Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
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Salisbury Ca<strong>the</strong>dral and Wyatt ‘<strong>the</strong> Destroyer’ 25 : <strong>the</strong> spur to action.<br />
If <strong>the</strong>re was one key site <strong>in</strong> <strong>the</strong> great debate about Gothic it was Salisbury<br />
Ca<strong>the</strong>dral. The beau idéal <strong>of</strong> <strong>the</strong> Decorated style, one <strong>of</strong> <strong>the</strong> few ca<strong>the</strong>drals to have been<br />
built virtually <strong>in</strong> a s<strong>in</strong>gle campaign, it was all but completed <strong>in</strong> <strong>the</strong> fifty years follow<strong>in</strong>g<br />
its consecration <strong>in</strong> 1220, and it became a symbol for John Constable, <strong>the</strong> Conservative as<br />
for Cobbett <strong>the</strong> Radical, and for many more <strong>of</strong> <strong>the</strong>ir contemporaries, <strong>of</strong> all that <strong>the</strong><br />
Middle <strong>Age</strong>s could tell <strong>the</strong> present about what was right and what, especially, was wrong,<br />
with modern England. It was at Salisbury <strong>in</strong> <strong>1789</strong> that a great debate began. It started <strong>in</strong><br />
<strong>the</strong> Gentleman’s Magaz<strong>in</strong>e. S<strong>in</strong>ce 1780 <strong>the</strong> magaz<strong>in</strong>e had been largely under <strong>the</strong><br />
editorship, shared with David Henry, <strong>of</strong> <strong>the</strong> publisher and antiquary John Nichols (1745-<br />
1826). Its reviews editor was Richard Gough (1735-1809), Director <strong>of</strong> <strong>the</strong> Society <strong>of</strong><br />
<strong>Antiquaries</strong>. The magaz<strong>in</strong>e accord<strong>in</strong>gly gave considerable prom<strong>in</strong>ence to antiquarian<br />
subjects and <strong>in</strong>creas<strong>in</strong>gly <strong>the</strong>se were medieval: ‘From 1780 onwards’ (<strong>the</strong> year Nichols<br />
assumed pr<strong>in</strong>cipal responsibility for <strong>the</strong> editorial content), Kenneth Clark noted that<br />
‘Giant Fungi and Greek Inscriptions beg<strong>in</strong> to yield to Gothic architecture as a subject <strong>of</strong><br />
<strong>the</strong> illustrations; and <strong>in</strong> <strong>the</strong> 1783 volume <strong>the</strong>re is an article on Gothic practically every<br />
month’. 26 These articles were chiefly descriptive or loosely discursive. Readers also<br />
wrote <strong>in</strong> with personal observations. The even tenor <strong>of</strong> <strong>the</strong>se modest contributions was<br />
violently <strong>in</strong>terrupted, however, <strong>in</strong> October <strong>1789</strong> by a letter from ‘RG’, Richard Gough,<br />
which made om<strong>in</strong>ous use <strong>of</strong> <strong>the</strong> past tense.<br />
I know no ca<strong>the</strong>dral <strong>in</strong> Great Brita<strong>in</strong> <strong>in</strong> which <strong>the</strong> imag<strong>in</strong>ation and taste <strong>of</strong> an Antiquary might have been<br />
<strong>in</strong>dulged with more extent and advantage, than that <strong>of</strong> SALISBURY. The architecture was <strong>of</strong> <strong>the</strong> boldest<br />
and lightest style, <strong>the</strong> design uniform and elegant, <strong>the</strong> execution equal to its situation, and <strong>the</strong> l<strong>of</strong>ty spire <strong>the</strong><br />
wonder <strong>of</strong> <strong>the</strong> k<strong>in</strong>gdom….Such was Salisbury ca<strong>the</strong>dral till <strong>the</strong> middle <strong>of</strong> <strong>the</strong> present century.<br />
25<br />
Nei<strong>the</strong>r Alexandr<strong>in</strong>a Buchanan nor I have been able to discover who first applied this epi<strong>the</strong>t to Wyatt. It<br />
is used, without source <strong>in</strong> Crook, John Carter and <strong>the</strong> M<strong>in</strong>d <strong>of</strong> <strong>the</strong> Gothic Revival. p. 27.<br />
26<br />
Clark, The Gothic Revival, p.72.<br />
41