Emulator Composite.book - Creative

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5 - Voices & Sample Zones Overview Section Mix Tune Controls These are the same controls found in the Mix/Tune page. Mute Mutes the selected voice(s) or zone(s). Solo Mutes all voices but the selected voice(s) or zone(s). Volume Controls the volume for the selected voice(s) or zone(s). This control is also located in the Voice Processing window. Pan Controls the Pan for the selected voice(s) or zone(s). This control is also located in the Voice Processing window. Fine Tune Fine tunes the pitch of the selected voice(s) or zone(s) by cents. This control is also located in the Voice Processing window. Coarse Tune Tunes the pitch of the selected voice(s) by semi tones. This control is also located in the Voice Processing window. This control is NOT available for individual zones of multisample voices. Transpose Transposes the pitch of the selected voice(s) by semi tones. This control is also located in the Voice Processing window. This control is NOT available for individual zones of multisample voices. Key Win, Velocity Win, RT Win, and CC Win Controls Rather than using the graphical representation found in each corresponding tabbed page, you can change the Key Win, Velocity Win, Realtime Win, and CC Win values from any page (except the Region page). Remember, any changes you make only affect the selected voice(s). Tip: To quickly remove all solos and mutes, select Clear All Solos and Mutes from the Preset menu. See page 115 to understand the difference between transpose and coarse tune. You can also set the group number from this page. 84 <strong>Emulator</strong> X2 Operation Manual
Direction For each voice (or zone in the case of a multisample voice), you can choose direction settings. The Direction drop-down menu allows you to choose one of the following: Forward The region plays from beginning to end while the note is held. Backward Forward Loop Adding Samples and Voices You can create new voices and add samples to them from any of the tabbed pages in the Voices and Zones window. To Add a New Voice There are several ways to add a new voice from the Voices and Zones window: To Change a Zone’s Sample The region plays in reverse from end to beginning while the note is held. The region loops forwards from beginning to end as long as the note is held. Backward Loop The region loops backwards from end to beginning as long as the note is held. One-Shot Press Ctrl+W on your keyboard. The region plays from beginning to end when a note on signal is received. If you release the note before the sample completes, the region still finishes playback. From the Preset menu, select New Voice. Right-click an empty area and select New Voice. From the Sample column, click the Selector Button next to the appropriate voice or zone. Select a sample from the Select Sample dialog box. Drag a Sample from the Tree to the zone’s strip. To Add an Additional Sample to a Voice This either adds to, or creates a Multisample voice. From the Voices and Zones window: Drag and Drop a sample from the Samples tree (or from your Library) on the left into a voice in the Voices and Zones window. Explore your computer for an audio file (Wave, AIFF, MP3, REX 2). Drag and drop the file into a voice in the Voices and Zones window. This imports the sample and adds it to the voice. 5 - Voices & Sample Zones Adding Samples and Voices E-MU Systems 85
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E-MU Systems 1
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Table of Contents 1 - Introduction
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Transpose & Volume ................
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Tips for Using Chorus .............
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Convert to Mono or Stereo .........
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4-Band EQ .........................
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13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
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Setting up the Preferences The pref
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Sample Buffers This control allocat
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VST Output Buses This control is on
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Controllers This is where you set u
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Undo •History size - The maximum
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2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
Page 33 and 34: Preset Diagram The diagram below il
Page 35 and 36: If more than one voice is assigned
Page 37 and 38: 3 - Getting Started Exploring the T
Page 39 and 40: Changing Presets (from Single View)
Page 41 and 42: Changing Presets (from the Multicha
Page 43 and 44: Create Your Own Custom Bank It’s
Page 45 and 46: Load a New Bank Load up a new bank
Page 47 and 48: 6. This page controls the voices us
Page 49 and 50: 7. Each Cord has its own attenuator
Page 51 and 52: Using DSP There are a number of DSP
Page 53 and 54: Pitch Shift 14. Select Pitch Shift
Page 55 and 56: Find your Files 4. Select the Libra
Page 57 and 58: 4 - Multisetup / Preset Globals The
Page 59 and 60: To Select Presets by Category 1. Cl
Page 61 and 62: Output View Button This button allo
Page 63 and 64: To Use the Limiter 1. Press the Ena
Page 65 and 66: Filter Override The filter type of
Page 67 and 68: To Delete a Multisetup 1. Open the
Page 69 and 70: These parameters affect the entire
Page 71 and 72: Tuning Tables In addition to the st
Page 73 and 74: Key CC Window These controls work i
Page 75 and 76: Preset PatchCords Preset PatchCords
Page 77 and 78: 5 - Voices & Sample Zones Each pres
Page 79 and 80: Voice Selection In each tabbed page
Page 81 and 82: Groups Voices can be categorized in
Page 83: Overview Section The bottom portion
Page 87 and 88: Mix/Tune Page Volume, pan, directio
Page 89 and 90: To Layer Voices and Samples The ran
Page 91 and 92: Velocity Window Page The Velocity W
Page 93 and 94: Set up the Voices 2. Select the Rea
Page 95 and 96: Continuous Controller Window Pages
Page 97 and 98: Cycle Groups The Cycle Group destin
Page 99 and 100: Cycle 3 Crossfading This next examp
Page 101 and 102: Region Page The Region window allow
Page 103 and 104: For example, if you set the sensiti
Page 105 and 106: Details Page Mute/Solo Group Select
Page 107 and 108: Expand Voice This function takes ap
Page 109 and 110: Links Links call up additional pres
Page 111 and 112: Mix/Tune Window This window allows
Page 113 and 114: 6 - Voice Processing Voice Processi
Page 115 and 116: Oscillator Pitch Bend Range These t
Page 117 and 118: Glide Rate & Curve Glide is a smoot
Page 119 and 120: To Setup the Volume Envelope as an
Page 121 and 122: The chart below lists all the displ
Page 123 and 124: Sync Key Sync or Free Running. With
Page 125 and 126: Function Generators The function ge
Page 127 and 128: Modify the Sequence & Play 8. Click
Page 129 and 130: Modulation Destinations The followi
Page 131 and 132: Filter Controls You can choose from
Page 133 and 134: Filter Name Order Type Description
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Programmable Morphing Filters There
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Morph Designer Controls Control Fun
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2EQ + Lowpass Morph Peak/Shelf Morp
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Voice Effect Sends Each voice has o
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Modulation Sources Source Descripti
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Modulation Destinations 6 - Voice P
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Summing Nodes All the modulation in
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Retune the Sample Move Loop End Poi
