Emulator Composite.book - Creative

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6 - Voice Processing Modulation Cords 5. Go to the original preset and play C3 over and over while watching the voice display at the bottom of the <strong>Emulator</strong> X screen. 6. Do the same with your new preset to see the polyphony savings and make sure that you haven’t altered the sound of the preset in a negative way. Experiment! 7. Save the Bank. Keyboard Modes The Keyboard mode controls how the voice will be triggered from the keyboard. Poly Normal mode is the default mode which allows you to play chords. The eight different solo modes provide the playing action of a monophonic instrument—only one note can be played at a time. Monophonic wind, brass and string instruments often sound more realistic with a single note playing. Synthesizer lead lines also require solo mode. There are solo modes provided which can be used with monophonic synthesizer sounds or to create other performance effects. The Release modes trigger a voice when the key is released. Many acoustic instruments, such as a harpsichord, generate sounds when a key is released. To use this feature, create a special “Release Voice” and turn one of these modes on for that voice. Poly Normal Multiple Trigger Melody (last) Melody (low) Melody (high) Synth (last) Synth (low) Synth (high) Fingered Glide Standard polyphonic mode. Any number of notes can be played. Last note priority. No key-up action. Retriggers envelopes and samples when a key is pressed. Last note priority. No key-up action. First solo note: Envelopes start at Attack segment from zero. Samples start at the beginning. If previous note is releasing: Envelopes start at Attack segment, but from current level. Samples start at the beginning. When playing “Legato”: Envelopes continue from current segment and level. Samples start at the loop or the beginning if unlooped. Same as Melody (last), but with low-note priority. Newly played keys which are higher than the lowest solo key held will not sound. Same as Melody (last), but with high-note priority. Newly played keys which are lower than the highest solo key held will not sound. Similar to Melody (last) with key-up action. When currently sounding solo key is released while still holding other keys, the highest held solo key sounds in a Legato fashion (envelopes not retriggered). Same as Synth (last), but with low note priority. When the currently sounding solo key is released when other keys are still held, the lowest held solo key will sound in a Legato fashion. (MiniMoog). Same as Synth (last), but with high-note priority. When the currently sounding solo key is released when other keys are still held, the highest held solo key will sound in a Legato fashion. Same as Synth (last), except that Glide is disabled when playing Staccato, enabled when playing Legato. Solo modes sometimes require extra Pre-roll (page 20) length to perform properly. If you are having problems with the solo modes, try increasing the Pre-roll. You must let the note decay completely when changing envelope generator times in solo mode to hear the changes. 152 <strong>Emulator</strong> X2 Operation Manual
Poly Release Trig Release Vel Poly Release Trig Note-on Vel Solo Release Trig Release Vel Solo Release Trig Note-on Vel Latch Mode Polyphonic action, but the voice triggers only when the key is released. The key velocity is determined by how fast the key is released. Polyphonic action, but the voice triggers only when the key is released. The key velocity is determined by how fast the key is pressed Monophonic action, but the voice triggers only when the key is released. The key velocity is determined by how fast the key is released Monophonic action, but the voice triggers only when the key is released. The key velocity is determined by how fast the key is pressed When Latch mode is On, pressing a key once will latch the key on. Pressing the key again will unlatch the key. This mode was originally designed for doing sound effects work, but you can probably find many other uses for it, such as latching sampled grooves and beats. Any voices assigned to the same key as a latched voice will also latch. 6 - Voice Processing Modulation Cords Caution: Using Latch Modes together with the Solo Modes may cause unpredictable results. E-MU Systems 153
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E-MU Systems 1
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Table of Contents 1 - Introduction
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Transpose & Volume ................
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Tips for Using Chorus .............
Page 9 and 10:
Convert to Mono or Stereo .........
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4-Band EQ .........................
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13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
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Setting up the Preferences The pref
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Sample Buffers This control allocat
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VST Output Buses This control is on
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Controllers This is where you set u
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Undo •History size - The maximum
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2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
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Preset Diagram The diagram below il
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If more than one voice is assigned
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3 - Getting Started Exploring the T
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Changing Presets (from Single View)
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Changing Presets (from the Multicha
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Create Your Own Custom Bank It’s
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Load a New Bank Load up a new bank
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6. This page controls the voices us
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7. Each Cord has its own attenuator
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Using DSP There are a number of DSP
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Pitch Shift 14. Select Pitch Shift
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Find your Files 4. Select the Libra
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4 - Multisetup / Preset Globals The
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To Select Presets by Category 1. Cl
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Output View Button This button allo
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To Use the Limiter 1. Press the Ena
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Filter Override The filter type of
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To Delete a Multisetup 1. Open the
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These parameters affect the entire
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Tuning Tables In addition to the st
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Key CC Window These controls work i
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Preset PatchCords Preset PatchCords
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5 - Voices & Sample Zones Each pres
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Voice Selection In each tabbed page
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Groups Voices can be categorized in
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Overview Section The bottom portion
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Direction For each voice (or zone i
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Mix/Tune Page Volume, pan, directio
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To Layer Voices and Samples The ran
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Velocity Window Page The Velocity W
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Set up the Voices 2. Select the Rea
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Continuous Controller Window Pages
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Cycle Groups The Cycle Group destin
