Emulator Composite.book - Creative

More documents

Recommendations

Info

6 - Voice Processing Modulation Cords 4. Select Copy from the Edit menu. 5. Select Paste from the Edit menu. The following dialog box appears. 6. Choose Pasting 1 sample “After the end of the selection.” Also choose “Move existing objects if necessary.” 7. A duplicate of Square E3 appears in sample location S0767. 8. Right-click on S0767, then choose Rename (F2). 9. Rename the sample to PWM E3. Create a new Preset 10. Select the Preset folder in the Tree. 11. Select Presets, New Preset from the menu bar. 12. Open the Preset Folder by clicking on the (+) symbol and scroll down to the bottom of the preset list. A new empty preset has been created at the bottom of the Tree (location P1026). 13. It’s always a good idea to rename your new preset to avoid confusion later. (Rightclick on the preset name, then choose Rename or press F2.) Assign the Sample 14. Open the preset by clicking on the (+) symbol next to the little icon. 15. Open the Voices and Zones module. The Key Window appears. Double-click here to open the sample editor 16. Select sample S0767 - PWM E3 (a pulse width modulation sample). Adjust the Loop Markers Click the Sample Button to select a sample 17. Double-click on the sample name to open the sample editor. 18. Move the Loop End Point by dragging the marker or by typing in a value into the End field. We have chosen a value of 69 samples for the loop length in the example above. The distance from the start point sets the initial pulse width and pitch of the sample. 19. It’s easy to see how the loop will move if you click the Lock loop length button and then move the loop start point. Try this and note how the pulse width changes inside the loop markers. When you’re finished, move the loop start point back to 8 samples and the end point to 77 samples (Loop Length = 69 samples). 148 <strong>Emulator</strong> X2 Operation Manual
Retune the Sample Move Loop End Point 20. Unfortunately, because we changed the loop length, the waveform is no longer tuned to E3. Fortunately, this is easy to fix. Click the Back Arrow to jump back to the Key Window. 21. Select New Voice (Crtl+W) from the Preset menu. A new empty voice appears. 22. Click the button next to the voice and select sample S0766 - Square E3 (the original square wave sample). 23. Click the Mix/Tune button. The Voices and Zones page should look like this: 24. Play the keyboard. Both voices will sound and they will be horribly out of tune. Adjust the Transpose and Fine Tune controls on Voice 1 until they are in tune. Now the PWM E3 voice is back in pitch. 25. Select Voice 2 (S0766 - Square E3) and select Delete Voices from the Preset menu since it’s no longer needed. 6 - Voice Processing Modulation Cords E-MU Systems 149
Page 1 and 2:
E-MU Systems 1
Page 3 and 4:
Table of Contents 1 - Introduction
Page 5 and 6:
Transpose & Volume ................
Page 7 and 8:
Tips for Using Chorus .............
Page 9 and 10:
Convert to Mono or Stereo .........
Page 11 and 12:
4-Band EQ .........................
Page 13 and 14:
13 - Appendix .....................
Page 15 and 16:
1 - Introduction & Installation Int
Page 17 and 18:
Install the Emulator X Sound Banks
Page 19 and 20:
Setting up the Preferences The pref
Page 21 and 22:
Sample Buffers This control allocat
Page 23 and 24:
VST Output Buses This control is on
Page 25 and 26:
Controllers This is where you set u
Page 27 and 28:
Undo •History size - The maximum
Page 29 and 30:
2 - Emulator Architecture This chap
Page 31 and 32:
Multisetup A Multisetup is like a m
Page 33 and 34:
Preset Diagram The diagram below il
Page 35 and 36:
If more than one voice is assigned
Page 37 and 38:
3 - Getting Started Exploring the T
Page 39 and 40:
Changing Presets (from Single View)
Page 41 and 42:
Changing Presets (from the Multicha