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Poly Key Assign Groups The Poly Key
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Poly Release Trig Release Vel Poly
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7 - Editing a Sample Sample Editor
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Exporting & Importing Samples The E
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Show Grid Show or hide the vertical
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Go to Loop End Positions the cursor
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Cut Section The Cut function remove
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4. Choose the paste mode— Insert,
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More Information about Paste • Yo
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Truncate Truncation shortens a samp
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4. Select the amount of gain increa
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Bit Reduction This DSP tool takes y
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Pitch Shift Pitch Shift offers thre
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To Transform Multiply 1. Select a h
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Batch Processing You can run most o
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Crossfade Looping Crossfade Looping
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Snap To Zero-Crossings When this fu
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Crossfade Looping & Loop Compressio
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8 - TwistaLoop Introduction TwistaL
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Meter When analyzing a sample, shor
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1/8 Sensitivity Fine-Tuning Your An
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To change the Tempo Granularity, ch
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Using Loops Once you create some lo
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Loop Speed and Tempo The speed at w
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Loop Select (Jump) If you want to j
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Multisample Voices and Looping You
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4. Set the TwistaLoop Speed to 100%
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Select a region between two beat ma
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Looping Doesn’t Occur You’ve de
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9 - Effects Overview In addition to
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7. Select one of the Effects from t
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FX Routing Make sure that you are t
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Main Output Window The Main Output
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Controlling the Preset Effect Amoun
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Preset FX Screen All effects have a
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Effects Listing Reverb Delay (mono)
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Parameter Description LF Damping Lo
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Chorus / Delay This effect is a com
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The Ratio control determines how st
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Ping Pong, stereo This mode cross-c
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Delay (BPM) The BPM Delay is simila
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4-Band EQ This 4-band equalizer pro
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Flanger (BPM) The BPM Flanger is si
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Limiter The Limiter sets a “maxim
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Pitch Shifter (mono) The pitch shif
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Ring Modulator Modulation Parameter
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Parameter Description Sync (LFO Pha
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Twin The Twin utilizes two “tube
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10 - Controls This chapter describe
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Changing Settings Entering Numeric
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Selecting Voices using your MIDI Ke
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View Menu Hide Object Numbers Show
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Tree View The Sample, Preset or Mul
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Templates For each module in the Vo
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11 - From Sample to Preset Acquire
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Record Audio Controls Level This co
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To Gate & Chop Samples After record
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10. Click on each of the Region nam
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6. The save to sampler controls all
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To Set Up SynthSwipe 3. Open Emulat
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10. To begin sampling your instrume
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Sort Buttons Selected Samples These
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Build Preset Options These sample o
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12 - Synthesizer Basics This chapte
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Miscellaneous Controllers A-P Any t
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Low Frequency Oscillators (LFOs) A
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The possibilities of clock modulati
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Modulation Processors Modulation pr
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Dynamic Filters Following is a bloc
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Another control found on traditiona
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The Z-Plane Filter A Z-plane filter
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Control MIDI Controller # Routing L
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13 - Appendix The Emulator X File C
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to DOS that represent the Akai form
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EXS-24 files can exist on PC- or Ma
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find where the separate file is in
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Emulator X VSTi Launching the VSTi
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Emulator X 19. In the VST Instrumen
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Keyboard Shortcuts File Menu New...
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Drag & Drop Operations From Drag &
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Toolbar Functions Standard Tools Up
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MIDI Implementation Chart MIDI Info
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MIDI Implementation Chart (part 2 -
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MIDI Implementation Chart (part 2 -
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Index Symbols ~, +, - modulation so
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Delete folder 220 multisetup 67 reg
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tuning tables 71 Keyboard CC Window
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PatchMix DSP, setting up for sampli
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Stop Button, sampling 261 Streaming
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Emulator Composite.book - Creative

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