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Cycle 3 Crossfading This next examp
Page 101 and 102: Region Page The Region window allow
Page 103 and 104: For example, if you set the sensiti
Page 105 and 106: Details Page Mute/Solo Group Select
Page 107 and 108: Expand Voice This function takes ap
Page 109 and 110: Links Links call up additional pres
Page 111 and 112: Mix/Tune Window This window allows
Page 113 and 114: 6 - Voice Processing Voice Processi
Page 115 and 116: Oscillator Pitch Bend Range These t
Page 117 and 118: Glide Rate & Curve Glide is a smoot
Page 119 and 120: To Setup the Volume Envelope as an
Page 121 and 122: The chart below lists all the displ
Page 123 and 124: Sync Key Sync or Free Running. With
Page 125 and 126: Function Generators The function ge
Page 127 and 128: Modify the Sequence & Play 8. Click
Page 129 and 130: Modulation Destinations The followi
Page 131 and 132: Filter Controls You can choose from
Page 133 and 134: Filter Name Order Type Description
Page 135 and 136: Programmable Morphing Filters There
Page 137 and 138: Morph Designer Controls Control Fun
Page 139 and 140: 2EQ + Lowpass Morph Peak/Shelf Morp
Page 141 and 142: Voice Effect Sends Each voice has o
Page 143 and 144: Modulation Sources Source Descripti
Page 145 and 146: Modulation Destinations 6 - Voice P
Page 147 and 148: Summing Nodes All the modulation in
Page 149 and 150: Retune the Sample Move Loop End Poi
Page 151: Poly Key Assign Groups The Poly Key
Page 155 and 156: 7 - Editing a Sample Sample Editor
Page 157 and 158: Exporting & Importing Samples The E
Page 159 and 160: Show Grid Show or hide the vertical
Page 161 and 162: Go to Loop End Positions the cursor
Page 163 and 164: Cut Section The Cut function remove
Page 165 and 166: 4. Choose the paste mode— Insert,
Page 167 and 168: More Information about Paste • Yo
Page 169 and 170: Truncate Truncation shortens a samp
Page 171 and 172: 4. Select the amount of gain increa
Page 173 and 174: Bit Reduction This DSP tool takes y
Page 175 and 176: Pitch Shift Pitch Shift offers thre
Page 177 and 178: To Transform Multiply 1. Select a h
Page 179 and 180: Batch Processing You can run most o
Page 181 and 182: Crossfade Looping Crossfade Looping
Page 183 and 184: Snap To Zero-Crossings When this fu
Page 185 and 186: Crossfade Looping & Loop Compressio
Page 187 and 188: 8 - TwistaLoop Introduction TwistaL
Page 189 and 190: Meter When analyzing a sample, shor
Page 191 and 192: 1/8 Sensitivity Fine-Tuning Your An
Page 193 and 194: To change the Tempo Granularity, ch
Page 195 and 196: Using Loops Once you create some lo
Page 197 and 198: Loop Speed and Tempo The speed at w
Page 199 and 200: Loop Select (Jump) If you want to j
Page 201 and 202: Multisample Voices and Looping You
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4. Set the TwistaLoop Speed to 100%
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Select a region between two beat ma
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Looping Doesn’t Occur You’ve de
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9 - Effects Overview In addition to
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7. Select one of the Effects from t
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FX Routing Make sure that you are t
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Main Output Window The Main Output
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Controlling the Preset Effect Amoun
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Preset FX Screen All effects have a
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Effects Listing Reverb Delay (mono)
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Parameter Description LF Damping Lo
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Chorus / Delay This effect is a com
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The Ratio control determines how st
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Ping Pong, stereo This mode cross-c
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Delay (BPM) The BPM Delay is simila
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4-Band EQ This 4-band equalizer pro
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Flanger (BPM) The BPM Flanger is si
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Limiter The Limiter sets a “maxim
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Pitch Shifter (mono) The pitch shif
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Ring Modulator Modulation Parameter
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Parameter Description Sync (LFO Pha
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Twin The Twin utilizes two “tube
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10 - Controls This chapter describe
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Changing Settings Entering Numeric
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Selecting Voices using your MIDI Ke
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View Menu Hide Object Numbers Show
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Tree View The Sample, Preset or Mul
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Templates For each module in the Vo
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11 - From Sample to Preset Acquire
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Record Audio Controls Level This co
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To Gate & Chop Samples After record
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10. Click on each of the Region nam
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6. The save to sampler controls all
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To Set Up SynthSwipe 3. Open Emulat
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10. To begin sampling your instrume
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Sort Buttons Selected Samples These
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Build Preset Options These sample o
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12 - Synthesizer Basics This chapte
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Miscellaneous Controllers A-P Any t
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Low Frequency Oscillators (LFOs) A
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The possibilities of clock modulati
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Modulation Processors Modulation pr
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Dynamic Filters Following is a bloc
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Another control found on traditiona
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The Z-Plane Filter A Z-plane filter
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Control MIDI Controller # Routing L
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13 - Appendix The Emulator X File C
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to DOS that represent the Akai form
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EXS-24 files can exist on PC- or Ma
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find where the separate file is in
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Emulator X VSTi Launching the VSTi
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Emulator X 19. In the VST Instrumen
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Keyboard Shortcuts File Menu New...
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Drag & Drop Operations From Drag &
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Toolbar Functions Standard Tools Up
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MIDI Implementation Chart MIDI Info
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MIDI Implementation Chart (part 2 -
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MIDI Implementation Chart (part 2 -
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Index Symbols ~, +, - modulation so
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Delete folder 220 multisetup 67 reg
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tuning tables 71 Keyboard CC Window
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PatchMix DSP, setting up for sampli
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Stop Button, sampling 261 Streaming
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