Emulator Composite.book - Creative

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6 - Voice Processing Amplifier, Filter & Auxiliary Envelopes Amplifier, Filter & Auxiliary Envelopes <strong>Emulator</strong> X contains three envelope generators per voice. The Amplifier Envelope is “hard-wired” to control the Amp Volume and cannot go below the zero baseline (0-100). The Filter and Auxiliary Envelope generators are general purpose envelopes which must be patched to a destination using a PatchCord. The levels of the Filter and Auxiliary Envelopes can be programmed between the value range of -100 to +100. time level Atk1 Key Down Atk2 Dcy1 Dcy2 Adjusting the Envelopes There are four ways to adjust the envelope parameters: Adjust the Time/Level knobs. Grab one of the points on the Envelope Display and drag the envelope. Position the cursor in the Time or Level numeric fields and type in a time value. Position the cursor in the Time numeric field and type in the exact time. The time values are calculated using time and the vertical distance to the next point. Envelope Tabs Time / BPM Select Sustain Rls1 Key Released Time Controls Level Controls Holds here until key release 118 <strong>Emulator</strong> X2 Operation Manual Rls2 Envelope Mode
To Setup the Volume Envelope as an ADSR The classic synthesizer ADSR (Attack-Decay-Sustain-Release) envelope is easy to create using the six segment envelope generators. The trick is to only use segments: Attack1, Decay2, and Release1. 1. Set Atk2 level to 100. 2. Set all other levels to 0. 3. Set all times to 0. Program the Atk1, Dcy2 and Rls1 time segments as you wish. Decay 2 level is the Sustain level. When programming controller knobs to the envelope times, you must use a negative cord amount in order to increase the time of an envelope segment. time Envelope Mode: Repeat The filter and aux envelope generators can be made to repeat. When the envelope repeat function is On, the Attack (1&2) and Decay (1&2) stages will continue to repeat as long as the key is held. As soon as the key is released, the envelope continues through its normal Release stages (1 & 2). time level level Atk1 Key Down Atk1 Atk2 Dcy2 Dcy1 Sustain Level Dcy2 Key Released Used Atk1 Dcy2 Rls1 Rls1 Repeat Re.. Unused Atk2 Dcy1 Rls2 Key Down Key Released The diagram above shows how the looping envelopes work. When the key is pressed the envelope goes through its regular Attack 1, Attack 2, Decay 1 and Decay 2 stages. In non-looping mode, the envelope would hold at the end of the Decay 2 stage until the key was released. In looping mode however, it jumps back to the Attack 1 stage and repeats the first four stages. It continues to loop through these four stages until the key is released where it immediately jumps to the Release 1 stage. 6 - Voice Processing Amplifier, Filter & Auxiliary Envelopes The Amp Envelope does not have the repeating feature. E-MU Systems 119 Rls1 Rls1
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E-MU Systems 1
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Table of Contents 1 - Introduction
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Transpose & Volume ................
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Tips for Using Chorus .............
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Convert to Mono or Stereo .........
Page 11 and 12:
4-Band EQ .........................
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13 - Appendix .....................
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1 - Introduction & Installation Int
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Install the Emulator X Sound Banks
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Setting up the Preferences The pref
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Sample Buffers This control allocat
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VST Output Buses This control is on
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Controllers This is where you set u
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Undo •History size - The maximum
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2 - Emulator Architecture This chap
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Multisetup A Multisetup is like a m
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Preset Diagram The diagram below il
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If more than one voice is assigned
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3 - Getting Started Exploring the T
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Changing Presets (from Single View)
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Changing Presets (from the Multicha
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Create Your Own Custom Bank It’s
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Load a New Bank Load up a new bank
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6. This page controls the voices us
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7. Each Cord has its own attenuator
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Using DSP There are a number of DSP
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Pitch Shift 14. Select Pitch Shift
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Find your Files 4. Select the Libra
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4 - Multisetup / Preset Globals The
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To Select Presets by Category 1. Cl
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Output View Button This button allo
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To Use the Limiter 1. Press the Ena
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Filter Override The filter type of
Page 67 and 68: To Delete a Multisetup 1. Open the
Page 69 and 70: These parameters affect the entire
Page 71 and 72: Tuning Tables In addition to the st
Page 73 and 74: Key CC Window These controls work i
Page 75 and 76: Preset PatchCords Preset PatchCords
Page 77 and 78: 5 - Voices & Sample Zones Each pres
Page 79 and 80: Voice Selection In each tabbed page
Page 81 and 82: Groups Voices can be categorized in
Page 83 and 84: Overview Section The bottom portion
Page 85 and 86: Direction For each voice (or zone i
Page 87 and 88: Mix/Tune Page Volume, pan, directio
Page 89 and 90: To Layer Voices and Samples The ran
Page 91 and 92: Velocity Window Page The Velocity W
Page 93 and 94: Set up the Voices 2. Select the Rea
Page 95 and 96: Continuous Controller Window Pages
Page 97 and 98: Cycle Groups The Cycle Group destin
Page 99 and 100: Cycle 3 Crossfading This next examp
Page 101 and 102: Region Page The Region window allow
Page 103 and 104: For example, if you set the sensiti
Page 105 and 106: Details Page Mute/Solo Group Select
Page 107 and 108: Expand Voice This function takes ap
Page 109 and 110: Links Links call up additional pres
Page 111 and 112: Mix/Tune Window This window allows
Page 113 and 114: 6 - Voice Processing Voice Processi
Page 115 and 116: Oscillator Pitch Bend Range These t
Page 117: Glide Rate & Curve Glide is a smoot
Page 121 and 122: The chart below lists all the displ
Page 123 and 124: Sync Key Sync or Free Running. With
Page 125 and 126: Function Generators The function ge
Page 127 and 128: Modify the Sequence & Play 8. Click
Page 129 and 130: Modulation Destinations The followi
Page 131 and 132: Filter Controls You can choose from
Page 133 and 134: Filter Name Order Type Description
Page 135 and 136: Programmable Morphing Filters There
Page 137 and 138: Morph Designer Controls Control Fun
Page 139 and 140: 2EQ + Lowpass Morph Peak/Shelf Morp
Page 141 and 142: Voice Effect Sends Each voice has o
Page 143 and 144: Modulation Sources Source Descripti
