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1J [Bll f)f tf)J[1J§ c INTRODUCTION GAME CONTENTS ROLLING DICE THE BASIC RULE CAPITALIZED TERMS ORGANIZATION 'illi ' iili CHAPTER BY CHAPTER REFERENCE CARDS GLOSSARY SUMMARY ROLEPLAYING WHAT IS ROLEPLAYING? THE TROUPE ACTING STAGE DIRECTIONS ) SOLILOQUIES AND VOICE-OVERS DIRECTING TIME SUPPORTING CAST STAGING CONTINUITY CUTI ... TAKE TWO GLOSSARY SUMMARY CINEMATOGRAPHY DESCRIPTION SET DESIGN, LIGHTING, AND ... 4 Theatrix - The Core Rules 9 9 9 9 11 11 11 12 13 13 15 15 15 15 16 16 17 17 17 17 18 18 19 19 21 21 22 MUSICAL SCORE 22 FORESHADOWING 23 CUT SCENES 23 Flashbacks 25 Dream Sequences 25 TIMING AND COINCIDENCE 26 Meanwhile, Back At The ... 26 LITTLE SCENES 26 GLOSSARY 27 SUMMARY 27 ( '"II IM\:111Jji Cl ¢ ) MAKEUP AND COSTUMING 29 QUANTIFIERS 29 SCALING 29 30 AND MORE... TO QUANTIFY OR NOT TO QUANTIFY... 30 QUANTIFIED TRAITS 30 DESCRIPTIVE TRAITS 30 Quantifiers for Descriptive Traits 30 UNQUANTIFIEDTRAITS 31 SCALING 31 COMPLETING THE SCALE 31 METHODS OF SCALING 32 Scaling By Range 32 Scaling by Nonn 32 IF THE MOUNTAIN WON'T GO ... 32 THE DECIMAL POINTS 32 TYPES OF TRAITS 33 PHYSICAL AND MENTAL A TIRIBUTES 33 Physical Attributes 33 Mental Attributes 34 Describing Attributes 34 SKILLS AND ABILITIES 35 Ranking 36
Skill and Ability Histories 36 DUELING SUCCESSES 58 Specialization 37 RESOLUTION FLOWCHARTS 58 Skill and Ability Descriptions 37 RESOLUTION PATHS 59 Everyman Skills 37 Basic Resolution Paths 59 Skill Categories 37 Transitional Boxes 60 Example Skills 38 Advanced Resolution Paths 61 PERSONALITY TRAITS 38 Example 62 Personality Trait Activation 40 Example 63 Director's Control 40 MAGNITUDE OF RESULT 64 Double Activation for ... 41 Skill Rank Vs. Difficulty 64 DESCRIPTORS 41 Risk 64 Descriptor Activation 44 TIMING, TENSION, AND AMBIGUITY 65 Descriptors Vs. Skills/Abilities 44 RANDOMNESS 66 THE PRIMARY DESCRIPTOR 44 A Formula For Success 66 FLAWS 45 GLOSSARY 67 GENERAL THEORY OF ... 45 SUMMARY 67 CONCEPTION 45 LIST ATTRIBUTES, SKILLS, ... 46 c C! II 11 LSj II ) THE BASIC RULE 47 TEMPLATES 47 POWER PLAY 47 IMPROVISATION 69 CHARACTER SHEETS 47 TROUPE STYLE ROLEPLAYING 69 GLOSSARY 49 DRAMA 69 SUMMARY 49 INFORMATION 70 MACROSCOPIC VS. MICROSCOPIC 70 GJIIIICMI§!Ii jii!ci) STRUCTURE 70 PROCESS 71 SUBPLOTS 71 LIGHTS ... CAMERA .•• ACTION! 51 Long Term Vs. Short Term 71 OPPOSED ACTIONS 51 Personal Vs. Troupe 71 SUCCESS AND FAILURE 51 Examples <strong>of</strong> Subplots 72 THE BASIC RULE 51 DISTRIBUTED DIRECTING FOR ... 72 SKILL VS. PLOTLINE 52 THE STAGE 72 AMBIGUITY 52 Rule <strong>of</strong> Thumb 73 ROLEPLAY 52 STATEMENTS 73 TRAITS 54 Example 73 SHORT TIME 54 IMPROVISE FOR SUCCESS 75 ROUNDS 54 CONSISTENCY 75 INITIATIVE 54 PLOT POINTS 76 USING SKILLS AND ABILITIES 55 SPENDING PLOT POINTS 76 DIFFICULTY 55 Buying Success 76 COLLATERAL SKILLS 55 Blackmail 76 USING THE STAGE 57 Payment Due 76 ACTIVELY OPPOSED ACTIONS 57 EARNING PLOT POINTS 77 Rule Of Thumb 58 Zero Point Subplots 78 THE ACTIVE PARTICIPANT 58 Beating the Averages 78 Theatrtx - The Core Rules 5
Page 2 and 3: ()eslan: David Berkman, Trav1s Eneb
Page 6 and 7: Downtime Pregaming APPLAUSE JELLYBE
Page 8 and 9: 8 Theatrix - The Core Rules
Page 10 and 11: 10 Tlleatr1x - The Core Rules
Page 12 and 13: Chapter V- Lights ... Camera ... Ac
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Page 16 and 17: pretend to be this other person tha
Page 18 and 19: ¢ A league of super-powered heroes
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Page 22 and 23: c;> her tormenting her employees wi
Page 24 and 25: edge to their characters (which mea
Page 26 and 27: Sequence that they're dreammg. The
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Page 30 and 31: edge represented by that number may
Page 32 and 33: Books If you're creating your own g
Page 34 and 35: Coordmation is Important in fightin
Page 36 and 37: ¢ A character who can ignite herse
Page 38 and 39: Example Skills The following page c
Page 40 and 41: Personality Trait Activation In add
Page 42 and 43: Ace of Aces -The persona was practi
Page 44 and 45: Descriptor Activation Like Personal
Page 46 and 47: CONCEPTION The concept for your cha
