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KEEP YOU SI<br />
PROJECTORS IN<br />
TOP OPERATING<br />
CONDITION<br />
WITH S^ PARTS<br />
Good booth equipment is the most vital<br />
item of theatre operation — and by far<br />
the least costly.<br />
Replace worn parts promptly.<br />
Catalog on request<br />
LAVEZZI MACHINE WORKS<br />
4635 West Lake Street<br />
Advanced<br />
—<br />
Chicago 44, Illinois<br />
DESIGN in<br />
Griggs<br />
Chairs<br />
Solid steel cen*<br />
ter<br />
give<br />
standards<br />
strength<br />
and durability.<br />
PROJECTION AND SOUND<br />
Tips on Trouble-Shooting<br />
For Men in the Booth<br />
by WESLEY TROUT<br />
Starting this<br />
MONTH, we will present<br />
servicing data on<br />
both projection and<br />
sound each month.<br />
We have received<br />
many requests from<br />
our readers, saying<br />
they would like to<br />
read about both subjects<br />
in each issue of<br />
Modern Theatre. We<br />
Wesley Trout think it is a good idea,<br />
too, so here goes!<br />
Let us start with the mechanism first.<br />
Keeping the projector mechanism olean Ls<br />
one of the best ways of assuring highest<br />
quality projection from any make of projector.<br />
The interior of the film compartment<br />
of most all modern mechanisms is<br />
large and roomy; ample space is generally<br />
provided between all units to facilitate<br />
rapid and thorough cleaning of all parts.<br />
The interior of all film compartments is<br />
now painted a light color which aids in observing<br />
dirt and other foreign matter,<br />
thereby making it very easy for the projectionist<br />
to keep clean.<br />
DAILY CLEANING BEFORE SHOW<br />
We cannot too strongly point out that<br />
every projectionist should cultivate the<br />
habit of cleaning all parts of the mechanism<br />
every day before the show starts. A<br />
soft, clean rag and a small stiff-hair brush<br />
is all that is required to do a first-class<br />
cleaning job on any projector mechanism.<br />
The sprockets in the projector mechanism<br />
and sound head should be brushed around<br />
their entire periphery to remove all deposits<br />
of dirt and film emulsion: the pad<br />
rollers should also be brushed and then<br />
wiped with a clean rag; the film strippers<br />
should be checked and all the dirt and<br />
emulsion deposits removed. Dirty sprockets<br />
will cause trouble. Dirty intermittent<br />
sprocket will cause picture jump, and dirt<br />
on takeup sprockets will cause loss of loop.<br />
Dirty sound sprockets will cause poor quality<br />
of sound reproduction. Use a stiffbristle<br />
tooth brush for cleaning sprockets.<br />
WATCH THE FILM TRAP<br />
Another very important unit in the film<br />
compartment of any make of projector is<br />
the film trap and gate assembly. Keep<br />
them clean! The film gate should be removed<br />
daily and very thoroughly cleaned<br />
with a clean rag. Next, the film shoes and<br />
guides on the aperture plate should be<br />
thoroughly cleaned daily, making very sure<br />
that all deposits of dirt and film emulsion<br />
are removed. It is of utmost importance<br />
care should be taken when cleaning between<br />
the film guide rollers and the film<br />
trap main casting to remove all dirt and<br />
foreign matter which may prevent their<br />
turning freely. Remember that failure of<br />
inner roller to turn when film is passing<br />
through the film trap may result in it becoming<br />
cut by the edges of the film. Once<br />
a groove is cut in these rollers, it will be<br />
nsures years of hard<br />
wear in a chair with<br />
comfort and beauty.<br />
WRITE FOR CATALOG<br />
GRIGGS EQUIPIVIE^T CO.<br />
Belton, Texas<br />
Disconnect one<br />
end of resistor<br />
or condenser to<br />
GOLDE SPOTLIGHT<br />
STOPS<br />
TRAFFIC! r<br />
Long-life GoldE spotlights brighten<br />
lobbies, displays, etc. U L Ar^<br />
proved. Easiest to set up, most cnm<br />
pact. Instant-lock tilt, heat-proof Iff<br />
ncl lens, porcelain socket, asbestos curd,<br />
removable cast base. Two models— 500<br />
watts. 1000 watts blower-cooled. Pipe<br />
clamps, color wheels, color frames avail<br />
able. Sec >our dealer— or write to<br />
^<br />
GOLDE MANUFACTURING CO.<br />
Dtpt. BO. 4888 N. Clark St., CHICAGO 40, ILL.<br />
To respond to this advertisement. u.se the free postcard<br />
This diagram stiows<br />
proiectionists how to<br />
use an ohmmeter to<br />
check defectiye amplifier<br />
components.<br />
When there is trouble<br />
in this mechanism<br />
the thing to do is to<br />
try to tie the trouble<br />
down to some specific<br />
unit in the sound<br />
reproducing<br />
system.<br />
In this maKazlne and write In this .id's Ko.v No. :\i; v<br />
36 The MODERN THEATRE SECTION