Losh, James, Diaries and Correspondence <strong>of</strong> James Losh, ed. by Edward Hughes, (Durham and London: Surtees Society, 1962-3) Macaulay, Thomas Bab<strong>in</strong>gton, ‘On History’ (1828) <strong>in</strong> The Miscellaneous Writ<strong>in</strong>gs <strong>of</strong> Lord Macaulay, 2 vols, (London, 1860), 232-281 Mill<strong>in</strong>, Aub<strong>in</strong>-Louis, Antiquités Nationales ou receuil de monumens, (Paris, 1790-1799) Milner, <strong>the</strong> Rev John, A Dissertation on <strong>the</strong> Modern Style <strong>of</strong> alter<strong>in</strong>g Antient Ca<strong>the</strong>drals as exemplified <strong>in</strong> <strong>the</strong> ca<strong>the</strong>dral <strong>of</strong> Salisbury, (London, 1798) _____ nd The History Civil and Ecclesiastical and Survey <strong>of</strong> <strong>the</strong> Antiquities <strong>of</strong> W<strong>in</strong>chester, 2 vols, (1798), (2 edn, corrected and enlarged, W<strong>in</strong>chester,1809) _____ Letters to a Prebendary, (W<strong>in</strong>chester, 1800 ) _____ as ‘John Merl<strong>in</strong>’, Strictures on <strong>the</strong> Poet Laureate’s ‘Book <strong>of</strong> <strong>the</strong> Church’, (London, 1824) _____ A Treatise on <strong>the</strong> Ecclesiastical Architecture <strong>of</strong> England dur<strong>in</strong>g <strong>the</strong> Middle <strong>Age</strong>s, (London, 1811) Newman, John Henry, ‘The Second Spr<strong>in</strong>g’ <strong>in</strong> Sermons Preached on Various Occasions, Birm<strong>in</strong>gham Oratory Millenium Edition <strong>of</strong> <strong>the</strong> Works <strong>of</strong> John Henry Newman, vol 9, (Hereford and Notre Dame: Gracew<strong>in</strong>g and University <strong>of</strong> Notre Dame Press), 163-182 Nodier, Charles and Isidore, Baron Taylor, Voyages Pittoresques et Romantiques dans l’ancienne France, 19 vols, (Paris, 1820-78) Planché, J.R., Costume <strong>of</strong> Shakespeare’s historical tragedy K<strong>in</strong>g John selected and arranged from <strong>the</strong> best authorities…with biographical, critical and explanatory notices, (London, 1823) _____ The Drama at Home, Planché’s Plays, vol 6, (London, 1843) _____ ‘History <strong>of</strong> Stage Costume’ <strong>in</strong> The Book <strong>of</strong> Table Talk, Charles MacFarlane, 2 vols, (London, 1836), l, 143-175 _____ Planché’s History <strong>of</strong> British Costume, (London, 1834) _____ Plays, ed. by Donald Roy, (Cambridge: Cambridge University Press, 1986) _____ Recollections and Reflections <strong>of</strong> J. R. Planché (Somerset Herald), 2 vols, (London, 1872) Pug<strong>in</strong>, A., and E. J. Willson, Specimens <strong>of</strong> Gothic Architecture selected from various Ancient Edifices <strong>in</strong> England, 2 vols, (London, 1821 and 1823) _____ Examples <strong>of</strong> Gothic Architecture, consist<strong>in</strong>g <strong>of</strong> Plans, Sections Elevations and Details, 2 vols, (London, 1830 and 1836) 280
Pug<strong>in</strong>, A.W.N., Collected Letters, ed. by Margaret Belcher, 3 vols, (Oxford: Oxford University Press, 2001-2009) Rickman, Thomas, An Attempt to Discrim<strong>in</strong>ate <strong>the</strong> Styles <strong>of</strong> Architecture <strong>in</strong> England, from <strong>the</strong> Conquest to <strong>the</strong> Reformation, (3 rd edn, London, 1825) Scott, Sir Walter, Abbotsford Edition <strong>of</strong> <strong>the</strong> Waverley Novels, 6 vols, (Ed<strong>in</strong>burgh and London, 1842) _____ The Antiquary, (1815), (Oxford: Oxford World Classics, 2002) _____ Border Antiquities <strong>of</strong> England