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Page 52 and 53: Failure, based upon how difficult t
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1:0 Creativity -If the easy solutio
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Easy - Ahh, an old style electronic
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The final Difficulty of such action
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same is really just as true for the
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The first set of ovals deals with w
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many times, and is 'getting ready'
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RANDOMNESS If there are times when
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68 Theatr-ix - The Core Rules
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ecome their own screenwriters. The
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The Plot Pomts earned 1n th1s way s
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7 4 Theatrlx - The Core Rules
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However strange this turn of events
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Zero Point Subplots Although it wou
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80 Theatrix - The Core Rules
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velop a starting point for your Mai
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each Actors current Plot Point Tota
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they're done right, your combats wi
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Some props are less ub1quitous, but
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WOUND LEVELS We suggest the followi
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Unhurt ¢ Blunt- Your opponent winc
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life. Armor can be dented and broke
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member that the Scaling of the Sett
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Produce Reasons Using ... If your c
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[More Organ Music] Brought to You B
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Abe - It couldn't be h1m. That's no
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Director - No way. Of course, you s
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Johnny- Yeah, the instant I drop th
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Director- [Accepting Scott's improv
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Johnny - Right. We're gomg for the
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' l 1 114 Theatrlx - The Core Rule
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Research A quick note on research.
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UPDATING THE CORE RULES The Theatri
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end, or be re-rolled if the scores
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in question will fly as fast as a s
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124 Theatrlx - The Core Rules
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q character q action q direction Q
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What mood will it evoke? What 1s y
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need Plot Tum II spins the action i
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ecome violent. The Troupe can look
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9 Person's Name 9 Involvement in th
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DCPTI I don't have much to say here
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strong,just like you would expect t
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Midpoint Scene tV Pinch II Plot Tur
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ATTRIBUTES (3.5) Sltength (4 OJ Sta
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Theatix 12efeence Sheet A Skill Ran
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I Plain Fighting Theatr-ix l2efer-e
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