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THE DHAMMAPADA: THE WAY OF THE BUDDHA, VOL. 9-12 The ...

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328 <strong>THE</strong> <strong>DHAMMAPADA</strong>: <strong>THE</strong> <strong>WAY</strong> <strong>OF</strong> <strong>THE</strong> <strong>BUDDHA</strong>, <strong>VOL</strong>. 9-<strong>12</strong><br />

could have been in the safety and the comforts and the coziness of the palace. <strong>The</strong> palace belongs to him, but he<br />

lives in the porch believing that that’s all there is to life.<br />

<strong>The</strong> man who lives only in sensuality, lust, who is obsessed with food, who is obsessed with his body, continuously<br />

thinking of the body, is not yet a man. He is a good animal, but utterly blind to the potential that he is born to,<br />

utterly blind to what he can become, unconscious of the whole range of his being.<br />

<strong>The</strong> second circle, deeper than the body, is that of the mind. Mind has its own pleasures which are a little<br />

higher. Again, remember, it has nothing to do with judgment. <strong>The</strong>y are a little deeper, they are a little closer<br />

to the innermost shrine. <strong>The</strong>y actualize a little bit of your potential. <strong>The</strong> man who enjoys mathematics, science,<br />

philosophy certainly has a deeper sense of joy. Plato has a deeper sense of joy than Nero.<br />

It is said about Nero that he used to keep four physicians constantly with him even when he went to war. Those<br />

four physicians were to help him vomit because he liked to eat so many times in the day. Now you cannot eat so<br />

many times a day; there is a limitation. You can eat three times, four times, five times at the most; more than<br />

that will be impossible. <strong>The</strong> body will not contain it, you will burst. So after eating, the physicians would help<br />

him to vomit immediately so he could eat again. He used to eat at least twenty times per day. He must have been<br />

the greatest eater in the world. But what kind of life is this? twenty times vomiting to eat twenty times! as if<br />

he lived only in the buds of the tongue, in the taste buds.<br />

Of course Plato is far deeper. He enjoys a contemplative life: he contemplates the stars, he contemplates the<br />

sunrise and the sunset, he contemplates the possibility of human progress. And he enjoys it and he enjoys it so<br />

much that many times he forgets to eat, he forgets completely that he has missed a meal.<br />

It happened once:<br />

Albert Einstein was brought his breakfast and he was so deep in contemplation it must have been some great<br />

mathematical puzzle he was involved in that he was sitting with closed eyes. So the servant did not disturb him;<br />

he left the breakfast in front of him and went away.<br />

Meanwhile a friend came. He also saw him so deeply absorbed that he thought, ”It is better... the breakfast is<br />

getting cold.” So he ate the breakfast and pushed the plates aside.<br />

At that moment Einstein opened his eyes, looked at the empty plates, looked at his friend and said, ”Sorry,<br />

you came a little late. I have taken my breakfast.”<br />

Now, this is better than being a Nero. But there is a third layer still higher, still deeper: the layer of the heart<br />

love, music, poetry, dance. People who enjoy art, people who can enjoy and appreciate harmony, color, people<br />

who can see some poetry in life and existence, who can feel some celebration going on all around, of course they<br />

are going still deeper. A Rabindranath... the poet goes deeper than the mathematician, the musician goes deeper<br />

than the philosopher. But these are still concentric circles around your center.<br />

<strong>The</strong> fourth the mystics in India have called it simply, ”the fourth,” turiya is the world of your being, the<br />

innermost core. Those who enjoy meditation, neither food nor philosophy nor poetry, but who have gone beyond<br />

all these and entered into the world of utter silence, of absolute emptiness, who know how not to be.... Yes, the<br />

question is, ”To be or not to be?” Those who have chosen not to be, they are the meditators. <strong>The</strong>y have moved<br />

from the senses to samadhi, and that is the highest experience of life.<br />

Buddha says: DESIRING NOTHING, DOUBTING NOTHING, BEYOND JUDGMENT AND SORROW<br />

AND <strong>THE</strong> PLEASURES <strong>OF</strong> <strong>THE</strong> SENSES, HE HAS MOVED BEYOND TIME.<br />

<strong>The</strong> man who has moved into his being has moved beyond time. Time exists with the body, with the mind,<br />

with the heart, but with the being there is no time. You suddenly experience timelessness or you can call it<br />

eternity. It is only in that state when you have transcended mind, transcended time, that you are pure and free.<br />

For the first time you know what purity is. It is not something to be cultivated; it is something like a fragrance of<br />

deep meditation. <strong>The</strong> joy, the song, the celebration that arises out of silence, the sound of soundless silence that<br />

is purity, that is innocence; you have become a child again. And that is maturity too, that is growth. You have<br />

come of age. You are really born, you are born anew.<br />

HOW CLEAR HE IS....<br />

Now the master has clarity because all the clouds have disappeared, the clouds created by the body.... <strong>The</strong><br />

body creates the darkest clouds, the densest clouds, the thickest clouds. As you go further inwards the clouds<br />

are less dark, less thick, less dense. When you have reached the fourth, turiya, all clouds have disappeared; there<br />

is pure clarity. You can see through and through. <strong>The</strong> whole existence becomes transparent. Nothing is hidden<br />

from you anymore. HOW CLEAR HE IS.<br />

HE IS <strong>THE</strong> MOON. HE IS SERENE. HE SHINES.<br />

At this point, suddenly there is an alchemical change in his energy. Ordinarily a man lives as a sun energy; the<br />

master lives as moon energy. <strong>The</strong>se are just metaphors, but tremendously significant, very expressive indicators.

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