Creative Economy: A Feasible Development Option

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TABLE3.3.AEXPORTS OF ROYALTIES AND LICENSE FEES, BY ECONOMICGROUP AND COUNTRY/T ERRITORY, 2002-2008 (1)CONTINUEDEXPORTS (in millions of $)Economic group andcountry/territory2002 2003 2004 2005 2006 2007 2008Statistical Annex Part 3Jamaica Royalties and license fees 6 12 10 13 12 15 17Franchises and similar rights 6 12 10 13 12 15 16Other royalties and license fees - - - - 0 - 0Kenya Royalties and license fees 10 12 17 18 10 23 33Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Korea, Republic of Royalties and license fees 835 1,311 1,861 1,908 2,046 1,735 2,382Franchises and similar rights - - - - 315 281 301Other royalties and license fees - - - - 1,730 1,454 2,080Lebanon Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Madagascar Royalties and license fees 0 1 0 2 - - -Franchises and similar rights - 0 0 - - - -Other royalties and license fees - 1 0 2 - - -Malaysia Royalties and license fees 12 20 42 27 26 37 199Franchises and similar rights - - - - - - -Other royalties and license fees - 20 42 27 26 37 199Mali Royalties and license fees 0 - 0 0 0 0 -Franchises and similar rights - - - - - - -Other royalties and license fees - - 0 0 0 0 -Mauritius Royalties and license fees - - 0 0 0 0 0Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Mexico Royalties and license fees 48 84 92 70 171 120 440Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Mongolia Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Morocco Royalties and license fees 11 26 16 13 3 4 0Franchises and similar rights - - - - - - 0Other royalties and license fees - 26 16 13 3 4 0Mozambique Royalties and license fees 0 15 1 2 1 0 0Franchises and similar rights - - - - - - -Other royalties and license fees 0 15 1 2 1 0 0Myanmar Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Namibia Royalties and license fees 4 - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees 4 - - - - - -New Caledonia Royalties and license fees 0 0 0 0 1 0 1Franchises and similar rights - - - - - - -Other royalties and license fees 0 0 0 0 1 0 1Niger Royalties and license fees - - - 0 - 0 -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Occupied Palestinian territory Royalties and license fees - 0 0 0 0 0 -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Pakistan Royalties and license fees 6 8 10 15 53 37 38Franchises and similar rights - - - - - - -Other royalties and license fees - - 10 15 53 37 38362CREATIVE ECONOMY REPORT 2010
TABLE3.3.AEXPORTS (in millions of $)Economic group andcountry/territory2002 2003 2004 2005 2006 2007 2008Panama Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Papua New Guinea Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Paraguay Royalties and license fees 187 193 208 219 255 287 282Franchises and similar rights - - - - - - -Other royalties and license fees 187 193 208 219 255 287 282Peru Royalties and license fees 1 1 0 2 3 2 3Franchises and similar rights - - - - - - -Other royalties and license fees 1 1 0 2 3 2 3Philippines Royalties and license fees 1 4 12 6 6 5 -Franchises and similar rights - 4 12 6 6 5 -Other royalties and license fees - - - - - - -Republic of Moldova Royalties and license fees 1 1 2 2 2 6 4Franchises and similar rights - - - - - - -Other royalties and license fees 1 1 2 2 2 6 4Rwanda Royalties and license fees - - - - 0 - 62Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Samoa Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Senegal Royalties and license fees 0 - - 0 0 1 -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Sierra Leone Royalties and license fees - 0 1 - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Singapore Royalties and license fees 204 196 495 623 639 822 839Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Solomon Islands Royalties and license fees 0 0 0 - 0 - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -South Africa Royalties and license fees 19 27 37 45 46 53 54Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Sudan Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Swaziland Royalties and license fees 0 0 0 0 0 0 -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Syrian Arab Republic Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Togo Royalties and license fees - - - 0 0 - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Tonga Royalties and license fees - - - - - - -Franchises and similar rights - - - - - - -Other royalties and license fees - - - - - - -Statistical Annex Part 3CREATIVE ECONOMY REPORT 2010363
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ContentsForeword...................