Page 43 and 44:
Create Your Own Custom Bank It’s
Page 45 and 46:
Load a New Bank Load up a new bank
Page 47 and 48:
6. This page controls the voices us
Page 49 and 50:
7. Each Cord has its own attenuator
Page 51 and 52:
Using DSP There are a number of DSP
Page 53 and 54:
Pitch Shift 14. Select Pitch Shift
Page 55 and 56:
Find your Files 4. Select the Libra
Page 57 and 58:
4 - Multisetup / Preset Globals The
Page 59 and 60:
To Select Presets by Category 1. Cl
Page 61 and 62:
Output View Button This button allo
Page 63 and 64:
To Use the Limiter 1. Press the Ena
Page 65 and 66:
Filter Override The filter type of
Page 67 and 68:
To Delete a Multisetup 1. Open the
Page 69 and 70:
These parameters affect the entire
Page 71 and 72:
Tuning Tables In addition to the st
Page 73 and 74:
Key CC Window These controls work i
Page 75 and 76:
Preset PatchCords Preset PatchCords
Page 77 and 78:
5 - Voices & Sample Zones Each pres
Page 79 and 80:
Voice Selection In each tabbed page
Page 81 and 82:
Groups Voices can be categorized in
Page 83 and 84:
Overview Section The bottom portion
Page 85 and 86:
Direction For each voice (or zone i
Page 87 and 88:
Mix/Tune Page Volume, pan, directio
Page 89 and 90:
To Layer Voices and Samples The ran
Page 91 and 92:
Velocity Window Page The Velocity W
Page 93 and 94:
Set up the Voices 2. Select the Rea
Page 95 and 96:
Continuous Controller Window Pages
Page 97 and 98: Cycle Groups The Cycle Group destin
Page 99 and 100: Cycle 3 Crossfading This next examp
Page 101 and 102: Region Page The Region window allow
Page 103 and 104: For example, if you set the sensiti
Page 105 and 106: Details Page Mute/Solo Group Select
Page 107 and 108: Expand Voice This function takes ap
Page 109 and 110: Links Links call up additional pres
Page 111 and 112: Mix/Tune Window This window allows
Page 113 and 114: 6 - Voice Processing Voice Processi
Page 115 and 116: Oscillator Pitch Bend Range These t
Page 117 and 118: Glide Rate & Curve Glide is a smoot
Page 119 and 120: To Setup the Volume Envelope as an
Page 121 and 122: The chart below lists all the displ
Page 123 and 124: Sync Key Sync or Free Running. With
Page 125 and 126: Function Generators The function ge
Page 127 and 128: Modify the Sequence & Play 8. Click
Page 129 and 130: Modulation Destinations The followi
Page 131 and 132: Filter Controls You can choose from
Page 133 and 134: Filter Name Order Type Description
Page 135 and 136: Programmable Morphing Filters There
Page 137 and 138: Morph Designer Controls Control Fun
Page 139 and 140: 2EQ + Lowpass Morph Peak/Shelf Morp
Page 141 and 142: Voice Effect Sends Each voice has o
Page 143 and 144: Modulation Sources Source Descripti
Page 145 and 146: Modulation Destinations 6 - Voice P
Page 147: Summing Nodes All the modulation in
Page 151 and 152: Poly Key Assign Groups The Poly Key
Page 153 and 154: Poly Release Trig Release Vel Poly
Page 155 and 156: 7 - Editing a Sample Sample Editor
Page 157 and 158: Exporting & Importing Samples The E
Page 159 and 160: Show Grid Show or hide the vertical
Page 161 and 162: Go to Loop End Positions the cursor
Page 163 and 164: Cut Section The Cut function remove
Page 165 and 166: 4. Choose the paste mode— Insert,
Page 167 and 168: More Information about Paste • Yo
Page 169 and 170: Truncate Truncation shortens a samp
Page 171 and 172: 4. Select the amount of gain increa
Page 173 and 174: Bit Reduction This DSP tool takes y
Page 175 and 176: Pitch Shift Pitch Shift offers thre
Page 177 and 178: To Transform Multiply 1. Select a h
Page 179 and 180: Batch Processing You can run most o
Page 181 and 182: Crossfade Looping Crossfade Looping
Page 183 and 184: Snap To Zero-Crossings When this fu
Page 185 and 186: Crossfade Looping & Loop Compressio
Page 187 and 188: 8 - TwistaLoop Introduction TwistaL
Page 189 and 190: Meter When analyzing a sample, shor
