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Nicene and Post-Nicene Church Fathers Series 2 - The Still Small ...

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To a writer.<br />

Letter CCCXXXIV.<br />

Write straight, <strong>and</strong> make the lines straight. Do not let your h<strong>and</strong> go too high or too<br />

low. Avoid forcing the pen to travel slantwise, like Æsop’s crab. Advance straight on, as if<br />

following the line of the carpenter’s rule, which always preserves exactitude <strong>and</strong> prevents<br />

any irregularity. <strong>The</strong> oblique is ungraceful. It is the straight which pleases the eye, <strong>and</strong> does<br />

not allow the reader’s eyes to go nodding up <strong>and</strong> down like a swing-beam. This has been<br />

my fate in reading your writing. As the lines lie ladderwise, I was obliged, when I had to go<br />

from one to another, to mount up to the end of the last: then, when no connexion was to<br />

be found, I had to go back, <strong>and</strong> seek for the right order again, retreating <strong>and</strong> following the<br />

furrow, 3265 like <strong>The</strong>seus in the story following Ariadne’s thread. 3266 Write straight, <strong>and</strong><br />

do not confuse our mind by your slanting <strong>and</strong> irregular writing.<br />

3265 Of the use of this word to indicate the lines in mss., cf. Aristoph., <strong>The</strong>sm. 782, <strong>and</strong> Anth., Pal. vi. 82.<br />

3266 i.e. in the Labyrinth of Crete. Ope virginea, nullis iterata priorum, Janua difficilis filo est inventa relecto.<br />

Ov., Metam. viii. 172.<br />

To a writer.<br />

900

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