Creative Economy: A Feasible Development Option

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UN (2002). Manual on Statistics of International Trade in Services.UNCTAD (2000). Tariffs, Taxes and Electronic Commerce: RevenueImplications for Developing Countries, Policy issues in internationaltrade and commodities, study series No. 5, Geneva.______(2005). Handbook of Statistics. Geneva.______(2006). World Investment Report: FDI from Developing andTransition Economies: Implications for <strong>Development</strong> Report. Geneva,UNCTAD.______(2009). Handbook of Statistics. Geneva: UNCTAD.UNESCO Institute for Statistics (2005). International Flows ofSelected Cultural Goods and Services, 1994-2003. Montreal,UNESCO Institute for Statistics.______(2006). Creating Global Statistics for Culture: ExpertScoping Study, Final Report. Montreal, UNESCO Institute forStatistics.______(2007). Creating Global Statistics for Culture: Revision of theExpert Scoping Study. London, Burns Owens Partnership, andMontreal, UIS.UNESCO-UIS (2009). 2009 Framework for Cultural Statistics,Montreal, UNESCO Institute of Statistics. Availablefrom http://www.uis.unesco.org/ev.php?ID=7226_ 201&ID2=DO_TOPIC.References280 CREATIVE ECONOMY REPORT 2010
Statistical Annex
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ContentsForeword...................
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3.4.2 Large-scale corporate enterpr
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7. Technology, connectivity and the
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LIST OF BOXES1.1 A creative entrepr
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5.9 Creative goods: Exports, by reg
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5.13 Audiovisuals: Exports, by econ
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ForewordThe United Nations publishe
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AcknowledgementsThe Creative Econom
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Scope of this reportThe Creative Ec
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Chapter 1 explores evolving concept
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Ten key messagesThis policy-oriente
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IX. In the aftermath of the crisis,
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GCC Gulf Cooperation CouncilGDP Gro
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The Creative Economy1PART
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CHAPTER1Conceptand context of thecr
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1Concept and context of the creativ
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1Box 1.1 continuedA creative entrep
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1Box 1.2 continuedThe creative city
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2The development dimensioneties. Th
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Box 2.1South-South sharing of creat
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2The development dimension2.2.3 Soc
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2Box 2.2 continuedBrazilian carniva
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Box 2.3Africa Remix: Africa speakin
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2The development dimensionrequire c
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2The development dimensionconcrete
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2The development dimensionreforms,
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2The development dimensionThailand:
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2The development dimensionTurkey: I
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2The development dimensionMinistry.
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2The development dimensionvisual ar
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2The development dimension2.4.5 The
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Box 2.7 continuedBrand Jamaica as t
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2The development dimensionpublisher
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Box 2.8 continuedThe Bolshoi: A sub
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2The development dimension2.5.1 Cre
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2The development dimension■solar
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2The development dimensionBox 2.13E
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72 CREATIVE ECONOMY REPORT 2010
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3.2 Organization of the creative ec
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3Analysing the creative economythat
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3Analysing the creative economyketi
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3Analysing the creative economydiff
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3Analysing the creative economy3.3.
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3Analysing the creative economychai
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3Analysing the creative economygrou
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6766.966.27878.179.7*3940.041.6*363
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3Analysing the creative economyissu
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3Analysing the creative economybeca
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3Analysing the creative economy■
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4Towards an evidence-based assessme
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4.7 The case for a trade model for
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elated to need and comparable. Seco
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4.8.2 Summary comparison of statist
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Table 4.4 continuedCreative service
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■■The same rationale applies to
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Box 4.1Reality and numbers4Towards
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124 CREATIVE ECONOMY REPORT 2010
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5importing countries. It is not yet
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5International trade in creative go
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Chart 5.4a Share of economic groups
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Chart 5.6AlldevelopingeconomiesAsia
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profile their trade performance in
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82.5 per cent in 2002 to 77 per cen
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Trade (GATT) and Article V of the G
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Table 5.12aRankExporterArt crafts:
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socio-economic growth, performing a
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Tajikistan), underscores the promis
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except in South Africa. Recently st
