Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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mediaeval remains’, ‘antique porcelain’ and ‘miscellaneous’. 28 These are much less in number but cover an interestingly typical range: 449 An Oak Panel, with the Crucifixion carved in high relief, and three ditto, Heraldic badges 451 Various fragments of Stained Glass… 452 Carved Oak Arm chair 453 A Panel containing rich pieces of ditto, of the fourteenth and fifteenth centuries… 455 A Demi-suit of Armour… 456 A Helmet and Breast Plate, and the Head of a Pole-axe… 461 An old Sheep Bell… 462 A very large Roman Urn, with narrow mouth, faulty… 464 A quantity of old Tapestry 468 A Large Number of Fragments of ancient Manuscripts… 469 A large Whip, known as a “Caistor Gad” 470 Bronze Head of an Indian Staff of Honour, and an embroidered Chinese Slipper 471 Cast of the Bust of Shakespeare at Stratford on Avon… 474 Sundry Vertebrae of the Ichthyosaurus with other Organic Remains 29 The list might be Cooke’s for an assembly of props, a virtual checklist of antiquarian requisites, but these were the real contents of Willson’s house. More modest and less voluble than his friends John Britton and A W N Pugin, it is impossible to know in any detail how Willson displayed or regarded his antiquities. A letter from Pugin, however, who had just created an antiquarian interior in his house in Ramsgate in 1834 invites Willson to stay with a promise of complete immersion which he clearly feels will appeal: ‘Glad I shall be when I can Lodge you in an ancien [sic] [room] with tapestry hangings round the walls… and every thing en suite. You will then be able to fancy yourself transported back to the fifteenth Cent. and not discover your mistake till you Leave the roof of your sincere friend A Welby Pugin.’ 30 Willson, however, may have been less romantic than his young correspondent. His portrait shows him looking more like the respectable JP which he also was than a Jonathan Oldbuck. 28 A Catalogue of the … Collection…of the late Edward James Willson. 29 A Catalogue of the … Collection…of the late Edward James Willson, pp. 24-25. 30 AWN Pugin, letter to E J Willson, 6 November 1834, Collected Letters, 1, p.43. 174
With the Sobieski Stuart brothers, E H Langlois and Sara Losh we approach the far end of the spectrum, where artefact, identity and meaning are inextricably interfused. The interiors they created, in a house, a museum and a church respectively, require more detailed discussion. Scott also reappears for, at the end of his life, he seems to have come to a less detached view of his home and its possible meanings. The Sobieski Stuarts and the death of Jonathan Oldbuck The two brothers who came to be known as the Sobieski Stuarts began life as John Carter Allen and Charles Manning Allen [fig: 39]. They were the sons of Thomas Gatehouse Allen an English naval officer who, they claimed, was the legitimate son of Charles Edward Stuart, the Young Pretender. Accounts of their lives, not surprisingly, vary substantially. The most recent, an article by Steven Robb, published in 2003, purports to add more detail, although without any indication of its sources. 31 The principal critical discussions of them are by Hugh Trevor-Roper. His essay ‘The Highland Tradition of Scotland’ in The Invention of Tradition, offers an analysis of their remarkable career, during which they created not only the concept of tartan as Scottish national dress, but also designed many of the tartans in use today, while claiming historical sources for them in their most famous, or notorious publication, the Vestiarium Scoticum, of 1842. Another version of Trevor-Roper’s essay was published posthumously in 2008 as ‘The Tartan’, and covers essentially the same ground. 32 31 Robb, ‘The Sobieski Stuart Brothers’. 32 Trevor-Roper, The Invention of Scotland, pp. 216-236. 175
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
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about his protests at Salisbury, a
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within Milner’s position’. 51 H
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about Gothic architecture and its m
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Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
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Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
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Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
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Her criticism of Michelangelo’s L
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The iconography of the east end of
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a church was a symbolic building, a
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Willis became the first academic an
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its annual congress that he began t
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admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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des Monumens Français. They were n
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esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
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strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
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Page 127 and 128: Dawson Turner could set out the sam
Page 129 and 130: You remember how admirably the Lay
Page 131 and 132: historic buildings were either put
Page 133 and 134: and equal administration of the law
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Page 137 and 138: Scott’s complicit audience that t
Page 139 and 140: details seriously. Delacroix was am
Page 141 and 142: Costume balls were wildly popular b
Page 143 and 144: 1830s, however, the exploration of
Page 145 and 146: chapter that Hugo omitted from the
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Page 149 and 150: occasions he wove fiction and narra
Page 151 and 152: [The dead, wrapped in their shrouds
Page 153 and 154: Figure 34 Frontispiece to Langlois
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Page 157 and 158: The demolition of Les Andelys was r
Page 159 and 160: It has been suggested that the effe
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Page 163 and 164: C’est ainsi que peu à peu, se d
Page 165 and 166: imagination will reveal the hidden
Page 167 and 168: layer of dark stain to make it look
Page 169 and 170: novels and poetry; the sporran of R
Page 171 and 172: emarkable Stonehenge Cabinet that B
Page 173: close to accidental satire. The jux
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Page 181 and 182: Figure 40 Charles Edward Stuart, ca
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Page 185 and 186: and its contents. He began work on
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Page 191 and 192: A most extraordinary place, looking
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Page 199 and 200: Chapter Five ‘Nothing but a Popis
Page 201 and 202: The first part of this chapter will
Page 203 and 204: surrender my crozier into the hands
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Page 207 and 208: which Edward designed, was Gothic.
Page 209 and 210: From sacred emblem of the division
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Page 219 and 220: e-discovery and presentation of his
Page 221 and 222: oyal regalia. It was only in the lo
Page 223 and 224: Figure 42 The Honours of Scotland,
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Prebble points out, was just about
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First saw them from the window; two
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An article he sent to Mac Millans M
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and the exhibition at the British M
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order to satisfy the taste of a lat
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Illustrations of Shakspeare and its
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could be earlier and that the title
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his own particular ‘fairy system
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Figure 47 Douce's illustrations of
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Although Field demanded that his or
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manners and habits’ to fill the l
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It discovered King John dressed as
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Not surprisingly perhaps this ambit
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novelist, the painter, and the acto
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from meretricious commercial produc
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Kenilworth, the novel in which Shak
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Sir Walter has found out... that th
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had created monuments for Garrick
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The more I look at it the more I fe
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Their infinite variety. 130 It conj
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Figure 50 Shakespeare's monument at
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attempt at an antiquarian excavatio
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I was not prepared to see it look s
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It was in 1849, when Brunel’s Sha
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While Alexandrina Buchanan is certa
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to have no acknowledged part. 11 Th
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Britton, John, An Address from John
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Gunn, William, BD, An Inquiry into
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Pugin, A.W.N., Collected Letters, e
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Auberbach, Jeffrey A., The Great Ex
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Couve de Murville, M. N. L., John M
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_____ ‘Stitched Up: Eliza Stothar
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_____ Richard Parkes Bonington, The
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Strong, Roy, And when did you last
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Appendix John Britton (1771-1857) T
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were published posthumously. His ma
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foundation of the British Archaeolo
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distinction in the universities, Wi
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