Creative Economy: A Feasible Development Option

ReferencesAgenda for the 21st Century. Bretton Hall, S. Leeds University.Rossiter, Ned (2006). “Creative Industries in Beijing: InitialThoughts”, Leonardo, 39(4):367-370.Sagnia, Burama K. (2005). “Strengthening Local CreativeIndustries and Developing Cultural Capacity for PovertyAlleviation”, International Network for Cultural Diversity, SixthAnnual Conference. Dakar, Senegal.Sagnia, Burama K. (2006) “Culture and Poverty Alleviationin Africa: A Review of the Cultural Effectiveness ofPoverty Reduction Strategy Papers in West and CentralAfrica”. Paper presented at the Arterial Conference onVitalizing African Cultural Assets, Gorée Institute, Dakar,Senegal, 5-7 March 2007.Santagata, Walter (2006). “Cultural Districts and Their Rolein Developed and Developing Countries”, in Handbook ofthe Economics of Art and Culture, Ginsburgh, V. and D.Throsby (eds.). Amsterdam, Elsevier/North Holland.Santagata, Walter (ed.) (2009). Libro Bianco sulla Creatività. Perun modello italiano di sviluppo. (White Paper on Creativity:Towards an Italian model of development). Available fromhttp://www.css-eblat.it.Schuster, J. Mark Davidson (1985). Supporting the Arts: AnInternational Comparative Study. Published by the NationalEndowment for the Arts. Available through ERICDocument Reproduction Services (www.edrs.com), ERICdocument #ED257740.______(1987). “Making Compromises to MakeComparisons in Cross National Arts Policy Research”,Journal of Cultural Economics, vol. 11, no. 2.Sciadas, G. (ed.) (2003). Monitoring the Digital Divide and Beyond.Orbicom. Available from http://www.orbicom.ca/projects/ddi2002/2003_dd_pdf_en.pdf.Scott, Allen J. (2005). On Hollywood. Princeton, UnitedStates of America, Princeton University Press.Scott, Allen J. and Dominic Power (2004). Cultural Industriesand the Production of Culture. London, Routledge.Seligman, G. (2001). “Local repertoire hits new highs todominate world music market in African music industry”.Paper presented at the Workshop on the Development ofthe Music Industry in Africa, sponsored by the WorldBank and Policy Sciences Center, Inc., Washington, D.C.,20-21 June 2001. Available from http://siteresources.worldbank.org/INTCEERD/Resources/CWI_music_industry_in_Africa_synopsis.pdf.______(2001). “The Market for African Music” inWorkshop on the Development of the Music Industry inAfrica, sponsored by the World Bank and the PolicySciences Center, Inc., Washington, D.C., 20-21 June 2001.Segers, Katia and Huijgh, Ellen (2006). “Clarifying thecomplexity and ambivalence of the cultural industries”,First European Communication Conference; 50 Years ofCommunication Research: Past and Future. Amsterdam, steunpuntre-creatif Vlaanderen.Selwood, Sara (ed.) (2001). The UK Cultural Sector, Profile andPolicy Issues. London, Policy Studies Institute.Shashikant, Sangeeta, “Intellectual Property and the WIPO‘Development Agenda’ ”. Available on the IDRC websitefrom http://www.twnside.org.sg/title2/FTAs/ Intellectual_Property/COPYRIGHT_and_ Development/IPandtheWIPODevelopmentAgendaSangeetaShashikantWSIS.pdf.Shim, Doobo (2006). “Hybridity and the Rise of KoreanPopular Culture in Asia”, Media, Culture & Society,28(1):25-44.Singh, J. P. (2007). “Culture or Commerce? A ComparativeAssessment of International Interactions and DevelopingCountries at UNESCO, WTO, and Beyond”, InternationalStudies Perspectives, 8(1):36-53.Sithole, Jabulani (2000). “Culture can play a key role inregional integration”, South African News Features, No.23, 15 December 2000. Available from www.sardc.net/editorial/sanf/2000/Iss23/Nf2.html.Siwek, Stephen of Economists Incorporated (2009).Copyright Industries in the U.S. Economy: The 2003-2007 Report.Prepared for International Intellectual Property Alliance(IIPA), available from www.iipa.com.Smiers, Joost and Van Schijndel Marieke (2009). “Imaginethere is no copyright and no cultural conglomeratestoo…”. Amsterdam, Institute of Network Cultures.Smith, Lisa (2009). “The Shelter: A Campus for CreativeIndustries in Dubai”, 17 November 2009.Stoneman, Paul (2009). Soft Innovation: Towards a more completepicture of innovative change, NESTA research report, London,July 2009.______(2010). Soft Innovation: Economics, Product Aesthetics andthe Creative Industries, Oxford, Oxford University Press.Sunario, Tuti, “Indonesia’s Creative Industries (CultureIndustries) Surging,” Indonesia Digest, available fromhttp://www.budpar.go.id/page.php?ic=611&id=3236.270 CREATIVE ECONOMY REPORT 2010