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Paraguayan histories for virtually closing the borders of the country to foreigners,<br />

controlling internal migrations, outlawing books and newspapers, and closing<br />

down the institutions of higher learning, including the College of Asunción<br />

(Domínguez 1946[1918]). According to Julio Cesar Chaves (1942:279), the new<br />

nation of Paraguay was left to incubate its new nationalism for the 26 years of<br />

Francia's rule. “The isolation of Paraguay in 1823 was almost total. No<br />

commercial relations whatsoever were maintained outside the country, reducing<br />

commerce to barter of a few products in Pilar [a riverine port city].”<br />

While the closing of outside trade was a hardship for all, it ended<br />

Paraguay's dependent economic relationship as the most peripheral in exchanges<br />

reaching to Europe or North America. There were a number of ramifications of<br />

this. Luxury goods were no longer being imported; this would no doubt include<br />

lace.<br />

It is probable that the closure of the country facilitated the development of<br />

local products that previously had been imported in order to fulfill local demand.<br />

It is also probable that previously limited usages expanded to fill new needs left<br />

vacant by the lack of imported goods. Ñandutí would fit into this category as a<br />

product that had been used for religious rituals as altar cloths and vestments<br />

being adapted to secular uses for the nation’s elites. This would be particularly<br />

true in the area surrounding the capital of Asunción where luxury goods would<br />

have been more in demand (Salerno 1996:13).<br />

According to Pla (1993:8), ñandutí production continued in several small<br />

communities surrounding the capital of Asunción, such as Itauguá, after the<br />

expulsion of the Jesuits (1767) and the end of the colonial era (1811). At this<br />

point, upper class women maintained the knowledge of the art of ñandutí.<br />

These communities had a portion of upper class families from plantations or<br />

businesses with daughters who prepared ñandutí for their weddings and<br />

households. For the middle and lower class Paraguayan woman and her<br />

household, ñandutí was not practical for dress, decoration, or the time spent in<br />

production.<br />

Francia died in 1840 and Carlos Antonio López became the next dictator of<br />

the fledgling nation-state. He “tried to encourage commerce, to establish<br />

diplomatic relations, to encourage immigration and to reestablish the school<br />

system” (Rubin 1968:27). López found opening international commerce initially<br />

difficult due to the refusal by Argentine dictator Juan Manuel Rosas to let<br />

Paraguayan ships pass upriver. When Rosas fell in 1852, López increased<br />

international trade, which tripled in the next ten years, and accelerated<br />

modernization. López died in 1862 and, within a month, his son, Francisco<br />

Solano López, was chosen unanimously to be the new president by a special<br />

congress.<br />

William Barrett (1952) suggests that López modeled himself after Louis<br />

Bonaparte (Napolean III) and wanted to be a world leader. He toured France<br />

and brought back an Irish mistress named Eliza Lynch who had been living at<br />

7

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