and Scotland, (London and Ed<strong>in</strong>burgh, 1814) _____ Complete Poetical and Dramatic Works, (London, 1887) _____ Description <strong>of</strong> <strong>the</strong> Regalia <strong>of</strong> Scotland, (Ed<strong>in</strong>burgh, 1819) _____ ‘Essay on <strong>the</strong> Drama’, (1819) <strong>in</strong> ‘Essays on Chivalry, Romance and The Drama, (London, 1887) _____ Ivanhoe, (1820), ed. by Graham Tulloch, The Ed<strong>in</strong>burgh Edition <strong>of</strong> <strong>the</strong> Waverley Novels, (Ed<strong>in</strong>burgh: Ed<strong>in</strong>burgh University Press, 1998) _____ The Letters <strong>of</strong> Sir Walter Scott, ed. by H.J.C. Grierson, 10 vols, (London, 1932-36) _____ ‘Life <strong>of</strong> John Philip Kemble’, Quarterly Review, 34, (1826), 196-248 _____ The Journal <strong>of</strong> Sir Walter Scott, ed. by W.E.K. Anderson, (Ed<strong>in</strong>burgh: Canongate Classics, 1998) _____ nd Paul’s Letters to his K<strong>in</strong>sfolk, 2 edn, (Ed<strong>in</strong>burgh, 1816) _____ Prov<strong>in</strong>cial Antiquities and Picturesque Scenery <strong>of</strong> Scotland, with descriptive illustrations, (London and Ed<strong>in</strong>burgh, 1826) _____ Reliquiae Trotcosienses, ed. by Gerard Carru<strong>the</strong>rs and Alison Lumsden with an <strong>in</strong>troduction by David Hewitt, (Ed<strong>in</strong>burgh: Ed<strong>in</strong>burgh University Press, 2004) _____ Waverley, (1814) ed. with an <strong>in</strong>troduction by Claire Lamont, (Oxford: Oxford World Classics, reissued 2008) Skene, George, ‘The Heirs <strong>of</strong> <strong>the</strong> Stuarts’, Quarterly Review, 81, (1847), 57-85 Sobieski, John and Charles Edward Stuart, The Costume <strong>of</strong> <strong>the</strong> Clans, (Ed<strong>in</strong>burgh, 1845) _____ A Reply to <strong>the</strong> Quarterly Review upon <strong>the</strong> Vestiarium Scoticum, (London, 1848) _____ Tales <strong>of</strong> <strong>the</strong> Century or Sketches <strong>of</strong> <strong>the</strong> Romance <strong>of</strong> History, (Ed<strong>in</strong>burgh, 1847) _____ Vestiarium Scoticum: from <strong>the</strong> manuscript formerly <strong>in</strong> <strong>the</strong> library <strong>of</strong> <strong>the</strong> Scots college at Douay, (Ed<strong>in</strong>burgh, 1842) Sou<strong>the</strong>y, Robert, The Book <strong>of</strong> <strong>the</strong> Church, 2 vols, (London, 1824) _____ (attrib.) ‘Britton’s Ca<strong>the</strong>dral Antiquities’, Quarterly Review, 34, (1826), 305-49 _____ Sir Thomas More or Colloquies on <strong>the</strong> Progress and Prospects <strong>of</strong> Society, (London, 1829) 281
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Antiquaries in the Age of Romantici
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Abstract The thesis concentrates on
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List of Illustrations 1 The Antiqua
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Acknowledgements I would like to th
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Definitions Chapter One Don Quixote
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It was a change of emphasis that wa
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e but a Crosse or stone footstool i
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embankment or fortification. Perhap
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part of the understanding of the pa
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classical antiquity, was increasing
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e performed in historic costume.
