Emulator Composite.book - Creative

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13 - Appendix MIDI Implementation Chart Received Channel Commands Channels number (n) = 0-15. Message bytes are represented in hex. All other numbers are decimal. Running Status is supported. Command Message Comments Note Off 8n kk vv Note On 9n kk vv velocity 0 = note off Key Aftertouch An kk vv kk = 0-127 vv = 0-127 Program Change Cn vv 0-127 Channel Aftertouch Dn vv 0-127 Pitch Bend En ll mm l = lsb, m = msb Real-time Controller Bn cc vv cc = 00-31, 64-95 Footswitch Bn cc vv cc = 64-79, vv Š 64 = on Volume Bn 07 vv 0-127 Pan Bn 0A vv 0=left, 127=right, 64=center All Sound Off Bn 78 00 turns all sound off Reset All Controllers Bn 79 00 ignored in omni mode All Notes Off Bn 7B 00 ignored in omni mode Omni Mode Off* Bn 7C 00 forces all notes & controls off Omni Mode On* Bn 7D 00 forces all notes & controls off Mono Mode On (Poly Off)* Bn 7E 00 forces all notes & controls off Poly Mode On (Mono Off)* Bn 7F 00 forces all notes & controls off Bank Select MSB Bn 00 bb bb = bank MSB Go There! Bank Select LSB Bn 20 bb bb = bank LSB Go There! Special Notes: From Omni Mode Omni Off turns Poly On. From Poly Mode Omni On turns Omni On; Mono On turns Mono On. From Mono Mode Mono Off turns Poly On; Omni On turns Omni On. From Multi Mode Omni On turns Omni On; Omni Off or Mono Off turns Poly On; Mono On turns Mono On. All other changes have no effect 318 <strong>Emulator</strong> X2 Operation Manual
Index Symbols ~, +, - modulation source polarity 146 Numerics 1-Band Para EQ 232 22-Tone Tuning 71 24-Tone Tuning 71 2nd Stage Gain 245 36-Tone Tuning 71 4-Band EQ 233 4x Gain 285 A Absolute Value 285 Acquire Samples 259 Add 85 a sample to a voice 85 a voice and sample 86 preset 307 Adjust Gain, sample 170 ADSR Envelopes 119 Advanced Preference Settings 22 Aftertouch, modulation source 278 Aftertouch, Mono 278 AIFF, import 157 Akai, converting files to <strong>Emulator</strong> X 295, 296 al-Farabi 12, tuning 71 All Sound Off 256, 307 MIDI command 317 Alternate Tunings 71 Amount, patchcord 292 Amp Envelope Depth 140 Amplifer Volume 140 Amplifier Controls 140 Amplifier Pan 140 Analog Oscillator Sound 116 Analyzing Beats 187 Architecture, description 32 Arpeggiator, using function generator as 126 ASIO audio drivers 21 inputs for sampling 260 outputs 214 ASIO Buffer Latency 303 Assign Group, voice 150 Audio Setup 21 Audition audio file from the import browser 157 MIDI 168 preset or sample from library 55 presets 41, 43 sample from disk 44 Auto Balance, sample placement 273 Autocorrelate Loop 161 Auto-Loop 274 Auto-Normalize 274 Aux FX 209 adding 210 bus routing diagram 63 enable/disable 211 select 218 send amounts 218 view buttons 61 Aux Output 63 enable/disable 141, 215 on/off 215 select 215 Aux Sends 1-3 141 on/off 61 B Backward playing samples 172 region play mode 85 Band-Pass Filter 132, 288 Bank & preset display 57 create new from current multisetup 66 create new using librarian 55 description 29 structure 53 Bank Select, MIDI 294 Bar/Beat 190 Basic MIDI Channel, definition 294 Batch Processing 179 Beats analysis 187 button 102 marker 190 marker view 103 parameters 191 per bar changes 192 shifting right or left 191 synchronizing 200 tempo granularity 192 Bias 244 Bit Reduction 173 Body Size, filter 131 Index Symbols E-MU Systems 319
Page 1 and 2:
E-MU Systems 1
Page 3 and 4:
Table of Contents 1 - Introduction
Page 5 and 6:
Transpose & Volume ................
Page 7 and 8:
Tips for Using Chorus .............
Page 9 and 10:
Convert to Mono or Stereo .........
Page 11 and 12:
4-Band EQ .........................
