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Emulator Composite.book - Creative

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6 - Voice Processing<br />

Amplifier, Filter & Auxiliary Envelopes<br />

Envelope Mode: Complete<br />

In Complete mode, the envelope generator continues through all six stages when a key<br />

is pressed, ignoring the status of key sustain. This feature allows you to create long<br />

evolving soundscapes with a quick tap of the key (since normally the envelope would<br />

jump into the release stages as soon as the key was released). This mode is also well<br />

suited for enveloping percussive sounds such as piano and drums, or plucked strings<br />

which decay.<br />

Complete mode can also be used to create more processor-efficient presets. On<br />

<strong>Emulator</strong> X, the voice stops playing when the Amp Envelope ends, and the computer<br />

resources used by that voice become available for other jobs. Because the envelope<br />

completes its cycle regardless of how long a key (or sustain pedal) is held, the<br />

computer resources are only used for a fixed amount of time, then returned. The<br />

performance increase can be dramatic!<br />

Envelope Complete Mode<br />

time<br />

level<br />

Atk1<br />

Key<br />

Down<br />

Atk2<br />

Dcy1<br />

Dcy2<br />

Time-based and BPM Envelopes<br />

Envelope times can be time-based or BPM-based. Time-based envelopes have an<br />

absolute time setting, such as 1 second. BPM-based envelope times are divided down<br />

from the Master Tempo setting on the Multisetup page. The Master Tempo scales the<br />

time of the BPM-based envelope segments.<br />

BPM times are displayed in musical time intervals where possible. For example, if you<br />

set the attack time to be 1/16, the attack time will last exactly one sixteenth-note at the<br />

master tempo.<br />

BPM Envelopes<br />

BPM envelopes are controlled by the Master Tempo (located in the Multisetup<br />

window). The Master Tempo rate scales the time of all the BPM envelope segments. The<br />

Master Tempo can also be derived from an external MIDI clock to synchronize the<br />

envelope times with external sequencer or arpeggiator tempo changes. See note->.<br />

Rls1<br />

Note: The master<br />

tempo can be set<br />

internally using the<br />

tempo control in the<br />

Multisetup window, or<br />

controlled from an<br />

external MIDI clock.<br />

Internal/External clock<br />

selection is located in the<br />

Preferences dialog box.<br />

120 <strong>Emulator</strong> X2 Operation Manual<br />

Rls2<br />

All Six Segments Play Completely Through<br />

= Initial Setting = Increase Master Tempo<br />

= Decrease Master Tempo<br />

BPM Envelopes

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