

<strong>the</strong> antiquarian text as thoroughly as <strong>the</strong> antiquary is <strong>in</strong>corporated <strong>in</strong> <strong>the</strong> poem.<br />

Figure 6 Francis Grose<br />

In Walter Scott <strong>the</strong> figures <strong>of</strong> poet and antiquary met <strong>in</strong> one man. In The<br />

Antiquary Jonathan Oldbuck made manifest a figure by now widely familiar if latent <strong>in</strong><br />

<strong>the</strong> public m<strong>in</strong>d. The book was written almost at a s<strong>in</strong>gle stretch and composed <strong>in</strong> <strong>the</strong><br />

weeks immediately after Scott returned from his first trip abroad, dur<strong>in</strong>g which he had<br />

visited <strong>the</strong> field <strong>of</strong> Waterloo. Set <strong>in</strong> 1794, The Antiquary is not an historical novel, ra<strong>the</strong>r<br />

it is a novel about history, some <strong>of</strong> it very recent, and its effect on <strong>the</strong> present, as realised<br />

through antiquarianism. Events <strong>in</strong> France and <strong>the</strong> threat <strong>of</strong> <strong>in</strong>vasion are <strong>the</strong> backdrop to<br />

Oldbuck’s pursuit <strong>of</strong> <strong>the</strong> more distant past. Although <strong>the</strong>re are several suggested models<br />

<strong>the</strong> character is, by general consent, largely a self-portrait and <strong>the</strong> book as a whole<br />

52 Burns, Complete Poems, pp. 260-62.<br />

25

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