Page 145 and 146: Modulation Destinations 6 - Voice P
Page 147 and 148: Summing Nodes All the modulation in
Page 149 and 150: Retune the Sample Move Loop End Poi
Page 151 and 152: Poly Key Assign Groups The Poly Key
Page 153 and 154: Poly Release Trig Release Vel Poly
Page 155 and 156: 7 - Editing a Sample Sample Editor
Page 157 and 158: Exporting & Importing Samples The E
Page 159 and 160: Show Grid Show or hide the vertical
Page 161 and 162: Go to Loop End Positions the cursor
Page 163 and 164: Cut Section The Cut function remove
Page 165 and 166: 4. Choose the paste mode— Insert,
Page 167 and 168: More Information about Paste • Yo
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Truncate Truncation shortens a samp
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4. Select the amount of gain increa
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Bit Reduction This DSP tool takes y
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Pitch Shift Pitch Shift offers thre
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To Transform Multiply 1. Select a h
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Batch Processing You can run most o
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Crossfade Looping Crossfade Looping
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Snap To Zero-Crossings When this fu
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Crossfade Looping & Loop Compressio
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8 - TwistaLoop Introduction TwistaL
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Meter When analyzing a sample, shor
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1/8 Sensitivity Fine-Tuning Your An
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To change the Tempo Granularity, ch
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Using Loops Once you create some lo
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Loop Speed and Tempo The speed at w
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Loop Select (Jump) If you want to j
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Multisample Voices and Looping You
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4. Set the TwistaLoop Speed to 100%
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Select a region between two beat ma
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Looping Doesn’t Occur You’ve de
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9 - Effects Overview In addition to
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7. Select one of the Effects from t
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FX Routing Make sure that you are t
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Main Output Window The Main Output
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Controlling the Preset Effect Amoun
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Preset FX Screen All effects have a
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Effects Listing Reverb Delay (mono)
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Parameter Description LF Damping Lo
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Chorus / Delay This effect is a com
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The Ratio control determines how st
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Ping Pong, stereo This mode cross-c
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Delay (BPM) The BPM Delay is simila
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4-Band EQ This 4-band equalizer pro
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Flanger (BPM) The BPM Flanger is si
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Limiter The Limiter sets a “maxim
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Pitch Shifter (mono) The pitch shif
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Ring Modulator Modulation Parameter
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Parameter Description Sync (LFO Pha
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Twin The Twin utilizes two “tube
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10 - Controls This chapter describe
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Changing Settings Entering Numeric
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Selecting Voices using your MIDI Ke
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View Menu Hide Object Numbers Show
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Tree View The Sample, Preset or Mul
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Templates For each module in the Vo
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11 - From Sample to Preset Acquire
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Record Audio Controls Level This co
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To Gate & Chop Samples After record
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10. Click on each of the Region nam
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6. The save to sampler controls all
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To Set Up SynthSwipe 3. Open Emulat
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10. To begin sampling your instrume
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Sort Buttons Selected Samples These
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Build Preset Options These sample o
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12 - Synthesizer Basics This chapte
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Miscellaneous Controllers A-P Any t
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Low Frequency Oscillators (LFOs) A
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The possibilities of clock modulati
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Modulation Processors Modulation pr
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Dynamic Filters Following is a bloc
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Another control found on traditiona
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The Z-Plane Filter A Z-plane filter
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Control MIDI Controller # Routing L
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13 - Appendix The Emulator X File C
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to DOS that represent the Akai form
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EXS-24 files can exist on PC- or Ma
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find where the separate file is in
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Emulator X VSTi Launching the VSTi
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Emulator X 19. In the VST Instrumen
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Keyboard Shortcuts File Menu New...
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Drag & Drop Operations From Drag &
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Toolbar Functions Standard Tools Up
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MIDI Implementation Chart MIDI Info
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MIDI Implementation Chart (part 2 -
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MIDI Implementation Chart (part 2 -
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Index Symbols ~, +, - modulation so
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Delete folder 220 multisetup 67 reg
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tuning tables 71 Keyboard CC Window
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PatchMix DSP, setting up for sampli
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Stop Button, sampling 261 Streaming
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