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3.4.2 Large-scale corporate enterpr
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7. Technology, connectivity and the
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LIST OF BOXES1.1 A creative entrepr
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5.9 Creative goods: Exports, by reg
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5.13 Audiovisuals: Exports, by econ
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ForewordThe United Nations publishe
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AcknowledgementsThe Creative Econom
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Scope of this reportThe Creative Ec
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Chapter 1 explores evolving concept
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Ten key messagesThis policy-oriente
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IX. In the aftermath of the crisis,
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GCC Gulf Cooperation CouncilGDP Gro
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The Creative Economy1PART
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CHAPTER1Conceptand context of thecr
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1Concept and context of the creativ
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1Box 1.1 continuedA creative entrep
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1Box 1.2 continuedThe creative city
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2The development dimensioneties. Th
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Box 2.1South-South sharing of creat
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2The development dimension2.2.3 Soc
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2Box 2.2 continuedBrazilian carniva
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Box 2.3Africa Remix: Africa speakin
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2The development dimensionrequire c
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2The development dimensionconcrete
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2The development dimensionreforms,
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2The development dimensionThailand:
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2The development dimensionTurkey: I
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2The development dimensionMinistry.
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2The development dimensionvisual ar
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2The development dimension2.4.5 The
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Box 2.7 continuedBrand Jamaica as t
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2The development dimensionpublisher
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Box 2.8 continuedThe Bolshoi: A sub
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2The development dimension2.5.1 Cre
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2The development dimension■solar
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2The development dimensionBox 2.13E
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72 CREATIVE ECONOMY REPORT 2010
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3.2 Organization of the creative ec
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3Analysing the creative economythat
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3Analysing the creative economyketi
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3Analysing the creative economydiff
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3Analysing the creative economy3.3.
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3Analysing the creative economychai
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3Analysing the creative economygrou
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6766.966.27878.179.7*3940.041.6*363
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3Analysing the creative economyissu
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3Analysing the creative economybeca
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3Analysing the creative economy■
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4Towards an evidence-based assessme
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4.7 The case for a trade model for
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elated to need and comparable. Seco
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4.8.2 Summary comparison of statist
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Table 4.4 continuedCreative service
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■■The same rationale applies to
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Box 4.1Reality and numbers4Towards
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124 CREATIVE ECONOMY REPORT 2010
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5importing countries. It is not yet
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5International trade in creative go
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Chart 5.4a Share of economic groups
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Chart 5.6AlldevelopingeconomiesAsia
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profile their trade performance in
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82.5 per cent in 2002 to 77 per cen
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Trade (GATT) and Article V of the G
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Table 5.12aRankExporterArt crafts:
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socio-economic growth, performing a
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Tajikistan), underscores the promis
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except in South Africa. Recently st
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from $3.5 billion in 2002 to $7 bil
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India remains the world largest fil
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RadioDespite recent changes in life
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first and second, exporting nearly
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The aim of this report is to sensit
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ative content. Issues relating to m
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tions. The rationale for including
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Table 5.28Chart 5.19(in billions of
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Table 5.30 Related goods: Imports,
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The Role of IntellectualProperty an
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CHAPTER6Therole of intellectual pro
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Box 6.1Design as a key ingredient f
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defined in national legislation. Th
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has developed rapidly over the last
