Untitled - Index of - Free

DCPTI
I don't have much to say here that I haven't already said. I was given the opportunity to edit this book, and abused
that privilege by interjecting my own attitude, bias, and opinions throughout it. So If you don't like the style, I'm the one to
blame. I take it as a sobering critique that the best, most insightful, and most humorous portions of the work, are not mine.
So, if you do like the style, that's only because I couldn't find a way to ruin stuff this good. Truthfully, I was the only one dull
enough to sit in front of a computer rereading the same paragraphs, over and over again, for hours at a time. That dullness
is the prime requisite for an editor, so here I am. Thanks guys. I'm already looking forward to the next one.
- David Berkman
I've enjoyed working in the entertainment industry for many reasons. Being involved in the process of creation is, for
me, the most important of these reasons. I don't think many people realize what goes into the stones they enjoy. The creative
process is strange, and wondrous, and often offers no easy explanations. This having been said, I hope we have helped
to aid you in your creative efforts. I know this work has helped me, and continues to do so. For this, and other reasons, I
would like to thank the guys for having me on the crew. Thanks. In the end, I always remember two thmgs: One, you've
got to get up to get down. Two, always pet the cat.
-Anthony J Gallela "Harp"
The most important question a Director can ask herself is, 'Why is this fun?' When designing a Setting, working up
a plot, or creating a member of the Supporting Cast, chances are that if you can't answer this question to your satisfaction,
then your Actors won't be able to either. In other words, your Setting, plot, or cast member won't be fun. The most important
question an Actor can ask herself is, 'Why is this fun?' When creating a persona, or Improvising upon the Stage, if you can't
come up with a good answer to this question, then that particular Persona, or Improvisation, probably won't be fun.
Remember, we play these games to have fun. If, at any time, the experience isn't fulfilling, or at least amusing, then you
should probably consider the question, 'Why is this fun?'
-Travis 8 Eneix
The magic of Theatrix is not only in the fun of roleplay, but also as a source of creative social experience. Play
with others, and enjoy this resource.
"Look, stranger, at this island now The leaping light for your delight discovers."-W. H. Auden.
- Brett Hackett
Dreams, imagination, creativity ... these talents give light to new realms of possibility. Exploring these phantasms
helps us better understand ourselves and the world in which we live. My friends and I have pulled together this set of tools
and guides from our own journeys into imagination. I invite you to discover new alternatives, to examine reality, and to
challenge the unknown. It's my hope that you will use this book to enhance your own understanding and enjoyment of the
opportunities that life grants. Pax.
-Andrew J. Finch
The strengths of this game are manifold, and the degree of empowerment offered to the individual is impressive.
However, with power comes responsibility. Theatrix provides no cover from your own mistakes. Failure to think through
your world, your game, or your characters, will have a direct impact on the quality of play. There is, however, a payoff.
Theatrix provides the tools you need to create any character and any game that you can imagine. It draws players in, and
makes them part of the world. It doesn't hamper your strengths, and it doesn't get in the way. If you do prepare properly,
Theatrix can provide some of the most satisfying games you may play.
136 Theatrix - The Core Rules
-Aaron 'Hardkorp' Croston