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Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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Chapter Three<br />

Revolution to Restoration: cross-Channel antiquarianism<br />

There were, throughout <strong>the</strong> period, strong l<strong>in</strong>ks between antiquarian endeavours <strong>in</strong><br />

Brita<strong>in</strong> and France, particularly between English antiquaries and <strong>the</strong>ir counterparts <strong>in</strong> Paris and<br />

Normandy. Contrary to what might be expected revolution and war were no absolute obstacle,<br />

<strong>the</strong>y were <strong>in</strong>deed <strong>in</strong> some ways positive <strong>in</strong>centives to collaboration. By <strong>the</strong> same token <strong>the</strong> co-<br />

operation that characterised <strong>the</strong> Napoleonic era and its immediate aftermath, tailed <strong>of</strong>f after <strong>the</strong><br />

July Revolution <strong>of</strong> 1830, dim<strong>in</strong>ish<strong>in</strong>g noticeably towards <strong>the</strong> middle <strong>of</strong> <strong>the</strong> n<strong>in</strong>eteenth century.<br />

This chapter considers <strong>the</strong> ways <strong>in</strong> which Anglo-French antiquarianism developed and,<br />

while it <strong>in</strong>cluded a considerable <strong>in</strong>terest <strong>in</strong> historic architecture, moved beyond it <strong>in</strong>to <strong>the</strong> broader<br />

area <strong>of</strong> social history, <strong>the</strong> ‘manners and customs’, to use a popular contemporary phrase, <strong>of</strong> <strong>the</strong><br />

past. This antiquarian <strong>in</strong>terest <strong>in</strong> what Walter Scott called <strong>the</strong> ‘vie privée’ <strong>of</strong> earlier times fed<br />

directly <strong>in</strong>to <strong>the</strong> arts, especially those <strong>of</strong> fiction and pa<strong>in</strong>t<strong>in</strong>g, and artistic concerns were<br />

reciprocally felt <strong>in</strong> antiquarian writ<strong>in</strong>g and activity. 1 The material rema<strong>in</strong>s <strong>of</strong> <strong>the</strong> past, <strong>in</strong>clud<strong>in</strong>g<br />

those <strong>of</strong> <strong>the</strong> recent past, assumed <strong>in</strong> this context unprecedented importance. In <strong>the</strong> relations<br />

between England and France we see <strong>the</strong> fusion <strong>of</strong> romance and reality emerg<strong>in</strong>g <strong>in</strong>to<br />

antiquarianism as narrative, not only a subjectively lived but a publically enacted relationship<br />

with history.<br />

There is also to some extent <strong>in</strong> <strong>the</strong> period a reversal <strong>of</strong> roles between France and England.<br />

At <strong>the</strong> end <strong>of</strong> <strong>the</strong> eighteenth century French antiquaries, <strong>in</strong> so far as <strong>the</strong>y existed at all, envied <strong>the</strong><br />

English <strong>the</strong> resources and <strong>the</strong> social and cultural support available to <strong>the</strong>m. By <strong>the</strong> midn<strong>in</strong>eteenth<br />

century <strong>the</strong> position had shifted with many <strong>of</strong> <strong>the</strong> English feel<strong>in</strong>g that antiquarian<br />

matters were better managed <strong>in</strong> France. At <strong>the</strong> same time <strong>the</strong> trade <strong>in</strong> ‘salvaged’ antiquities<br />

which were pour<strong>in</strong>g <strong>in</strong>to Brita<strong>in</strong> from <strong>the</strong> Cont<strong>in</strong>ent put a stra<strong>in</strong> on relations between <strong>the</strong> two<br />

1 Scott, Ivanhoe, p.8<br />

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