Page 191 and 192: 1/8 Sensitivity Fine-Tuning Your An
Page 193 and 194: To change the Tempo Granularity, ch
Page 195 and 196: Using Loops Once you create some lo
Page 197 and 198: Loop Speed and Tempo The speed at w
Page 199 and 200:
Loop Select (Jump) If you want to j
Page 201 and 202:
Multisample Voices and Looping You
Page 203 and 204:
4. Set the TwistaLoop Speed to 100%
Page 205 and 206:
Select a region between two beat ma
Page 207 and 208:
Looping Doesn’t Occur You’ve de
Page 209 and 210:
9 - Effects Overview In addition to
Page 211 and 212:
7. Select one of the Effects from t
Page 213 and 214:
FX Routing Make sure that you are t
Page 215 and 216:
Main Output Window The Main Output
Page 217 and 218:
Controlling the Preset Effect Amoun
Page 219 and 220:
Preset FX Screen All effects have a
Page 221 and 222:
Effects Listing Reverb Delay (mono)
Page 223 and 224:
Parameter Description LF Damping Lo
Page 225 and 226:
Chorus / Delay This effect is a com
Page 227 and 228:
The Ratio control determines how st
Page 229 and 230:
Ping Pong, stereo This mode cross-c
Page 231 and 232:
Delay (BPM) The BPM Delay is simila
Page 233 and 234:
4-Band EQ This 4-band equalizer pro
Page 235 and 236:
Flanger (BPM) The BPM Flanger is si
Page 237 and 238:
Limiter The Limiter sets a “maxim
Page 239 and 240:
Pitch Shifter (mono) The pitch shif
Page 241 and 242:
Ring Modulator Modulation Parameter
Page 243 and 244:
Parameter Description Sync (LFO Pha
Page 245 and 246:
Twin The Twin utilizes two “tube
Page 247 and 248:
10 - Controls This chapter describe
Page 249 and 250:
Changing Settings Entering Numeric
Page 251 and 252:
Selecting Voices using your MIDI Ke
Page 253 and 254:
View Menu Hide Object Numbers Show
Page 255 and 256:
Tree View The Sample, Preset or Mul
Page 257 and 258:
Templates For each module in the Vo
Page 259 and 260:
11 - From Sample to Preset Acquire
Page 261 and 262:
Record Audio Controls Level This co
Page 263 and 264:
To Gate & Chop Samples After record
Page 265 and 266:
10. Click on each of the Region nam
Page 267 and 268:
6. The save to sampler controls all
Page 269 and 270:
To Set Up SynthSwipe 3. Open Emulat
Page 271 and 272:
10. To begin sampling your instrume
Page 273 and 274:
Sort Buttons Selected Samples These
Page 275 and 276:
Build Preset Options These sample o
Page 277 and 278:
12 - Synthesizer Basics This chapte
Page 279 and 280:
Miscellaneous Controllers A-P Any t
Page 281 and 282:
Low Frequency Oscillators (LFOs) A
Page 283 and 284:
The possibilities of clock modulati
Page 285 and 286:
Modulation Processors Modulation pr
Page 287 and 288:
Dynamic Filters Following is a bloc
Page 289 and 290:
Another control found on traditiona
Page 291 and 292:
The Z-Plane Filter A Z-plane filter
Page 293 and 294:
Control MIDI Controller # Routing L
Page 295 and 296:
13 - Appendix The Emulator X File C
Page 297 and 298:
to DOS that represent the Akai form
Page 299 and 300:
EXS-24 files can exist on PC- or Ma
Page 301 and 302:
find where the separate file is in
Page 303 and 304:
Emulator X VSTi Launching the VSTi
Page 305 and 306:
Emulator X 19. In the VST Instrumen
Page 307 and 308:
Keyboard Shortcuts File Menu New...
Page 309 and 310:
Drag & Drop Operations From Drag &
Page 311 and 312:
Toolbar Functions Standard Tools Up
Page 313 and 314:
MIDI Implementation Chart MIDI Info
Page 315 and 316:
MIDI Implementation Chart (part 2 -
Page 317 and 318:
MIDI Implementation Chart (part 2 -
Page 319 and 320:
Index Symbols ~, +, - modulation so
Page 321 and 322:
Delete folder 220 multisetup 67 reg
Page 323 and 324:
tuning tables 71 Keyboard CC Window
Page 325 and 326:
PatchMix DSP, setting up for sampli
Page 327 and 328:
Stop Button, sampling 261 Streaming
show all

Emulator Composite.book - Creative

Create successful ePaper yourself

Delete template?

Save as template?