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Emulator Composite.book - Creative

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6 - Voice Processing<br />

Oscillator<br />

Fine Tuning<br />

This function allows you to change the tuning of the voice in 1 cent intervals<br />

(100 cents = 1 semitone). The fine tuning range is ± 100 cents (± 1 semitone). Fine<br />

tuning can be used to slightly detune a voice, creating a “fatter” sound when it is<br />

combined with another voice.<br />

This is the same Fine Tuning control displayed on the Mix/Tune tab of Voices & Zones<br />

(page 84) and changes made to either page will appear in both places.<br />

Fixed Pitch Mode<br />

This function turns keyboard transposition On or Off for the voice. With Fixed Pitch<br />

On, the keyboard will not control the pitch of the voice. This is a useful function for<br />

drones or “chiffs”, which you may not want to track the keyboard.<br />

Chorus Amount<br />

Chorus “thickens” the sound by doubling the sound in stereo and<br />

then detuning it. Chorus uses twice as many voices and twice as<br />

much of your CPU power when the Amount is set above zero.<br />

Amount<br />

Chorus amount and ITD can be modulated in the Cords section, although ITD can<br />

only be changed at the time of the key depression. When Chorus is on, a mono voice<br />

will use twice as many channels.<br />

“Off” is different than “0” for chorus amount. With mono samples, chorus On effectively<br />

turns a mono sample into a stereo sample with detuned L & R sides, with Chorus<br />

Amount being the detune amount. With chorus Off, no amount of modulation will<br />

turn the chorus on. With chorus On, modulation can drive the chorus (detune)<br />

amount to a minimum of 0, but not Off.<br />

Tips for Using Chorus<br />

Stereo Width<br />

Inter-Aural<br />

Time Delay<br />

(ITD)<br />

The amount of detuning and is variable from<br />

Off to 100%.<br />

Controls the stereo spread. 0% reduces the<br />

chorus to mono and 100% gives the most<br />

stereo separation.<br />

Adjusts the delay of the left and right sounds.<br />

Positive values start the right channel early<br />

and the left late.<br />

Set chorus amount to 1% and use chorus width as a pan control which does not<br />

span the entire L/R spread.<br />

Set the chorus width to 0% and adjust the ITD to create a through-zero flange<br />

effect. With 100% width, a panning-chorus effect is obtained.<br />

To avoid L/R pitch drift, use “~” type of modulation in the cords selection box.<br />

Modulate the ITD to create “Hass-Effect” panning, (i.e. apparent location shift using<br />

slight delays in the L-R channels.)<br />

For a detuned analog oscillator sound, set stereo width to 100%. Route a free<br />

running LFO (~) to chorus position with amount set to about 25%.<br />

Chorus is<br />

automatically disabled<br />

on any voice that uses<br />

the TwistaLoop time<br />

modification feature<br />

(Lock to Tempo or<br />

TwistaLoop Speed).<br />

The Chorus controls<br />

can be set, but the<br />

effect will be disabled.<br />

116 <strong>Emulator</strong> X2 Operation Manual

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