Emulator Composite.book - Creative

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9 - Effects Effects Descriptions Growl This is a new kind of self-modulation effect created especially for <strong>Emulator</strong> X. Growl excels at turning simple sounds into musically complex and interesting ones. Depending on the input wave and control settings, Growl can impart a horn-like quality, a warm tube distortion, or a harsh rasp. Growl is easy to use. Just turn up the depth control and wet/dry mix, then adjust the Initial control until you find the right amount of “growl”. Then, back off the other controls and a fine tune all the other controls to taste. It’s Grrrreat! Parameter Description Initial This control “Tunes” the effect to a specific frequency range. Range: .01ms to 15ms Depth Sets how much self modulation is applied. Range: 0% to 100% Color Controls the tonal color of the effect. Range: -99% to +99% Pre-Filter Anti-aliasing filter. Turn this filter up if you hear aliasing at highfrequencies. Modulation Parameters Wet/Dry Mix Depth Color 236 <strong>Emulator</strong> X2 Operation Manual
Limiter The Limiter sets a “maximum level” on the audio. Beyond this Threshold, any increase in gain is effectively prevented or limited, hence the name. A limiter works like a compressor with a very high ratio setting. The limiter is particularly useful for taming the highly resonant peaks that can be produced by the Z-plane filters. Set a fast attack time to suppress transients and use the Release control to reduce “pumping” effects. 0dB -10dB -80dB Threshold: -10dB The Output Gain control amplifies the signal after it has been limited to bring it back up in volume. If you don’t increase the gain, the signal may be lower in volume. Two other controls are Attack and Release. Attack controls how quickly the gain is turned down after the signal exceeds the threshold. Release controls how fast the gain is returned to its normal setting after the signal has fallen below the threshold again. Longer release times are generally used to reduce the so called “pumping” effect as the compressor turns on and off. Don’t make the release time too long, however, or the compressor won’t have time to recover for the next pluck or hit. In general, the attack and release controls are used to smooth out the action of the limiter, but they can also be used to create special effects. Parameter Description Threshold Threshold sets the “trigger” level for limiting. Signal levels above the threshold will be brought down in volume. Range: -50dB to +20dB Output Gain Amplifies the signal after it has been compressed to bring up the volume. Range: -24dB to +12dB Attack TIme Controls how quickly the gain is turned down after the signal exceeds the threshold. Range: 1 ms to 200 ms. Release Time Controls how fast the gain is returned to its normal setting after the signal has fallen below the threshold. Range: 0.2 second to 1 second Modulation Parameters None Signals above the Threshold level are prevented from getting any louder. 9 - Effects Effects Descriptions E-MU Systems 237
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E-MU Systems 1
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Table of Contents 1 - Introduction
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Transpose & Volume ................
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Tips for Using Chorus .............
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Convert to Mono or Stereo .........
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4-Band EQ .........................
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13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
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Setting up the Preferences The pref
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Sample Buffers This control allocat
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VST Output Buses This control is on
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Controllers This is where you set u
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Undo •History size - The maximum
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2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
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Preset Diagram The diagram below il
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If more than one voice is assigned
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3 - Getting Started Exploring the T
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Changing Presets (from Single View)
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Changing Presets (from the Multicha
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Create Your Own Custom Bank It’s
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Load a New Bank Load up a new bank
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6. This page controls the voices us
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7. Each Cord has its own attenuator
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Using DSP There are a number of DSP
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Pitch Shift 14. Select Pitch Shift
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Find your Files 4. Select the Libra
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4 - Multisetup / Preset Globals The
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To Select Presets by Category 1. Cl
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Output View Button This button allo
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To Use the Limiter 1. Press the Ena
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Filter Override The filter type of
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To Delete a Multisetup 1. Open the
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These parameters affect the entire
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Tuning Tables In addition to the st
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Key CC Window These controls work i
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Preset PatchCords Preset PatchCords
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5 - Voices & Sample Zones Each pres
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Voice Selection In each tabbed page
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Groups Voices can be categorized in
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Overview Section The bottom portion
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Direction For each voice (or zone i
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Mix/Tune Page Volume, pan, directio
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To Layer Voices and Samples The ran
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Velocity Window Page The Velocity W
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Set up the Voices 2. Select the Rea
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Continuous Controller Window Pages
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Cycle Groups The Cycle Group destin
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Cycle 3 Crossfading This next examp
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Region Page The Region window allow
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For example, if you set the sensiti
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Details Page Mute/Solo Group Select
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Expand Voice This function takes ap
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Links Links call up additional pres
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Mix/Tune Window This window allows
