Emulator Composite.book - Creative

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12 - Synthesizer Basics MIDI Channels & Real-time Controls MIDI Channels & Real-time Controls The MIDI real-time controllers may seem confusing at first, but they are really very simple once you understand them. You probably already know that there are 16 MIDI channels per MIDI cable. Each MIDI channel uses three basic types of messages; note on/off, preset changes, and continuous controller messages.Your MIDI keyboard, in addition to telling Emulator X which note was played, can also send aftertouch realtime control information, which simply means control occurring in real-time or “live.” (You may be using a MIDI device other than a keyboard, but for simplicity's sake we'll presume that you are using a keyboard.) Real-time control sources include such things as controller knobs, pitch wheels or touchstrips, modulation wheels, control pedals and aftertouch. These are used to add more expression or control. The front panel control knobs send out real-time controller information on separate continuous controller numbers. There is a set of 95 continuous controller numbers for each MIDI channel. Some continuous controllers, such as modulation wheel, volume, and pan have standardized numbers. For example, volume is usually sent on continuous controller #7. The front panel control knobs are programmed to specific MIDI controls. MIDI Channel 1 Note On/Off Program Change Continuous Controllers MIDI Channel 2 Note On/Off Program Change Continuous Controllers MIDI Channel 3 Note On/Off Program Change Continuous Controllers MIDI Channel 16 Note On/Off Program Change Continuous Controllers Any MIDI controller can be routed to any modulation destination. First, you have to know which controller numbers your keyboard transmits. Most modern MIDI keyboards let you select a controller number for each control on the keyboard. For example, it may let you select a number from 0-31 for the data slider. The realtime controller numbers that the keyboard transmits must match the numbers Emulator X is receiving, otherwise nothing will happen when you move the controls. Suppose you wanted to send the four data sliders on your master keyboard. Emulator X can handle up to 16 MIDI controllers (A-P) of your choosing. “MIDI A-P” are simply names for the internal connections that link external MIDI continuous controllers to the Cords page. There are two parts to the connection. First, MIDI controller numbers are assigned to the letters A-P in the Controllers dialog box. Next, the letters A-P are connected to synthesizer control parameters in the PatchCord section of the Preset Edit window. The Cord Amount scales the amount of each controller by a positive or negative value. Most factory presets have the MIDI A-P controls connected to standard synthesizer functions (labelled in the Multisetup page). By choosing any four of the 16 standard functions, the four sliders on your keyboard will work the same on every preset. The chart on the following page shows how this might work if your keyboard transmitted the slider settings on MIDI controllers 21-24. 292 Emulator X2 Operation Manual
Control MIDI Controller # Routing Letter Standard Function Slider 1 21 A Controls Filter Frequency Slider 2 22 B Controls Filter Resonance Slider 3 23 C Controls Filter Attack Slider 4 24 D Controls Filter Decay MIDI Preferences Menu 0 1 2 31 64 95 0 1 2 31 64 95 0 1 2 31 64 95 0 1 2 31 64 95 MIDI Controller A MIDI Controller B MIDI Controller C MIDI Controller P 16 Control Knobs A B C P Voice Edit Page Cord Destinations MIDI A-P are internal connections which carry MIDI continuous controller data. Assign a MIDI Continuous Controller numbers to a letter A-P in the Preferences menu, then assign the same letter to a modulation destination in the Voice Processing window. - - - - A B C P + + + + Amount Cord Cord Cord Cord Key Sustain Fine Pitch Pitch Glide Chorus Amount Sample Start Sample Loop Sample Retrigger Filter Frequency Filter Q Amplifier Volume Amplifier Pan Amplifier Crossfade Volume Envelope Rates Volume Envelope Attack Volume Envelope Decay Volume Envelope Release Filter Envelope Rates Filter Envelope Attack Filter Envelope Decay Filter Envelope Release Aux. Envelope Rates Aux. Envelope Attack Aux. Envelope Decay Aux. Envelope Release LFO 1 & 2 Rates LFO 1 & 2 Trigger Lag Processor Summing Amp Switch Absolute Value Diode Quantizer 4x Gain Cord 1-36 Amount Channel Lag Channel Lag Rate Preset Lag In Preset Lag Amount Preset Ramp Rate 12 - Synthesizer Basics MIDI Channels & Real-time Controls E-MU Systems 293 Preset Cords
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E-MU Systems 1
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Table of Contents 1 - Introduction
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Transpose & Volume ................