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from $3.5 billion in 2002 to $7 bil
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India remains the world largest fil
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RadioDespite recent changes in life
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first and second, exporting nearly
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The aim of this report is to sensit
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ative content. Issues relating to m
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tions. The rationale for including
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Table 5.28Chart 5.19(in billions of
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Table 5.30 Related goods: Imports,
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The Role of IntellectualProperty an
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CHAPTER6Therole of intellectual pro
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Box 6.1Design as a key ingredient f
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defined in national legislation. Th
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has developed rapidly over the last
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and made commercially available by
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NO DERIVATIVE WORKSAllows others to
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In 2006, WIPO published National St
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Box 6.4Jewellery: A magic marriage
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ing at least until the first sale o
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tial. The right balance should be f
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CHAPTER7Technology,connectivityand
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m-commerce and m-banking. Mobile te
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Figure 7.4Subscribers per 100 inh.4
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Table 7.2DimensionDigital enablersD
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Table 7.4Rank1234567891011121314151
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IPR rights that may be “re-purpos
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producers; in short, the business m
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Box 7.2 continuedFree and open-sour
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patterns developed by ICTs, rich so
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Promoting the CreativeEconomy for D
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CHAPTER8Policystrategies for the cr
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entirely limited to the major urban
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8.3 The policy processThe process o
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8.4.2 Provision of finance andinves
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they operate and to evaluate the sh
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Box 8.2Alternative Currencies in Br
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Box 8.3 continuedThe Egyptian film
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crisis, the active participation to
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tries to the benefits of growth in
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There is significant evidence that
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Page 259 and 260: CHAPTER9Theinternational dimensiono
Page 261 and 262: the issues relating to trade in aud
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Page 269 and 270: 9.3.4 TRIPS AgreementWith respect t
Page 271 and 272: 9.4 UNESCO cultural-diversity persp
Page 273 and 274: 9.5 WIPO Development AgendaAt the W
Page 275 and 276: Cooperation has continued to work w
Page 277 and 278: come obstacles faced by poor commun
Page 279 and 280: 9.8 UNEP: Promoting biodiversity be
Page 281 and 282: CHAPTER10 Lessons learned and polic
Page 283 and 284: VI. The creative economy cuts acros
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Page 287 and 288: policymakers, researchers and pract
Page 289 and 290: Another mechanism to promote South-
Page 291 and 292: 10.3.2 Role of creative entrepreneu
Page 293 and 294: ReferencesBooks and articlesAcheson
Page 295 and 296: of Definitions of the Cultural and
Page 297 and 298: ativity for its management”, in C
Page 299 and 300: Taylor, Calvin (2006). “Beyond Ad
Page 301 and 302: Department of Communications, Infor
Page 303 and 304: PricewaterhouseCoopers (2008). “G
Page 305 and 306: ______(2004). São Paulo Consensus:
Page 307: The 2009 UNESCO Framework for Cultu
Page 311 and 312: Explanatory notes (continued)Art cr
Page 313 and 314: Explanatory notes (continued)Obviou
Page 315 and 316: Explanatory notes (continued)EBOPSE
Page 317 and 318: Country Profile: Argentina (continu
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Page 321 and 322: Country Profile: Turkey (continued)
Page 323 and 324: Country Profile: Turkey (continued)
Page 325 and 326: Distribution of developing economie
Page 327 and 328: Distribution of developed economies
Page 329 and 330: Distribution of economies by trade
Page 331 and 332: TABLE1.1IMPORTS (c.i.f., in million
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Page 339 and 340: TABLE1.2.ADeveloping economiesEaste
Page 341 and 342: TABLE1.2.BDeveloping economiesAsiaE
Page 343 and 344: TABLE1.2.BDeveloping economiesEaste
Page 345 and 346: CREATIVE GOODS: EXPORTS AND IMPORTS
Page 347 and 348: EXPORTS OF ALL CREATIVE SERVICES (1
Page 349 and 350: IMPORTS OF ALL CREATIVE SERVICES (1
Page 351 and 352: EXPORTS OF ADVERTISING AND RELATED
Page 353 and 354: IMPORTS OF ADVERTISING AND RELATED
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EXPORTS OF RESEARCH AND DEVELOPMENT
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IMPORTS OF RESEARCH AND DEVELOPMENT
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EXPORTS OF PERSONAL, CULTURAL AND R
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IMPORTS OF PERSONAL, CULTURAL AND R
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EXPORTS OF AUDIOVISUAL AND RELATED
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IMPORTS OF AUDIOVISUAL AND RELATED
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EXPORTS OF OTHER PERSONAL, CULTURAL
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IMPORTS OF OTHER PERSONAL, CULTURAL
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Statistical Annex Part 2CREATIVE EC
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TABLE3.1IMPORTS (c.i.f., in million
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TABLE3.2.ADeveloping economies (2)E
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TABLE3.2.BDeveloping economies (2)E
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TABLE3.3.AEXPORTS (in millions of $
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TABLE3.3.BIMPORTS (in millions of $
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