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Emulator Composite.book - Creative

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6 - Voice Processing<br />

Amplifier, Filter & Auxiliary Envelopes<br />

Explore the Morph Designer:<br />

You can create great sounding filters with just a few filter sections.<br />

1. Select any preset with lots of harmonic content.<br />

2. Go into the Voice Processing window, select all Groups and select Morph Designer<br />

as the filter type.<br />

3. Turn MIDI Controller A all the way down on your MIDI keyboard.<br />

First Filter Section<br />

4. Select LP as the shape for filter Stage 1.<br />

5. Turn the Morph Wheel all the way down. (Select the Wheel, then press Home.)<br />

6. Set the Gain Wheel to its center position. (Alt+click the mouse on the control.)<br />

7. Set the Frequency and Gain controls of the Lo Morph all the way down.<br />

8. Turn the Morph Wheel all the way up. (Select the Wheel, then press End.)<br />

9. Set the Frequency and Gain controls of the Hi Morph to their maximum settings.<br />

10. Now play the keyboard and turn the Morph wheel. You have just created the classic<br />

synthesizer lowpass filter response, but in this case the Q turns up automatically<br />

when you change the filter frequency. If you turn up the Q Wheel, you get even<br />

more Q. (The Q control adds to the Lo and Hi Q settings.)<br />

Add Another Section<br />

11. Select Stage 2 and this time choose EQ as the filter type.<br />

12. Turn the Morph Wheel down (you can leave the Gain Wheel centered).<br />

13. Set the Lo Morph Frequency to the minimum setting.<br />

14. Set the Low Morph Gain to zero. (Alt+click the mouse on the control.)<br />

15. Turn the Morph Wheel to the maximum setting.<br />

16. Set the small Hi Morph controls so that another<br />

little resonance peak appears next to the one from<br />

the lowpass filter. The filter response display<br />

should look something like this:<br />

17. Now play the keyboard and turn the Morph Wheel. The dual resonance peaks<br />

come in as the filter frequency (morph) is turned up, and they sound much more<br />

interesting than a simple lowpass.<br />

18. Go ahead and adjust the controls some more, noting the interaction between the<br />

Lo/Hi Morph controls and the Morph Wheel. It’s really pretty simple. The Morph<br />

Wheel interpolates between the Lo and Hi settings of the filter section.<br />

Add Another Section<br />

19. When you’re ready go ahead and add yet another filter section. You’re on your<br />

own now so choose any filter type you want. Using just three of the six sections you<br />

can create some truly great sounding filters.<br />

136 <strong>Emulator</strong> X2 Operation Manual

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