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Tips for Using Chorus .............
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Convert to Mono or Stereo .........
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4-Band EQ .........................
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13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
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Setting up the Preferences The pref
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Sample Buffers This control allocat
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VST Output Buses This control is on
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Controllers This is where you set u
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Undo •History size - The maximum
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2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
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Preset Diagram The diagram below il
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If more than one voice is assigned
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3 - Getting Started Exploring the T
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Changing Presets (from Single View)
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Changing Presets (from the Multicha
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Create Your Own Custom Bank It’s
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Load a New Bank Load up a new bank
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6. This page controls the voices us
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7. Each Cord has its own attenuator
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Using DSP There are a number of DSP
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Pitch Shift 14. Select Pitch Shift
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Find your Files 4. Select the Libra
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4 - Multisetup / Preset Globals The
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To Select Presets by Category 1. Cl
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Output View Button This button allo
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To Use the Limiter 1. Press the Ena
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Filter Override The filter type of
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To Delete a Multisetup 1. Open the
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These parameters affect the entire
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Tuning Tables In addition to the st
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Key CC Window These controls work i
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Preset PatchCords Preset PatchCords
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5 - Voices & Sample Zones Each pres
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Voice Selection In each tabbed page
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Groups Voices can be categorized in
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Overview Section The bottom portion
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Direction For each voice (or zone i
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Mix/Tune Page Volume, pan, directio
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To Layer Voices and Samples The ran
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Velocity Window Page The Velocity W
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Set up the Voices 2. Select the Rea
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Continuous Controller Window Pages
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Cycle Groups The Cycle Group destin
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Cycle 3 Crossfading This next examp
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Region Page The Region window allow
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For example, if you set the sensiti
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Details Page Mute/Solo Group Select
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Expand Voice This function takes ap
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Links Links call up additional pres
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Mix/Tune Window This window allows
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6 - Voice Processing Voice Processi
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Oscillator Pitch Bend Range These t
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Glide Rate & Curve Glide is a smoot
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To Setup the Volume Envelope as an
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The chart below lists all the displ
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Sync Key Sync or Free Running. With
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Function Generators The function ge
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Modify the Sequence & Play 8. Click
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Modulation Destinations The followi
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Filter Controls You can choose from
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Filter Name Order Type Description
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Programmable Morphing Filters There
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Morph Designer Controls Control Fun
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2EQ + Lowpass Morph Peak/Shelf Morp
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Voice Effect Sends Each voice has o
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Modulation Sources Source Descripti
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Modulation Destinations 6 - Voice P
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Summing Nodes All the modulation in
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Retune the Sample Move Loop End Poi
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Poly Key Assign Groups The Poly Key