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6 - Voice Processing Voice Processi
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Oscillator Pitch Bend Range These t
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Glide Rate & Curve Glide is a smoot
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To Setup the Volume Envelope as an
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The chart below lists all the displ
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Sync Key Sync or Free Running. With
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Function Generators The function ge
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Modify the Sequence & Play 8. Click
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Modulation Destinations The followi
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Filter Controls You can choose from
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Filter Name Order Type Description
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Programmable Morphing Filters There
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Morph Designer Controls Control Fun
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2EQ + Lowpass Morph Peak/Shelf Morp
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Voice Effect Sends Each voice has o
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Modulation Sources Source Descripti
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Modulation Destinations 6 - Voice P
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Summing Nodes All the modulation in
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Retune the Sample Move Loop End Poi
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Poly Key Assign Groups The Poly Key
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Poly Release Trig Release Vel Poly
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7 - Editing a Sample Sample Editor
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Exporting & Importing Samples The E
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Show Grid Show or hide the vertical
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Go to Loop End Positions the cursor
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Cut Section The Cut function remove
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4. Choose the paste mode— Insert,
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More Information about Paste • Yo
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Truncate Truncation shortens a samp
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4. Select the amount of gain increa
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Bit Reduction This DSP tool takes y
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Pitch Shift Pitch Shift offers thre
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To Transform Multiply 1. Select a h
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Batch Processing You can run most o
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Crossfade Looping Crossfade Looping
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Snap To Zero-Crossings When this fu
Page 185 and 186: Crossfade Looping & Loop Compressio
Page 187 and 188: 8 - TwistaLoop Introduction TwistaL
Page 189 and 190: Meter When analyzing a sample, shor
Page 191 and 192: 1/8 Sensitivity Fine-Tuning Your An
Page 193 and 194: To change the Tempo Granularity, ch
Page 195 and 196: Using Loops Once you create some lo
Page 197 and 198: Loop Speed and Tempo The speed at w
Page 199 and 200: Loop Select (Jump) If you want to j
Page 201 and 202: Multisample Voices and Looping You
Page 203 and 204: 4. Set the TwistaLoop Speed to 100%
Page 205 and 206: Select a region between two beat ma
Page 207 and 208: Looping Doesn’t Occur You’ve de
Page 209 and 210: 9 - Effects Overview In addition to
Page 211 and 212: 7. Select one of the Effects from t
Page 213 and 214: FX Routing Make sure that you are t
Page 215 and 216: Main Output Window The Main Output
Page 217 and 218: Controlling the Preset Effect Amoun
Page 219 and 220: Preset FX Screen All effects have a
Page 221 and 222: Effects Listing Reverb Delay (mono)
Page 223 and 224: Parameter Description LF Damping Lo
Page 225 and 226: Chorus / Delay This effect is a com
Page 227 and 228: The Ratio control determines how st
Page 229 and 230: Ping Pong, stereo This mode cross-c
Page 231 and 232: Delay (BPM) The BPM Delay is simila
Page 233 and 234: 4-Band EQ This 4-band equalizer pro
Page 235: Flanger (BPM) The BPM Flanger is si
Page 239 and 240: Pitch Shifter (mono) The pitch shif
Page 241 and 242: Ring Modulator Modulation Parameter
Page 243 and 244: Parameter Description Sync (LFO Pha
Page 245 and 246: Twin The Twin utilizes two “tube
Page 247 and 248: 10 - Controls This chapter describe
Page 249 and 250: Changing Settings Entering Numeric
Page 251 and 252: Selecting Voices using your MIDI Ke
Page 253 and 254: View Menu Hide Object Numbers Show
Page 255 and 256: Tree View The Sample, Preset or Mul
Page 257 and 258: Templates For each module in the Vo
Page 259 and 260: 11 - From Sample to Preset Acquire
Page 261 and 262: Record Audio Controls Level This co
Page 263 and 264: To Gate & Chop Samples After record
Page 265 and 266: 10. Click on each of the Region nam
Page 267 and 268: 6. The save to sampler controls all
Page 269 and 270: To Set Up SynthSwipe 3. Open Emulat
Page 271 and 272: 10. To begin sampling your instrume
Page 273 and 274: Sort Buttons Selected Samples These
Page 275 and 276: Build Preset Options These sample o
Page 277 and 278: 12 - Synthesizer Basics This chapte
Page 279 and 280: Miscellaneous Controllers A-P Any t
Page 281 and 282: Low Frequency Oscillators (LFOs) A
Page 283 and 284: The possibilities of clock modulati
Page 285 and 286: Modulation Processors Modulation pr
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Dynamic Filters Following is a bloc
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Another control found on traditiona
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The Z-Plane Filter A Z-plane filter
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Control MIDI Controller # Routing L
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13 - Appendix The Emulator X File C
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to DOS that represent the Akai form
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EXS-24 files can exist on PC- or Ma
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find where the separate file is in
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Emulator X VSTi Launching the VSTi
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Emulator X 19. In the VST Instrumen
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Keyboard Shortcuts File Menu New...
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Drag & Drop Operations From Drag &
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Toolbar Functions Standard Tools Up
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MIDI Implementation Chart MIDI Info
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MIDI Implementation Chart (part 2 -
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MIDI Implementation Chart (part 2 -
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Index Symbols ~, +, - modulation so
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Delete folder 220 multisetup 67 reg
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tuning tables 71 Keyboard CC Window
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PatchMix DSP, setting up for sampli
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Stop Button, sampling 261 Streaming
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Emulator Composite.book - Creative

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