Page 13 and 14:
13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
Page 19 and 20:
Setting up the Preferences The pref
Page 21 and 22:
Sample Buffers This control allocat
Page 23 and 24:
VST Output Buses This control is on
Page 25 and 26:
Controllers This is where you set u
Page 27 and 28:
Undo •History size - The maximum
Page 29 and 30:
2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
Page 33 and 34:
Preset Diagram The diagram below il
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If more than one voice is assigned
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3 - Getting Started Exploring the T
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Changing Presets (from Single View)
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Changing Presets (from the Multicha
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Create Your Own Custom Bank It’s
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Load a New Bank Load up a new bank
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6. This page controls the voices us
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7. Each Cord has its own attenuator
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Using DSP There are a number of DSP
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Pitch Shift 14. Select Pitch Shift
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Find your Files 4. Select the Libra
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4 - Multisetup / Preset Globals The
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To Select Presets by Category 1. Cl
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Output View Button This button allo
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To Use the Limiter 1. Press the Ena
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Filter Override The filter type of
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To Delete a Multisetup 1. Open the
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These parameters affect the entire
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Tuning Tables In addition to the st
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Key CC Window These controls work i
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Preset PatchCords Preset PatchCords
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5 - Voices & Sample Zones Each pres
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Voice Selection In each tabbed page
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Groups Voices can be categorized in
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Overview Section The bottom portion
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Direction For each voice (or zone i
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Mix/Tune Page Volume, pan, directio
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To Layer Voices and Samples The ran
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Velocity Window Page The Velocity W
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Set up the Voices 2. Select the Rea
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Continuous Controller Window Pages
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Cycle Groups The Cycle Group destin
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Cycle 3 Crossfading This next examp
Page 101 and 102:
Region Page The Region window allow
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For example, if you set the sensiti
Page 105 and 106:
Details Page Mute/Solo Group Select
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Expand Voice This function takes ap
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Links Links call up additional pres
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Mix/Tune Window This window allows
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6 - Voice Processing Voice Processi
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Oscillator Pitch Bend Range These t
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Glide Rate & Curve Glide is a smoot
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To Setup the Volume Envelope as an
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The chart below lists all the displ
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Sync Key Sync or Free Running. With
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Function Generators The function ge
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Modify the Sequence & Play 8. Click
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Modulation Destinations The followi
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Filter Controls You can choose from
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Filter Name Order Type Description
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Programmable Morphing Filters There
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Morph Designer Controls Control Fun
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2EQ + Lowpass Morph Peak/Shelf Morp
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Voice Effect Sends Each voice has o
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Modulation Sources Source Descripti
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Modulation Destinations 6 - Voice P
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Summing Nodes All the modulation in
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Retune the Sample Move Loop End Poi
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Poly Key Assign Groups The Poly Key
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Poly Release Trig Release Vel Poly
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7 - Editing a Sample Sample Editor
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Exporting & Importing Samples The E
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Show Grid Show or hide the vertical
Page 161 and 162:
Go to Loop End Positions the cursor
Page 163 and 164:
Cut Section The Cut function remove
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4. Choose the paste mode— Insert,
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More Information about Paste • Yo
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Truncate Truncation shortens a samp
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4. Select the amount of gain increa
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Bit Reduction This DSP tool takes y
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Pitch Shift Pitch Shift offers thre
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To Transform Multiply 1. Select a h
Page 179 and 180:
Batch Processing You can run most o
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Crossfade Looping Crossfade Looping
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Snap To Zero-Crossings When this fu
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Crossfade Looping & Loop Compressio
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8 - TwistaLoop Introduction TwistaL
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Meter When analyzing a sample, shor
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1/8 Sensitivity Fine-Tuning Your An
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To change the Tempo Granularity, ch
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Using Loops Once you create some lo
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Loop Speed and Tempo The speed at w
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Loop Select (Jump) If you want to j
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Multisample Voices and Looping You
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4. Set the TwistaLoop Speed to 100%
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Select a region between two beat ma
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Looping Doesn’t Occur You’ve de
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9 - Effects Overview In addition to
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7. Select one of the Effects from t
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FX Routing Make sure that you are t
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Main Output Window The Main Output
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Controlling the Preset Effect Amoun
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Preset FX Screen All effects have a
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Effects Listing Reverb Delay (mono)
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Parameter Description LF Damping Lo
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Chorus / Delay This effect is a com
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The Ratio control determines how st
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Ping Pong, stereo This mode cross-c
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Delay (BPM) The BPM Delay is simila
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4-Band EQ This 4-band equalizer pro
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Flanger (BPM) The BPM Flanger is si
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Limiter The Limiter sets a “maxim
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Pitch Shifter (mono) The pitch shif
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Ring Modulator Modulation Parameter
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Parameter Description Sync (LFO Pha
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Twin The Twin utilizes two “tube
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10 - Controls This chapter describe
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Changing Settings Entering Numeric
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Selecting Voices using your MIDI Ke
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View Menu Hide Object Numbers Show
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Tree View The Sample, Preset or Mul
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Templates For each module in the Vo
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11 - From Sample to Preset Acquire
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Record Audio Controls Level This co
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To Gate & Chop Samples After record
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10. Click on each of the Region nam
Page 267 and 268: 6. The save to sampler controls all
Page 269 and 270: To Set Up SynthSwipe 3. Open Emulat
Page 271 and 272: 10. To begin sampling your instrume
Page 273 and 274: Sort Buttons Selected Samples These
Page 275 and 276: Build Preset Options These sample o
Page 277 and 278: 12 - Synthesizer Basics This chapte
Page 279 and 280: Miscellaneous Controllers A-P Any t
Page 281 and 282: Low Frequency Oscillators (LFOs) A
Page 283 and 284: The possibilities of clock modulati
Page 285 and 286: Modulation Processors Modulation pr
Page 287 and 288: Dynamic Filters Following is a bloc
Page 289 and 290: Another control found on traditiona
Page 291 and 292: The Z-Plane Filter A Z-plane filter
Page 293 and 294: Control MIDI Controller # Routing L
Page 295 and 296: 13 - Appendix The Emulator X File C
Page 297 and 298: to DOS that represent the Akai form
Page 299 and 300: EXS-24 files can exist on PC- or Ma
Page 301 and 302: find where the separate file is in
Page 303 and 304: Emulator X VSTi Launching the VSTi
Page 305 and 306: Emulator X 19. In the VST Instrumen
Page 307 and 308: Keyboard Shortcuts File Menu New...
Page 309 and 310: Drag & Drop Operations From Drag &
Page 311 and 312: Toolbar Functions Standard Tools Up
Page 313 and 314: MIDI Implementation Chart MIDI Info
Page 315 and 316: MIDI Implementation Chart (part 2 -
Page 317: MIDI Implementation Chart (part 2 -
Page 321 and 322: Delete folder 220 multisetup 67 reg
Page 323 and 324: tuning tables 71 Keyboard CC Window
Page 325 and 326: PatchMix DSP, setting up for sampli
Page 327 and 328: Stop Button, sampling 261 Streaming
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