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Zwischen Arktis Adria und Armenien

978-3-412-50757-2_OpenAccess

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Debating the Mercantile Backgro<strong>und</strong> 371<br />

Shoulders of Giants. In particular, Merton stresses the difference between debates<br />

carried on in public and those conducted in private, referring to a letter by Isaac<br />

Newton to Robert Hooke, in which the famous scientist wrote: “What’s done before<br />

many witnesses is seldom without some further concern than that for truth: but what<br />

passes between friends in private usually deserves y e name of consultation rather<br />

than contest, & so I hope it will prove between you & me.” 83 On the basis of these<br />

observations, Merton formulated his “Hooke-Newton-Merton sociological theory of<br />

the perverse effects of public debate upon intellectual clarity (not to say, integrity)”. 84<br />

He states that a scholarly exchange of that type more often than not “becomes a battle<br />

for status more nearly than a search for truth”. 85<br />

The debate dealt with here was neither a purely private one, 86 nor an exclusively<br />

public one. In fact, its public aspect was not even a debate in the real sense of the<br />

word, since it lacked a debate’s most important ingredient: dialogue. One of the participants<br />

– the late Artur Attman – presented his views in a monological, almost<br />

autistic fashion, paying little attention to what others commented on in his writings.<br />

In particular, he very rarely quoted Michael Roberts and did not reply at all to his<br />

counter-arguments. Thus, the attempts of his British opponent, who constantly referred<br />

(and still refers) to Attman’s views, presents them and takes a stand on them, to<br />

enter into a direct and polemical exchange of opinion and criticism remained by and<br />

large unsuccessful. It might well be said, therefore, that the rather one-sided debate in<br />

question is not only a dispute between two directions of historical thought – ‘materialist’<br />

and ‘historicist’ – and between two individual historians – a taciturn Swede and<br />

an eloquent Anglo-Saxon – but even more so between two different academic worlds.<br />

This one-sidedness is regrettable, since the pursuit of Attman’s argument would have<br />

profited significantly from his answering at least some of Roberts’s pressing questions,<br />

while the latter could have gained much from the former’s intimate knowledge<br />

of Swedish archival sources. On the other hand, it probably prevented the debate<br />

from becoming what Merton calls “a battle for status”. Maybe this is one of the reasons<br />

why in marked contrast to other scholarly controversies the yield of the Attman-<br />

Roberts debate is truly impressive.<br />

83 Robert K. Merton, On the Shoulders of Giants. A Shandean Postscript. The Post-Italianate Edition.<br />

With a Foreword by Umberto Eco, an Afterword by Denis Donoghue, and a Preface and Postface by<br />

the Author (Chicago, IL and London 1993), 23; originally published with a foreword by Catherine<br />

Drinker Bowen (New York and London 1965).<br />

84 lbid., 142.<br />

85 Ibid., 25.<br />

86 In fact, there was hardly any private discussion between the two historians. While Attman habitually<br />

avoided any talk about ongoing research, Roberts referred only once to a ‘conversation, June 1976,<br />

. . . [with] Professor Attman’. Cf. Martin Fritz, ‘Artur Attman 1910–1988. Minnesteckning’, Kungl.<br />

Vetenskapsoch Vitterhets-Samhällets i Göteborg årsbok (1989), 9–13 (12–13), and Roberts, Imperial<br />

Experience, 31 and 31n. Responding to an enquiry, Roberts, in a letter of 30 May 1992 to the author,<br />

described his personal relations with Attman as follows: ‘The conversation with him to which you<br />

refer was certainly the only one to deal with historical subjects. I met him three or four times . . . , and<br />

we seemed to get on well together. We never corresponded at all’ [emphasis added].<br />

Open Access © 2017 by BÖHLAU VERLAG GMBH & CIE, KÖLN WEIMAR WIEN

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