Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...
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historic build<strong>in</strong>gs were ei<strong>the</strong>r put to use as factories, granaries or o<strong>the</strong>r purposes unconducive to<br />
<strong>the</strong>ir preservation or, like <strong>the</strong> abbey at Jumièges were simply be<strong>in</strong>g dismantled for <strong>the</strong> stone. The<br />
destruction was <strong>in</strong> some cases worse after 1815 than before. Langlois, describ<strong>in</strong>g <strong>the</strong> Abbey <strong>of</strong> St<br />
Wandrille <strong>in</strong> 1832 noted that s<strong>in</strong>ce 1825, when he and his daughter made most <strong>of</strong> <strong>the</strong> illustrations<br />
he was now publish<strong>in</strong>g<br />
La ru<strong>in</strong>e de l’église a marché avec une rapidité telle, qu’il ne reste, dit-on, aujourd’hui, de ce beau monument, que<br />
des tas de pierre et d’<strong>in</strong>formes debris. [The church’s ru<strong>in</strong> has progressed so rapidly that I believe all that is left <strong>of</strong><br />
this f<strong>in</strong>e monument today is a pile <strong>of</strong> stones and shapeless rubble.] 99<br />
There were few published texts to work from and no useful organisation for communicat<strong>in</strong>g<br />
research. The French naturally admired <strong>the</strong> British and welcomed all <strong>the</strong> <strong>in</strong>formation and advice<br />
<strong>the</strong>y could get from <strong>the</strong>m.<br />
It is impossible now to know exactly who knew whom, but <strong>the</strong> evidence <strong>of</strong> personal and<br />
scholarly exchange that survives suggests that connections were many. Langlois, whose attempt<br />
to document <strong>the</strong> build<strong>in</strong>gs <strong>of</strong> Normandy, begun <strong>in</strong> 1817, came to a halt soon afterwards for lack<br />
<strong>of</strong> patronage, met Turner when he was on one <strong>of</strong> his tours and provided him with draw<strong>in</strong>gs <strong>of</strong> a<br />
capital from <strong>the</strong> Chapter House <strong>of</strong> <strong>the</strong> Abbey <strong>of</strong> St George, Boscherville, for <strong>the</strong> published<br />
version. ‘Normandy does not conta<strong>in</strong> a more ardent admirer <strong>of</strong> her antiquities,’ Turner wrote <strong>in</strong> a<br />
footnote to his Tour and his wife engraved Langlois’s self-portrait as one <strong>of</strong> <strong>the</strong> illustrations [fig:<br />
29]. 100 Langlois assisted A C Pug<strong>in</strong> with documents while he was draw<strong>in</strong>g <strong>in</strong> Rouen 101 and sent<br />
a copy <strong>of</strong> his Hymne à la Cloche to John Gage <strong>in</strong>scribed: ‘A Monsieur John Gage Temoigne de<br />
souvenir de haute estime et d’affection de son dévoué serviteur et confrere’. [To Mr John Gage<br />
<strong>in</strong> testament to <strong>the</strong> high esteem and regard <strong>of</strong> his humble servant and colleague]. 102 Despite <strong>the</strong><br />
difficulties <strong>of</strong> <strong>the</strong>ir situation <strong>the</strong> Normans were not slow to follow <strong>the</strong> example <strong>of</strong> <strong>the</strong>ir British<br />
counterparts <strong>in</strong> publish<strong>in</strong>g <strong>the</strong>ir research and sett<strong>in</strong>g up more formal means <strong>of</strong> shar<strong>in</strong>g<br />
99<br />
Langlois, St Wandrille, p.233, n1.<br />
100<br />
Turner, Tour <strong>in</strong> Normandy, 2, p.12.<br />
101<br />
A letter from A. C. Pug<strong>in</strong> to Langlois dated September 1 1827 thanks him for provid<strong>in</strong>g a plan <strong>of</strong> St Ouen.<br />
Present whereabouts unknown, this letter was <strong>in</strong> <strong>the</strong> possession <strong>of</strong> <strong>the</strong> bookseller Etienne Bertran <strong>of</strong> Rouen <strong>in</strong><br />
October 2006.<br />
102<br />
Volume <strong>in</strong> a private collection.<br />
131