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transformation. The eccentric, obse
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But wad ye see him in his glee, For
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interesting to him and his readers
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actor Charles Kemble on historic co
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considered view of Noviomagus, that
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eplaying the episode in The Antiqua
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Chapter Two ‘To stones a moral li
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Within architectural history there
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workings of this little commonweal
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Salisbury Cathedral and Wyatt ‘th
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from altering them in ways destruct
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philosophy of the Picturesque which
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about his protests at Salisbury, a
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within Milner’s position’. 51 H
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about Gothic architecture and its m
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Figure 10 St Peter's Chapel, Winche
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In addition to his Dissertation and
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Bright and cheerful mornings are no
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unning battle between the proprieto
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It constitutes at once a beautiful
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face amidst solemn azure and fleecy
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Britton could not resist pointing o
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Figure 16 Salisbury Cathedral from
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Secretary he addressed the third se
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measured details of medieval buildi
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exhortations to accuracy and appeal
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Some years later in 1840, when he w
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Figure 18 Toddington Manor, Glouces
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study of the last forty years’ of
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towards academic architectural hist
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expensive and elaborate.’ 170 Tha
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a small doorway in the south east c
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Her criticism of Michelangelo’s L
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The iconography of the east end of
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a church was a symbolic building, a
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Willis became the first academic an
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its annual congress that he began t
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admired, however. His lack of inter
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Chapter Three Revolution to Restora
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at least one French scholar. 5 Ther
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centered on the Louvre as it was tr
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Norman troubadour manuscripts of th
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est, for the Tapestry remained inac
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des Monumens Français. They were n
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esult, albeit unintentional, was th
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calculated to produce effect & to i
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not survive for long. It was disman
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strewn with debris, was Lenoir’s
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heroes and demigods of Greece and R
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tower, surmounted by, or rather end
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made, not at the time depicted. Sin
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The British in Normandy: architectu
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Dawson Turner could set out the sam
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You remember how admirably the Lay
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historic buildings were either put
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and equal administration of the law
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‘veritable épopée de notre âge
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Scott’s complicit audience that t
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details seriously. Delacroix was am
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Costume balls were wildly popular b
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1830s, however, the exploration of
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chapter that Hugo omitted from the
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to the past, the abstract argument
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occasions he wove fiction and narra
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[The dead, wrapped in their shrouds
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Figure 34 Frontispiece to Langlois
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gouffre qu’on appelle Angleterre,
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The demolition of Les Andelys was r
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It has been suggested that the effe
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shaking the long branches of the wi
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C’est ainsi que peu à peu, se d
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imagination will reveal the hidden
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layer of dark stain to make it look
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novels and poetry; the sporran of R
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emarkable Stonehenge Cabinet that B
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close to accidental satire. The jux
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With the Sobieski Stuart brothers,
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inaccurate. 34 What they themselves
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novels a real manuscript is describ
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Figure 40 Charles Edward Stuart, ca
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the gold, the armour and blazonry,
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and its contents. He began work on
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equire his text in order to be able
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chassis couvert de papier en lambea
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A most extraordinary place, looking
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fragments and objects not only into
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the Blessed Virgin and the four Lat
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domestic culture, more people than
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Chapter Five ‘Nothing but a Popis
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The first part of this chapter will
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surrender my crozier into the hands
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Milner’s relationship with histor
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which Edward designed, was Gothic.
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From sacred emblem of the division
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evealed to him increasingly his dis
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prying eyes of his household; and w
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so dangerous’. 41 In a very simil
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view of the Reformation, had caused
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e-discovery and presentation of his
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oyal regalia. It was only in the lo
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Figure 42 The Honours of Scotland,
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Prebble points out, was just about
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First saw them from the window; two
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- Page 243 and 244: Although Field demanded that his or
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- Page 267 and 268: attempt at an antiquarian excavatio
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- Page 273 and 274: While Alexandrina Buchanan is certa
- Page 275 and 276: to have no acknowledged part. 11 Th
- Page 277 and 278: Britton, John, An Address from John
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- Page 283 and 284: Auberbach, Jeffrey A., The Great Ex
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- Page 287 and 288: _____ ‘Stitched Up: Eliza Stothar
- Page 289 and 290: _____ Richard Parkes Bonington, The
- Page 291 and 292: Strong, Roy, And when did you last
- Page 293 and 294: Appendix John Britton (1771-1857) T
- Page 295 and 296: were published posthumously. His ma
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