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Boxoffice-January.03.1953

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WINNIPEG<br />

jVJanagers of the display advertising departments<br />

of the Free Press and the Tribune<br />

have simultaneously announced that, commencing<br />

the first of the new year, advertising<br />

rates for theatre ads will be increased<br />

two cents per agate line (28 cents an inch).<br />

Exhibition circles groaned at this announcement<br />

since this additional burden in the<br />

ever-increasing cost of theatre operation cannot<br />

be passed on to the public, it being felt<br />

that the saturation point in high theatre admissions<br />

has been reached and any further<br />

increase in admission prices would result in<br />

decreased patronage.<br />

. . .<br />

Both the Paris and the Valour, under Cohen<br />

Bros, management and ownership, closed<br />

Christmas eve and Christmas day, which are<br />

traditionally the two slowest days in show<br />

business in the year George Rathwell<br />

opened the Valour on Boxing day with Bunin's<br />

"Alice in Wonderland," plus "Moonlight Sonata,"<br />

which features Ignace Paderewski's<br />

only screen appearance.<br />

Exhibitors trained the heavy guns of entertainment<br />

on the public by exploding in the<br />

theatre pages with the best from Hollywood.<br />

The Garrick had "Bloodhounds of Broadway,"<br />

the Met was showing Warners, "The Crimson<br />

Pirate," the Capitol MGM's "Everything I<br />

Have Is Yours," the Gaiety, Paramount's<br />

"The Greatest Show on Earth," and Odeon<br />

had "Outpost in Malaya," the Lyceum was<br />

'

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