Antiquaries in the Age of Romanticism: 1789-1851 - Queen Mary ...

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figure equivalent to Hugo might have spanned the gulf but he was dead and his popularity as an author, though still high, was waning. In terms of cross-Channel relations it is no doubt true, as Carola Hicks and others have observed, that after Queen Victoria’s marriage, in 1840, to Prince Albert of Saxe-Coburg Gotha, the imaginative pull of the Norman past gave way, in England, to an interest in the Saxon heritage. It was as Saxons that Victoria and Albert were portrayed by William Theed in his sculpture of 1863-7, commissioned at the suggestion of their daughter, Princess Victoria of Prussia to symbolise ‘the ties between the German and English peoples’. 179 By 1843 when Caroline de Berry’s son, the dispossessed Duc de Chambord, came on a self-promoting tour to Britain, the contrast with his mother’s heyday and the quadrille could not have been more poignant. The change was not lost on the Viscomte Walsh who accompanied the Duc and was commissioned to write the official account. Walsh’s description of the Bourbon pretender wandering through Abbotsford employs every technique of scenery, weather and atmosphere. Nearly thirty years after Dawson Turner and his family were moved and entranced by Lenoir’s museum the novelty has worn off, the romantic melancholy given way to a more serious sense of loss. Abbotsford itself is a kind of Jardin Elysée, home of the dead. Walsh conjures up the ghosts of the living author and of his characters, fictional and historical, who join together in the antiquarian narrative of resurrection, a last dance of death. Ce fut par un temps affreux, la neige et la pluie tombant sans relache, que Monseigneur arriva à Abbots ford [sic]; pas un rayon de soleil sur la demeure du poète et du romancier; le vent soufflant dans les arbres verts qui entourent le manoir et agitant les longs rameaux des saules qui pleurent sur les ondes du lac… Walter-Scott [sic] a souvent décrit la tristesse des demeures abandonées, celle d’Abbot’s ford aurait été digne d’être redite par lui… Monseigneur visita tout avec intéret, et emotion… le genie ayant passé par là, il en reste quelque chose… A défaut du maitre du château, le jeune descendant de Robert-le-Fort pouvait évoquer, sous les voûtes des salles desertes, Richard Coeur-de-Lion, Rebecca, Philippe-Auguste, Louis XI, Elisabeth, Amy Robsart, Marie Stuart… Péveril du Pic, Miss Vernon, la jolie fille de Perth… et tant d’autres figures qui hantent Abbot’s ford comme des esprits. [It was in terrible weather, the snow and rain falling relentlessy, that Monseigneur arrived at Abbotsford; not a ray of sun on the home of the poet and novelist, the wind blowing through the evergreens that surround the house and 179 Label on the cast of Theed’s statue, currently on display at the National Portrait Gallery, London. 160
shaking the long branches of the willows that weep on the waves of the lake… Walter Scott often described the sadness of abandoned houses, that of Abbotsford was worthy to be described by him… Monseigneur looked at everything with interest and emotion… genius having been there something remained… instead of the master of the house, the young descendant of Robert the Strong could call up, beneath the vaults of the deserted rooms, Richard the Lionheart, Rebecca, Philippe-Auguste, Louis XI, Elizabeth, Amy Robsart, Mary Stuart… Peveril of the Peak, Miss Vernon, the fair maid of Perth… and many other figures which haunt Abbotsford like spirits.] 180 180 Walsh, Relation du voyage de Henri de France en Ecosse et en Angleterre, pp.80-81. 161
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
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about his protests at Salisbury, a
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within Milner’s position’. 51 H
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about Gothic architecture and its m
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Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
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Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
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Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
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Her criticism of Michelangelo’s L
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The iconography of the east end of
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a church was a symbolic building, a
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Willis became the first academic an
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its annual congress that he began t
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admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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Page 115 and 116: not survive for long. It was disman
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Page 121 and 122: tower, surmounted by, or rather end
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Page 125 and 126: The British in Normandy: architectu
Page 127 and 128: Dawson Turner could set out the sam
Page 129 and 130: You remember how admirably the Lay
Page 131 and 132: historic buildings were either put
Page 133 and 134: and equal administration of the law
Page 135 and 136: ‘veritable épopée de notre âge
Page 137 and 138: Scott’s complicit audience that t
Page 139 and 140: details seriously. Delacroix was am
Page 141 and 142: Costume balls were wildly popular b
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Page 145 and 146: chapter that Hugo omitted from the
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Page 149 and 150: occasions he wove fiction and narra
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Page 153 and 154: Figure 34 Frontispiece to Langlois
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Page 157 and 158: The demolition of Les Andelys was r
Page 159: It has been suggested that the effe
Page 163 and 164: C’est ainsi que peu à peu, se d
Page 165 and 166: imagination will reveal the hidden
Page 167 and 168: layer of dark stain to make it look
Page 169 and 170: novels and poetry; the sporran of R
Page 171 and 172: emarkable Stonehenge Cabinet that B
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Page 175 and 176: With the Sobieski Stuart brothers,
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Page 179 and 180: novels a real manuscript is describ
Page 181 and 182: Figure 40 Charles Edward Stuart, ca
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Page 185 and 186: and its contents. He began work on
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Page 191 and 192: A most extraordinary place, looking
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Page 199 and 200: Chapter Five ‘Nothing but a Popis
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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view of the Reformation, had caused
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e-discovery and presentation of his
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oyal regalia. It was only in the lo
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Figure 42 The Honours of Scotland,
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Prebble points out, was just about
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First saw them from the window; two
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An article he sent to Mac Millans M
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and the exhibition at the British M
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order to satisfy the taste of a lat
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Illustrations of Shakspeare and its
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could be earlier and that the title
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his own particular ‘fairy system
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Figure 47 Douce's illustrations of
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Although Field demanded that his or
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manners and habits’ to fill the l
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It discovered King John dressed as
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Not surprisingly perhaps this ambit
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novelist, the painter, and the acto
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from meretricious commercial produc
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Kenilworth, the novel in which Shak
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Sir Walter has found out... that th
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had created monuments for Garrick
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The more I look at it the more I fe
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Their infinite variety. 130 It conj
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Figure 50 Shakespeare's monument at
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attempt at an antiquarian excavatio
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I was not prepared to see it look s
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It was in 1849, when Brunel’s Sha
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While Alexandrina Buchanan is certa
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to have no acknowledged part. 11 Th
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Britton, John, An Address from John
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Gunn, William, BD, An Inquiry into
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Pugin, A.W.N., Collected Letters, e
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Auberbach, Jeffrey A., The Great Ex
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Couve de Murville, M. N. L., John M
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_____ ‘Stitched Up: Eliza Stothar
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_____ Richard Parkes Bonington, The
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Strong, Roy, And when did you last
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Appendix John Britton (1771-1857) T
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were published posthumously. His ma
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foundation of the British Archaeolo
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distinction in the universities, Wi
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