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Poly Release Trig Release Vel Poly
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7 - Editing a Sample Sample Editor
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Exporting & Importing Samples The E
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Show Grid Show or hide the vertical
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Go to Loop End Positions the cursor
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Cut Section The Cut function remove
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4. Choose the paste mode— Insert,
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More Information about Paste • Yo
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Truncate Truncation shortens a samp
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4. Select the amount of gain increa
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Bit Reduction This DSP tool takes y
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Pitch Shift Pitch Shift offers thre
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To Transform Multiply 1. Select a h
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Batch Processing You can run most o
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Crossfade Looping Crossfade Looping
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Snap To Zero-Crossings When this fu
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Crossfade Looping & Loop Compressio
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8 - TwistaLoop Introduction TwistaL
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Meter When analyzing a sample, shor
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1/8 Sensitivity Fine-Tuning Your An
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To change the Tempo Granularity, ch
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Using Loops Once you create some lo
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Loop Speed and Tempo The speed at w
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Loop Select (Jump) If you want to j
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Multisample Voices and Looping You
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4. Set the TwistaLoop Speed to 100%
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Select a region between two beat ma
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Looping Doesn’t Occur You’ve de
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9 - Effects Overview In addition to
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7. Select one of the Effects from t
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FX Routing Make sure that you are t
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Main Output Window The Main Output
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Controlling the Preset Effect Amoun
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Preset FX Screen All effects have a
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Effects Listing Reverb Delay (mono)
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Parameter Description LF Damping Lo
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Chorus / Delay This effect is a com
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The Ratio control determines how st
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Ping Pong, stereo This mode cross-c
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Delay (BPM) The BPM Delay is simila
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4-Band EQ This 4-band equalizer pro
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Flanger (BPM) The BPM Flanger is si
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Limiter The Limiter sets a “maxim
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Pitch Shifter (mono) The pitch shif
Page 241 and 242: Ring Modulator Modulation Parameter
Page 243 and 244: Parameter Description Sync (LFO Pha
Page 245 and 246: Twin The Twin utilizes two “tube
Page 247 and 248: 10 - Controls This chapter describe
Page 249 and 250: Changing Settings Entering Numeric
Page 251 and 252: Selecting Voices using your MIDI Ke
Page 253 and 254: View Menu Hide Object Numbers Show
Page 255 and 256: Tree View The Sample, Preset or Mul
Page 257 and 258: Templates For each module in the Vo
Page 259 and 260: 11 - From Sample to Preset Acquire
Page 261 and 262: Record Audio Controls Level This co
Page 263 and 264: To Gate & Chop Samples After record
Page 265 and 266: 10. Click on each of the Region nam
Page 267 and 268: 6. The save to sampler controls all
Page 269 and 270: To Set Up SynthSwipe 3. Open Emulat
Page 271 and 272: 10. To begin sampling your instrume
Page 273 and 274: Sort Buttons Selected Samples These
Page 275 and 276: Build Preset Options These sample o
Page 277 and 278: 12 - Synthesizer Basics This chapte
Page 279 and 280: Miscellaneous Controllers A-P Any t
Page 281 and 282: Low Frequency Oscillators (LFOs) A
Page 283 and 284: The possibilities of clock modulati
Page 285 and 286: Modulation Processors Modulation pr
Page 287 and 288: Dynamic Filters Following is a bloc
Page 289 and 290: Another control found on traditiona
Page 291: The Z-Plane Filter A Z-plane filter
Page 295 and 296: 13 - Appendix The Emulator X File C
Page 297 and 298: to DOS that represent the Akai form
Page 299 and 300: EXS-24 files can exist on PC- or Ma
Page 301 and 302: find where the separate file is in
Page 303 and 304: Emulator X VSTi Launching the VSTi
Page 305 and 306: Emulator X 19. In the VST Instrumen
Page 307 and 308: Keyboard Shortcuts File Menu New...
Page 309 and 310: Drag & Drop Operations From Drag &
Page 311 and 312: Toolbar Functions Standard Tools Up
Page 313 and 314: MIDI Implementation Chart MIDI Info
Page 315 and 316: MIDI Implementation Chart (part 2 -
Page 317 and 318: MIDI Implementation Chart (part 2 -
Page 319 and 320: Index Symbols ~, +, - modulation so
Page 321 and 322: Delete folder 220 multisetup 67 reg
Page 323 and 324: tuning tables 71 Keyboard CC Window
Page 325 and 326: PatchMix DSP, setting up for sampli
Page 327 and 328: Stop Button, sampling 261 Streaming
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