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and made commercially available by
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NO DERIVATIVE WORKSAllows others to
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In 2006, WIPO published National St
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Box 6.4Jewellery: A magic marriage
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ing at least until the first sale o
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tial. The right balance should be f
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CHAPTER7Technology,connectivityand
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m-commerce and m-banking. Mobile te
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Figure 7.4Subscribers per 100 inh.4
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Table 7.2DimensionDigital enablersD
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Table 7.4Rank1234567891011121314151
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IPR rights that may be “re-purpos
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producers; in short, the business m
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Box 7.2 continuedFree and open-sour
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patterns developed by ICTs, rich so
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Promoting the CreativeEconomy for D
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CHAPTER8Policystrategies for the cr
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entirely limited to the major urban
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8.3 The policy processThe process o
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8.4.2 Provision of finance andinves
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they operate and to evaluate the sh
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Box 8.2Alternative Currencies in Br
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Box 8.3 continuedThe Egyptian film
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crisis, the active participation to
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tries to the benefits of growth in
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There is significant evidence that
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■■■the desirability of capaci
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CHAPTER9Theinternational dimensiono
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the issues relating to trade in aud
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Development of the European Commiss
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and bound tariff rates have decline
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and continue negotiations on the Ag
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9.3.4 TRIPS AgreementWith respect t
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9.4 UNESCO cultural-diversity persp
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9.5 WIPO Development AgendaAt the W
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Cooperation has continued to work w
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come obstacles faced by poor commun
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9.8 UNEP: Promoting biodiversity be
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CHAPTER10 Lessons learned and polic
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VI. The creative economy cuts acros
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the creative industries in the Unit
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policymakers, researchers and pract
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Another mechanism to promote South-
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10.3.2 Role of creative entrepreneu
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ReferencesBooks and articlesAcheson
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of Definitions of the Cultural and
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ativity for its management”, in C
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Taylor, Calvin (2006). “Beyond Ad
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Department of Communications, Infor
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PricewaterhouseCoopers (2008). “G
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______(2004). São Paulo Consensus:
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The 2009 UNESCO Framework for Cultu
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Statistical Annex
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Explanatory notes (continued)Art cr
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Explanatory notes (continued)Obviou
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Explanatory notes (continued)EBOPSE
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Country Profile: Argentina (continu
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Country Profile: Argentina (continu
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Country Profile: Turkey (continued)
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Country Profile: Turkey (continued)
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Distribution of developing economie
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Distribution of developed economies
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Distribution of economies by trade
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TABLE1.1IMPORTS (c.i.f., in million
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TABLE1.2.ADeveloping economiesAsiaE
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Page 341 and 342: TABLE1.2.BDeveloping economiesAsiaE
Page 343 and 344: TABLE1.2.BDeveloping economiesEaste
Page 345 and 346: CREATIVE GOODS: EXPORTS AND IMPORTS
Page 347 and 348: EXPORTS OF ALL CREATIVE SERVICES (1
Page 349 and 350: IMPORTS OF ALL CREATIVE SERVICES (1
Page 351 and 352: EXPORTS OF ADVERTISING AND RELATED
Page 353 and 354: IMPORTS OF ADVERTISING AND RELATED
Page 355 and 356: EXPORTS OF ARCHITECTURAL AND RELATE
Page 357 and 358: IMPORTS OF ARCHITECTURAL AND RELATE
Page 359 and 360: EXPORTS OF RESEARCH AND DEVELOPMENT
Page 361 and 362: IMPORTS OF RESEARCH AND DEVELOPMENT
Page 363 and 364: EXPORTS OF PERSONAL, CULTURAL AND R
Page 365 and 366: IMPORTS OF PERSONAL, CULTURAL AND R
Page 367 and 368: EXPORTS OF AUDIOVISUAL AND RELATED
Page 369 and 370: IMPORTS OF AUDIOVISUAL AND RELATED
Page 371 and 372: EXPORTS OF OTHER PERSONAL, CULTURAL
Page 373 and 374: IMPORTS OF OTHER PERSONAL, CULTURAL
Page 375 and 376: Statistical Annex Part 2CREATIVE EC
Page 377 and 378: TABLE3.1IMPORTS (c.i.f., in million
Page 383 and 384: TABLE3.2.ADeveloping economies (2)E
Page 385 and 386: TABLE3.2.BDeveloping economies (2)E
Page 387 and 388: TABLE3.3.AEXPORTS (in millions of $
Page 389: TABLE3.3.AEXPORTS (in millions of $
Page 395 and 396: TABLE3.3.BIMPORTS (in millions of $
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Creative Economy: A Feasible Development Option

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